Recommend some modern ancient poems

The creative tendency of late pronouns is prose, where the "four masters of Qing Dynasty" suddenly emerged.

In the late modern times, with the early development, poets like Feng Xu, Tan Xian and Chen Rui appeared. Among them, Wang, Zhu Zumou, Kuang Zhouyi and Zheng Hewen are called "the four great poets of Qing Dynasty". The creation of Ci in late modern times was basically carried out under the cover of the theory of Changzhou Ci School, which respected the style of Ci, emphasizing not only the traditional artistic style of Ci, but also the heavy content of Ci, and did not regard Ci as a "poetic trace". By the Qing Dynasty, the four major schools had patriotic feelings in the face of the more sinister national situation, and most of them were in favor of reform and hoped for self-improvement. Before and after the Reform Movement of 1898 and during the Gengzi period, their ci works were full of compassion for the world. After the Revolution of 1911, their thoughts were backward and they had a lot of nostalgia.

Wang (1848 ~ 1904) was the oldest among the four poets in Qing dynasty, and played a leading role. During the Sino-Japanese War, Wei Jun, an imperial envoy, impeached Li Hongzhang and was dismissed and sent to the military podium. Wang's inscription "Man Jiang Hong sends An Xiaofeng to serve the imperial garrison":

When Holland arrived in Changge, it was already an empire, and there were nine customs. I still remember, elegy, please sword, look at each other. The full moon is bleak, and the ice and snow of the snake makes me cry. What if you succeed and eventually lose your heart? It's hard to ask. Don't worry. What a suggestion, strange man. I'm the only one who wants to die. Bring disgrace to oneself is a matter of the world, and glory is a matter of the world. I hope I will never forget it for a hundred years and cherish my life. In their poems, they recalled their generosity in discussing state affairs, lamented that the "initial intention" of saving the country failed, and in the face of the situation that "it is difficult to ask heaven, there are still more people", they boldly praised Ann for daring to denounce important officials and touch the enemy, and was a "true man." The phrase "don't be embarrassed or humiliated" is especially seen in the noble character of putting state affairs first. Others, such as Zhu Yingtai's "Near Rhyme: Happy Feeling of Spring", "Touching the Red Lips of Spring" and "Lonely Waves of Sand", combine emotion and imagery, and the realm is muddy, showing the artistic achievements of his ci. The overall style of Wang Ci is vigorous and smooth, thick but not astringent. Zhu Zumou praised it as "like every flower is eternal, and the beginning is different" ("Looking at the south of the Yangtze River, miscellaneous questions, then I will go to the noun collection").

Zhu Zumou (1857 ~ 193 1) was called "one of the big knots in Ci" by Ye Gongchuo (Volume 2 of Guang Zuo Zhong Zi). The fifth "Do you know if you are a seagull?" Partridge Sky, Nine Days of Prosperity and Xinyi are all Liu Guangdi's mourning for the "Six Gentlemen of the Reform Movement of 1898". The former said that "red lotus and white chrysanthemum are innocent, just thinking before the wind" and wrote deep feelings in extremely light language. Its "Partridge Day, Gengzi Year in addition to" cloud:

Like water, clear and respectful, seniors are easy to get old. Wine and sausage are like halberds, but first frost is miserable. Throw a pillow and sit and roll a book. Don't be embarrassed to crow. Candles are red all over the world, and green mountains and green dreams are everywhere.

His wine sausage, which is as dense as a halberd, and his pen, which is as miserable as a flower, are the manifestations of supporting a country's chest, and the last two sentences show disappointment and homesickness. His handwriting is more bookish than Wang's, and lettering is harmful to nature.

Zheng (1856 ~ 19 18) has the most refined melody, and his lyrics emphasize the law of choosing words and cutting words. Yi Shunding called his lyrics "clean and far-reaching, with beautiful rhyme" (Thin and Beautiful Word Order). For example, "Huanxisha travels to and from the stone building and stone wall of Dengwei Mountain": "It's rainy and sunny in Ban Mei, and the lake is clear and blue, and the clouds are high and the birds are light. Mountain fruit begins to talk about price, wild flowers are unknown, and smoke is straight. " "How Xin Lang Qiu Scar" and "Han Gong Chun Geng Zi Leaps Over the Mid-Autumn Festival", written before and after the boxer, are full of feelings.

Kuang Zhouyi (1859 ~ 1926) is famous for his morale, and he also wrote lyrics in his early years. Ye Gongchuo called his ci "a generation of great masters with profound thoughts and isolated thoughts" (Volume II of Guang Zuo Zhong Ci). His writing refines meanings and sentences without losing nature. For example, "Nanxiangzi": "Autumn scholars are used to relaxing and drinking more luxuriously. I'm in charge. Good night. It's lonely without the green light. A hat and a poem. Listen to the rain tide with Cangzhou. Not only yellow flowers can be burned in a hat. The hibiscus on the river also withered. " Draw a vivid image of a wild celebrity. His "Su Wuman Smells the Horn on a Cold Night" and "Shui Long Yin" are both works that hurt time.

Wen (1856 ~ 1904) is a patriot and an important figure in the "imperial party". He was dismissed for opposing the Sino-Japanese peace talks and supporting the reform and reform, and he was heartbroken. His lyrics are more modern. On Ci, he opposed "soft words", "slow words", "colourful words" and "red and purple fragrance", and emphasized ideological and imposing nature, and wanted to write his own Ci as "based on the profound talents of heaven, tracing back to the ancient thoughts, majestic ambition of octupole, thinking of a hundred generations" (Complete Preface of Yun Qi Xuanci). He does not admit defeat, does not emphasize discipline, does not stick to one pattern, writes his own thoughts, is heroic and vigorous, and attaches great importance to the artistic expression of ci, so he can be unique. Chen Rui commented that his ci "has the legacy of Jiaxuan and Longchuan, but it has no disadvantages because of its convergence" (B 1 Bizhai thorn). Zhu Xiaozang wrote in Ci Collection that "the halberd rises abruptly" and "it is difficult to be proud" (Strong Village Language Industry, Volume 3, Looking at the South of the Yangtze River).

Wen Shiting's words that reflect current events, such as "Cui Lou Yin, Jianghu at the end of the year, worrying about everything, feeling self-worried, writing with sound":

Stone horse sinks smoke, silver covers the sea, who can destroy who is sad? The flag pavilion sells wine and looks big and windy. Long Yuan is on high ground. Then coldly looking at Xiao Dan, unforgettable and green. It's really nothing. It's cold and gray. I'm laughing at Jiang Zuo.

After a while, if you can go to Liaocheng, you'd better try Mei Duo. When pigeons are unstable, don't talk about it. Live in the mountains and clear the shift. Thinking about me today, I only brushed the sword and the star cold, and the screen was completed. Qinghui fell down, looked at the poor smoke pool, and counted the stars on fire. The speech is full of grief and indignation of "caring for oneself at the time", caring about the state affairs of the court, but not allowed in the court, and we must not forget the state affairs. While saying "Why not join hands and try to draw Mei Duo", she was still "cold-eyed and unforgettable" and her voice was piercing and moving. His poem "Guang Yi Fairy Powder" said that "I seek a hole for a cunning rabbit, and the theory of the country hurts birds and fears strings", which sharply exposed the suppression of public opinion by the court after the Sino-Japanese War and the inferiority of the minister in seeking the country. Its "Hidden Long Yin" said:

Falling flowers and flying sheep are boundless, which is somewhat sad in ancient times. The gap between the hairspring and the window shook the bottom of the tree and it had been dark for a long time. When I woke up from my dream, I looked in the mirror and two hairs were born. There are grapes, wine, and hibiscus swords, all of which have a lifelong ambition.

I am a tired guest in Chang 'an, and I have been soft for twenty years. Silent, a little green, wandering in the sky. The sea is floating, and the castle in the air is heavy and green. When Luan returns, the clouds look back and the west wind rises again. People with lofty ideals should not express their extremely depressed feelings of serving the country and spray them on paper. The last two sentences obviously refer to something, and they also refer to the intervention of Cixi. Other words, such as He Xinlang's Observation for Huang Gongdu, Partridge as a Friend, and butterfly lovers Flowers in a Ninety-Year Dream, are full of emotions, but they are not revealed. The sad images contain deep anxiety and great anger. Hu Xiansu said: Yun Qi Xuan Ci, "The spirit is flying and the brushwork is bold and unrestrained. You can really imitate Su and Xin and overlook Longzhou. His words are graceful and graceful, and then he goes straight into the room of the greenhouse. It is rare in the world, so it is not from the mouth of the sages at that time, but only in the Southern Song Dynasty, just like the so-called goodness. " ("Comment on the Final Draft of Wen Yunge Xuan Ci Banknote and Wang Youxia Bantang", XXVII)