100 Painting of Landscape and Snow Scene (a Chinese painting course that will benefit you all your life ~)

1. After drawing construction, rub the tree with paper bars dipped in ink according to the composition, and pay attention to the gathering and scattering of the tree. Draw roofs, wooden bridges and river banks with snow.

2. Draw the house and barn with thick ink, and carefully set off the tree shape.

Draw a wooden bridge and a river, and pay attention to the shape of the tree.

4. Tick out the branches of young trees with the center line, and pay attention to the density relationship and the light and shade before and after.

5, wet the background of the house, wipe the light ink with paper ribs, splash out the virtual tree behind, pay attention to the penetration of ink at any time to protect the shape of the house.

6. Draw trees on light ink, from thick to light, and strive to enrich and unify.

7. Continue to wet the back, rub the virtual trees in the distance with paper ribs, and paint houses and warehouses with light ochre.

8. Draw a fence with neat calligraphy, and draw a black dog in a proper position, which should be concise and neat.

9. Enrich the forest behind with pale ink trees, and paint the nearby Bai Shu with snow strokes to avoid thinness. Embedding snow in a black tree and adjusting the picture. Finally, sign and seal, and a painting is finished.

Zhao Chunqiu: Transformation Techniques of Snow and Ice Landscape Painting from Sketch

1. First of all, interpret the sketch to be reconstructed, deeply analyze the transition of the whole composition, have a good understanding of the rock structure, and make a good design for the upcoming picture. When talking about setting up Chen's position and operating position, the ancients said that the composition should be like a soldier's position, which should be carefully scrutinized and have the concept of management.

Graphic/Zhao Chunqiu

2、? Draw the nearest rock with a brush dipped in ink, and pay attention to the direction and general structure of the rock.

3. Find out the rock structure with a little thick ink, explain the relationship between rock and snow with snow, and start to point trees.

Tip: when drawing snow, pay attention to the moisture in the pen, and ask the ink color to be too natural from thick to light. You can try again and again on the test paper, and then draw after you are sure.

4. After clicking on the tree, a large number of conveniently splashed cliffs behind.

5. The structure and shape of the middle cliff are deeply expressed, and the relationship between rock and snow is described by snow.

6. Point the tree and pay attention to the density relationship. When drawing a tree, you should draw a person, have a dialogue, have a pitch, have a story and be vivid.

7. After clicking the tree, continue to push it back. According to the structure, splash a lot of homeopathy on the cliff behind, and then paint deeply after work.

8. Sweep the background with a lot of light ink, pay attention to controlling the moisture, and set aside the position of the snow mountain appropriately.

9. Further adjust the background and squeeze out the distant mountains with deeper ink to make the picture richer. Draw a stream with a little thicker ink and unify the picture by snowing.

10, adjust the map, strive for unification, and finally sign and seal it.

Appreciation of Zhao Chunqiu's landscape painting;

Original sketch works:

Deformed snow and ice landscape painting:

Original sketch works:

Deformed snow and ice landscape painting:

Snowball

In the eyes of many people, ice and snow landscape painting is amazing. Snow painting is a kind of developing snow painting. In China's traditional painting, snow and ice landscape painting has always been favored by scholars of all ages. As early as the Book of Songs, National Style and other literary works, the shape and quality of snow were endowed with metaphorical expression. The physical and physical characteristics of snow are related to people's temperament and have the performance function of expressing feelings and aspirations. Magnificent and solemn mountains and pure and white snow make magnolia more thick, so snow landscape painting has become a unique branch of landscape painting and has been handed down.

With the development of history, great changes have taken place from aesthetic ideas to painting techniques. Ice and snow landscape painting is brand-new and deeply loved by all walks of life. However, for professionals and non-professionals, the understanding of contemporary ice and snow landscape painting is superficial, and many people's understanding still stays at the level of "alum water" and "stunt", thus ignoring and denying its literati painting attribute and separating it from the traditional ice and snow landscape painting.

Zhao Chunqiu, a famous painter, reveals the secret of ice and snow landscape painting from the perspective of a painter who has been immersed in Sri Lanka for 30 years. I hope it can help you to deeply understand, feel and experience the clear state of mind and pious attitude of ice and snow painters in painting, and cleanse your sentiment in a bleak and silent snow scene, so that we can enjoy it in physics, painting and reason.

? Do you know that?/You know what? Do you know that?/You know what? When using alum water in ice and snow landscape painting, you need to draw on the reverse side, and then look at the front side after painting!

The snow bag below is painted on the back with alum-water mixed ink.

Snow bag, or alum ink technology.

White trees with alum ink on the back are layered on top of each other. Isn't it amazing?

Bai Shu in ice and snow landscape paintings can sometimes be left blank. Although it requires high skills, it does not delay pen and ink like ordinary landscape painting.

Using the white color of rice paper itself, a birch forest emerges from the paper.

See the tree behind? Without saying a word, it feels like a wonderful hand!

Rubbing the texture of rice paper, born of emotion, looks natural.

It turned out that it was a crumpled piece of paper. With a little pen and ink, there is no sense of disobedience?

Don't think that the trees in ice and snow landscape paintings are all modern, but in fact they are traditional. Without traditional skills, most people can't draw well!

Look at this tree. Are there any shadows in the landscape of Song and Yuan Dynasties?

A few trees that can be seen clearly, is it a traditional tree method?

Shuanggoushu

You see, do you need traditional skills? Can you paint without making great efforts to copy traditional paintings?

Ice and snow landscape painting pays attention to pen and ink. Without the traditional foundation of literati painting, painting is not good. A good snow and ice landscape painting is full of the spirit of literati painting.

Ice and snow landscape painting, like literati painting, is also a calligraphy pen, written, not painted, not painted.

Look at that elastic branch. This feeling is untraceable.

Snow and ice landscape painting is good at expressing rime, which is not available in traditional painting techniques!

Ice and snow landscape paintings are rich in color, but no matter what color, they can't change the essence of ice and snow!

snowfield

Song formula of snow cover technique

Zhao's snowstorm, people say it is omnipotent;

Mountains and rivers, clouds and skies, everything can be used;

The whole pen is light ink, and the rest is scraped into a flat front;

Try watching ink pornography once or twice first;

Dip in water and turn the pen horizontally;

Under water pressure and ink, infiltration is natural;

Set the edge of the plate twice, scrape it clean and merge it;

Try again two or three times to observe the transition;

Then draw on paper, supplemented by ink and wash;

The sum of three and a half bags, one satellite tube for dual use;

Nail hook line, density and shape;

Upper side, upper bottom, lower side and lower top;

Look at the snow nest from a distance, and the river bank is flat from a distance;

Xiaoyan avoids flying solo and combines into a snow scene.

Su Zhenban copied the first work.

Song formula of miscellaneous tree technique

Zhao painted miscellaneous trees, and the lines saw real merit;

Single and double hook trunk, pen does not relax;

The middle of the trunk is open, and the center changes to the side;

The winger needs to pick up a pen to wipe the center;

Draw two lines again, there are setbacks and breaks;

Scrubbing and cleaning, with tree scars in it;

The upper stem can be hooked and the center can be connected;

The trunk avoids the telephone pole, bending strength modeling;

Besides, painting branches, single hook calligraphy skills;

Pen and pen in place, long and short letters;

Branches are welded, thick and thin;

Beautiful 30 degrees, interspersed with natural lines;

The exposed branches should be accurate and clearly pointed;

Occasionally a few dots, dots, lines and faces;

The size is staggered back and forth, and it is dense into a tree view.

Su Zhenban Copied Works 2

Melody of hollowing out technique

Zhao's hollowing out method, commonly known as pulling out trees;

Dry or wet the paper, draw the back part first;

Dip in a lot of light ink and build a tree in the dark;

The pen is long and short, and the branches can be taken into account;

Hold black and keep white, with Bai Shu in your chest;

Light ink first looks for the type, and the dots are short and vertical;

The point tube is multifaceted, look at the white place when writing;

Looking for it two or three times, branches have begun to appear;

Branches and forks are divided into three parts and distributed in many branches;

Thick ink is used on the trunk with clear edges;

Bai Shu is dark outside, with dark dotted lines;

The picture is black, white and gray, watching kung fu layer by layer;

The main tree can be extended downward and displayed nearby;

Embarrassed, the light and dark textures are exposed;

With the far and near scenery, the picture is more abundant.

Su Zhenban's Copying Works III

Formula of Song Alum Ink Method

Zhao's alum ink method was passed on to Lao Zhen;

Alum ink or milk ink, innovative techniques.

Alum ink is used in snow bags to show alum marks;

Draw a tree with milk ink to block the bottle.

Alum buffalo milk paper and pen, painting materials should be complete;

Double-layer rice paper, homemade alum water;

Pay attention to pen selection, and reverse painting is the core.

Let's talk about painting snow bags first, and the technique is to drag the pen;

Dashan horse pen, the whole pen dipped in alum water;

The ink color of the pen tip becomes a snow ball in one stroke;

Drag the pen slowly to soak it;

From the top to the painting, the iron law cannot be violated;

Snow bags are large and small, and the density is very tight;

Look at the arc with a pen and leave a mark at the bottom;

The bread in front is short and thick, and the bread in the back is long and thin;

The river bank should bottom out, and the ink pressure is half;

Repeat two or three times, multi-layer alum printing;

Look ahead after painting, singing in the snow.

Let's talk about painting rime first and writing pine needles;

Hill horse pen, full of milk;

Don't write too fast to cover the bottle;

Painting is like painting a tree, with strong branches;

Branches are painted in groups, thick and dense;

The head of the tree hangs slightly, indicating heavy snow;

If the tree boat is embedded with snow, the reverse side is soaked with milk;

Alum ink for pen change, multi-layer ink-permeable bottle;

Then use light ink, and then take the milk route;

Use ink twice, focusing on the treehead forest;

Use thick ink three times, and the branches are slightly true;

China's ink is blue, and the reverse side is slightly splashed;

Mountain horse pen, the opposite of China and Mexico;

The front is painted with ink, drawing thick branchlets;

Looking forward after painting, rime shows the guest of honor.

Blue sky and clear water, beautiful alum ink brand new.

Su Zhenban Copied Works 4

? Song formula of rock technique

Zhao's rock method is actually not simple;

Snow stone painting, Ming should come first;

There is snow on the slope, and the stone surface is exposed under the snow;

Ink becomes a thirsty pen, scraping obliquely and vertically;

Horizontal and vertical structure method, oblique stone surface painting;

Find the structure with horizontal lines and draw dark edges with thick ink;

Light ink to find three-dimensional, do not draw an outline;

Size and density, rocks are skillfully transformed;

Draw another snow mound and walk along the border again;

Dyeing takes three steps, and ochre is wonderful and light;

Go over the actual situation and cover it lightly twice;

Color ink to see the effect, complementary color three times;

Generally speaking, there is one more thing;

When the top of the stone was smashed, the stone was bright and obvious.

Su Zhenban Copied Works 5

Song formula of big brushwork

Zhao's big brush is a stunt;

Landscape trees and clouds, get twice the result with half the effort;

Brush ink, dry pen and ink to quench thirst;

Ink painting has snow, and the scratches are obvious;

Try it two or three times before you can wipe it on paper;

The distant mountains are matched with the sky scenery, and thick ink should be used;

Brush top running angle;

Below is the top of the mountain, with a large outline;

There are distant mountains in the chest and you in the ink;

Black and white are not linked, and the trend is white;

Use it vertically and horizontally and sweep it;

Light in and empty out, the whole piece is combined well;

Asymmetry of light and shade to prevent dead ink;

Zhongshan needs processing, and the method should be simple;

There are many distant trees under the mountain, with a lot of shade;

The method of pushing horizontally and vertically can be used up and down;

Gently sweep and brush the anti-death ink again;

Find the head shape while wet, and outline it with light branches;

Water and colored ink on the shore under the tree can be made;

Pay attention to the horizon, the nozzle should not be too high;

The two banks are parallel, and the shore water is at an acute angle;

Small pen horizontal water line, vertical brush reflection river;

It is self-evident that the shore is snowy and reserved;

The flexible use of brushes will naturally bring many changes.

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