Who are the famous representatives of landscape painting in the Five Dynasties period and the artistic characteristics of their paintings?

1. Jing Hao

Jing Hao (c. 850-?). Jing Hao was a painter from Mengzhou, Henan Province (Jiyuan, Henan Province) in the Five Dynasties, and was honored as the ancestor of the Northern Landscape Painting School. Because of avoiding war, he lived in seclusion in the Taihang Mountains for many years.

Specializing in landscape painting, he studied under the tassel of pendant of jades on coronet, and drew on the majestic and steep landscape of the north, painting "with brush and ink, water halo and ink chapters", and chapping the brush firm and firm and craggy, showing a kind of high and deep back to the ring, the grand mountain of the grand momentum, for the ancestor of the school of landscape painting in the north.

The author of the classic work of the theory of landscape painting, the "brushwork", put forward the gas, rhyme, scenery, thought, pen, ink painting scenery "six".

Works also "Kuanglu", "snow landscape" and so on.

2. Guan Tong

Guan Tong (about 907-960), Chang'an (Xi'an, Shaanxi). He was a painter in the Later Liang of the Five Dynasties. He was also known as Guan Tong and Guan Xi. In the landscape painting, he was able to go beyond the pattern of Jing Hao and showed his own unique style, which was called Guan family landscape.

In his early years of painting landscapes, he studied under Jing Hao, and was so intent on learning that he lost no sleep or food. The landscapes he painted were able to express the characteristics and majesty of the mountains and rivers in the Guanshan area.

The painting style is simple, the image is clear and prominent, and the simplicity is moving, which is known as "the brush is more simple but the gas is more strong, the scenery is more less but the meaning is more long". In the Northern Song Dynasty, Mi Fu said, "The momentum of the work of the Guanhe River, the peaks and mountains are less beautiful.

3, Li Cheng

Li Cheng (919-967), the early Song painters of the Five Dynasties, the word Xianxi, originally from Chang'an (Xi'an, Shaanxi Province), the first lineage of the Tang clan. He specialized in painting landscapes under the tutelage of Jing Hao and Guan Tong, and later mastered the art of creation to create his own style. He painted a lot of countryside scenery.

Pingyuan cold forest, painting method is simple, the weather is sparse, good use of light ink, there is "ink as gold" called; painting rocks as rolling clouds, later known as "rolling clouds chapped"; painting cold forest created "crab claw" method. Crab claw"; painting cold forests to create the "crab claw" method. The development of landscape painting on the Northern Song Dynasty has a significant impact on the Northern Song Dynasty was known as "ancient and modern first".

Grandfather moved to Yingqiu (present-day Qingzhou, Shandong Province) in the Five Dynasties to avoid the chaos, so he was also known as Li Yingqiu.

The artist's works include "Reading Tablet and Stone", "Cold Forest and Field", "Clear Mountains and Xiao Temple" and "Moulin and Faraway Mountain", etc. The artist's works include "Reading Tablet and Stone" and "Cold Forest and Faraway Mountain".

4. Dong Yuan

Dong Yuan (934-about 962), also known as Dong Yuan, Shuda, was a native of Zhongling (Jinxian County) in Jiangxi Province. He was a painter of the Southern Tang Dynasty in the Five Dynasties, and the founder of the Southern School of Landscape Painting.

Dong Yuan, together with Li Cheng and Fan Kuan, is known as the Three Great Masters of the Northern Song Dynasty. Li Jing, the lord of the Southern Tang Dynasty, was the deputy envoy of the North Garden, so he was also known as "Dong Beiyuan".

Dong Yuan was good at painting landscapes, as well as objects, birds and animals. The landscape of the first master Jing Hao, the pen force of calm and majestic, and then the real mountains of Jiangnan into the painting, not for the strange craggy pen. Sparse forests and distant trees, far and deep, chapped like hemp, known as "Phi Ma Chafing".

The moss points on the hills are fine, the water color is river and sky, the clouds are obvious, the peaks are out of the way, and the streams and bridges, the rate is more than the true meaning. Mi Fu said his paintings "plain and naive, Tang has no such product".

Surviving works are "summer view of the mouth of the mountain waiting for the ferry map", "Xiaoxiang map", "summer mountain map", "stream bank map", "flat forest color scroll" and so on.

5, Ju Ran

Ju Ran, birth and death date unknown, Jiangning (Nanjing, Jiangsu). Five Dynasties, early Song dynasty painters, monks.

Early in Nanjing Kaiyuan Temple monk, the Southern Tang Dynasty after the fall of the Song Dynasty to Bianjing (Kaifeng, Henan), living in Kaibao Temple.

Specializing in painting landscapes, under the tutelage of Dong Yuan, specializing in painting landscapes in Jiangnan, the painting of the peaks and mountains, the tops of the mountains are mostly made of alum, and there are many pebbles among the foothills of the forests, which are reflected in the sparse peony and creeping grasses, which are placed on the thin paths of the dangerous bridges and thatched cottages, which is the interest of the wild and quiet, which is very much loved by the literati.

To long pima chapped painting rocks, ink and brush, for the direct transmission of Dong Yuan painting style, and called Dong Ju, on the Yuan, Ming and Qing dynasties to the development of landscape painting has a great influence.

The paintings are "Ten Thousand Gullies and Pine Breeze", "Autumn Mountains", "Mountain Dwelling", and so on.

Baidu Encyclopedia- Jing Hao

Baidu Encyclopedia- -Baidu Encyclopedia - Guan Tong

Baidu Encyclopedia - Li Cheng

Baidu Encyclopedia - Dong Yuan

Baidu Encyclopedia - Ju Ran