Ginger: give me a fucking translation of what the fuck exactly is a fucking surprise

Randomly picked some reviews to see how other gods answered~1. Source: Sina Weibo Dancing Xiaowu wrote it piecemeal, in fact, I have not yet digested the movie as a whole, and the feeling I got was on the side of piecemeal a bit.　　First of all, Jiang Wen is still this Jiang Wen. He's never been Feng Xiaogang, so if you're going into One Step Beyond with the mindset of seeing a year-end entertainment blockbuster, you're destined to be disappointed.　　Four years ago, let the bullet fly, on the contrary, is an atypical Jiang Wen movie, a step away from let many viewers say that they can not understand, in fact, this is instead of Jiang Wen has always been the way.　　Can't understand? You go to see his other sun also rises, you will understand what is called unintelligible.　　Of course, I must say that One Step Beyond is a good movie!　　The so-called good movie is not differentiated by whether it is unintelligible or understandable, or whether it is funny or not. Jiang Wen has been expressing himself very hard, and this hardness usually creates a strange illusion, on the one hand, his own efforts, and on the other hand, he still has to get around the censorship of that hurdle, so the end result of this hardness is, all kinds of metaphors.　　The highlight of the opening sequence is the article, a few minutes long monologue "to bring back the face of the Shanghainese", which is very impressive! I have to say, despite the criticisms of his private life, he really is one of the best Chinese actors of his age!　　The election of the President of the Flower Kingdom was described by some critics as a trolling talent show - holy crap! This movie critic should be laid off!　　This is a blatant political metaphor.　　Wanyan runs for "president", pushes, puts on a show, calls for donations, donates his entire fortune, packages himself as a selfless saint, and is cheered and worshipped by all. ...... And then what? Wanyan himself immersed in his own packaging image.　　Horse walking day how to say "she really think of themselves as ......" lost, and then Wanyan died ...... understand?　　Wanyan how to die, to the end is not said ...... That's right! Can't say, can't say!　　How did a great, selfless, saintly "Führer" die? Spiritually, soulfully, completely dead, gone. ...... How did he die? I don't know! Who can say?　　It's not a fucking political metaphor. What's a political metaphor?　　Love? Bullshit love! It's not even about love!　　Ma and Wanyan are one and the same. The two characters are symbols! Heads and tails of a symbol are like coins.　　And then, the flip side kills the front side. How? How did he die? No need to explain!　　What is Xiang Feitian? Is that one? At first he was a cudgel for the coin, then he had to kill the silver coin completely!　　It's not enough to kill the obverse side! He's going to kill the flip side as well!　　Why kill it? It's very clear - "For the people's sake!"　　The people's hearts and minds of what? It's bullshit! It doesn't matter about justice. Everyone clamored for it, so they did it!　　Remember the part about the horse's extradition? We made history, we are part of history!　　Ha ha ha ha ha ha ha! Awesome bit!　　In the face of the foreigners, the crowd held up signs saying, Chinese things to the Chinese themselves!　　Seemingly cheering and inspiring.　　Yes, think they are the masters of their own house, think they have defeated the foreigners ...... But in reality? This so-called people's hearts and minds, still manipulated in the hands of a few people: Xiang Feitian, Chu Da Shuai, Mr. Qin ...... masses, the masses know nothing! This is what Jiang Wen told us - when the dancers competed, everyone was laughing and applauding. The audience in Wang Zhiwen's theater was laughing when Ma Zhizhi was wrongly accused! The audience was laughing when Ma Go Ri dodged the knife to cut Wang Zhiwen.　　Heartless ah ...... hahahahahahaha!　　Okay, go back and think about the opening, the segment where Ma Zhaorizhi said that the old Buddha cut the braid.　　This paragraph is said again at the end!　　Was Ma Go Ri mentally deranged before he died?　　No, it's Jiang Wen telling us!　　Can it be the same if you cut it yourself, and if someone else forces you to do it?　　Ha ha ha ha ha ha! Can it be the same? Jiang Wen, only Jiang Wen in China can make such an awesome movie!　　Is this a comedy? Of course it is! All great comedies are tragedies at their core.　　When Wang Zhiwen sang that adapted version of Songs of the End of the World in the theater, I was creeped out sitting in my seat in the movie theater!　　What's that dialog say ...... Act well and be good.　　Hahahahahahahahaha!　　Awesome!　　...... It doesn't matter how many people got this movie, or didn't get it, or how many ways they understood it.　　At least Jiang Wen is doing it.　　What do you mean by a bad movie, it's not that you got it or didn't get it, it's not that it's funny or not funny.　　I just saw Xia Zhengzheng make a comment that if everyone who crowdsources a movie like One Step Beyond to fuck it up, don't complain about the screen being full of bad movies like Small Times in the future!　　It's a good movie!　　Finally, my only complaint, Mr. Jiang Wen, why did this movie have to be in IMAX3D, was it to recoup money?　　I am very depressed. 2D is enough! 2. Can't understand "One Step Beyond"? To see this source: Tencent Entertainment Featured (text / swing planning / three alternatively) Just from the "One Step Beyond" screening venue out, waiting for the reporters and cameras pounced on: "You see understand?" "What's there to see and understand? It's great, I love it!" --Mr. Reporter looked visibly disappointed, but quickly regained his spirits and pounced on another rabbit.　　My reply was also redundant, because it was as if the person hadn't asked whether it was good or not. Such a method of watching the movie itself called me a little confused.　　"You can say you didn't get it, but you can't say you didn't see it!" --Early in "The Sun Also Rises", Jiang Wen used Zhou Yun's line to shout to the audience: for a movie, can you understand it, is it really more important than whether it looks good or not?　　Why do Jiang Wen's movies look good?　　Jiang Wen's movie, first of all, belongs to the kind of good-looking movie. To put it a bit more "pretentious", it is the so-called "attractive movie": compared to how smooth and coherent the time and space transition, how consistent and coherent the narrative logic, the watchability of each scene, each lens, each picture, is placed in a more priority position. For example, the song and dance competition between Qing Lu and White Fox, not to mention the chorus of "The Lady of the Camellias" by Wu Da Shuai and Wu Liu's father and daughter, are relatively detached from the story itself in terms of length, and have been enlarged into a piece of showy independent performance - this is where the attraction lies. This is where the attraction lies, not to mention the fact that "One Step Beyond" consciously borrows from the song-and-dance film form, which inherently requires a transcendence and elevation of the plot itself.　　Secondly, Jiang Wen's movie is, in the end, a feature film, not a news documentary, and it is not necessary to sit through the ins and outs of an event. It is a feature film, it allows for fiction, it allows for a variety of real and fictional traversal, turn back, a variety of distribution, deployment. Jiang Wen is slightly different in that what he shoots out for the audience to see is the fact that the real and the fictional can be messed with each other, in fact, Jiang Wen uses his movie to say it is very straightforward and very simple. Whether it's Shakespeare's "Tobeornottobe" or Cao Xueqin's "When the fake is real, the real is also fake", this is what he means, and Jiang Wen's translation of this meaning is also very accurate: "Is it this way or that way? This is the freedom of imagination that the movie gives us, and a good movie comes with this gift. A good movie comes with this gift, it is the gift itself, but it is not responsible for the feelings and gestures of how you receive the gift.　　Finally, Jiang Wen's films since The Sun Also Rises are characterized by the fact that they are closer to the legendary "puzzle movies". For example, Christopher Nolan's masterpiece "Fragments of Memory" is a typical "puzzle movie", and "Inception" still has remnants of this kind of movie. The so-called puzzle doesn't consist of the movie setting up a complex riddle and then revealing the truth as the only answer at the end of the movie - of course, this is a part of the puzzle movie, but not the whole or the root of it. A puzzle movie doesn't need to have a tangible, fixed answer; leaving the process and fun of guessing to the viewer is the key.　　This is what happens at the end of Inception: does DiCaprio return to reality, to his children, or does he remain permanently in a spirit-thin prison of dreams? There is no single answer, because the gyroscope is in the hands of the audience, and it doesn't matter how it spins, whether it's right or wrong.　　Jiang Wen's movie is an invitation to the audience to join the game of the movie. The puzzle movie is not a test paper (to test the audience's IQ, which plot point they understand or not, and so on, in that case it would be really too boring), but an invitation to the audience to join the game of the movie itself, and to join the freedom of imagination itself. At one of the post-screening press conferences for The Sun Also Rises, a friend from the media asked Jiang Wen to confirm, "The Fann Wong you shot in the story is actually your own son! Is that right?" Jiang Wen, of course, is very good and happy to please the audience: "Yes, that's what you said!" --But that doesn't mean that this understanding is the standard answer, let alone the only answer, because after Jiang Wen pulls the trigger, all we see on the movie screen is the animation of the gun discharging, and we don't see Joey Fong or anyone else getting shot and falling to the ground at all (it's the same as the gyroscope in Inception, which is still going to fall in the end), and the movie moves on to the final scene, which is the same as the gyroscope in Inception. The movie moves on to the final segment of the story.　　Here's the interesting thing about Jiang Wen's movie. He intentionally leaves a lot of gaps and fissures in the movie, in the plot, in the images, in the sound and picture coordination, etc., intertwined, contradictory, inconsistent plot points are everywhere, there are too many wrinkles that can't be smoothed out, turning the whole story into a "garden of intersecting paths", which will make people feel intricate and confusing, but will also make them linger. It does make you feel disoriented, but it also makes you want to linger. The important thing is that through these gaps and fissures, he leaves the audience with a fully open space, providing various paths and entrances for acceptance, no matter how to interpret (even if "over-explained"), it is up to the audience to do so. The director is only the builder of this garden, this mirror labyrinth, as for what kind of fancy roadmap the visitors can come out of, that is the builder can neither be responsible for nor have the right to force.　　A few examples. In the rivalry scene between Hong Kong and Zhou Yun, two kinds of relationships can be read between mother and daughter: one is that Qin and Wu Dashuai gave birth to Wu Liu, which is nothing special; the other is that Qin and the first three men (or the first thirty-nine men) gave birth to Wu Liu, and then brought her to marry Wu Dashuai. This latter understanding can also be found in Hong Huang's lines: in order to find a good father for Zhou Yun, she can only choose to give up the one who made her live and die in favor of the one who can be trusted. -These two understandings are naturally both valid, and we don't hear anything emotionally implausible from Mr. Qin's and Wu Liu's conversations; there is no misinterpretation or misunderstanding here because of the existence of any kind of hard feelings; on the contrary, in the context of the mother-daughter dialogues in this scene, all the positive interpretations are also misunderstandings, and vice versa.　　Also, how did Xiang Feitian and Wu Qi end up getting married? Are these two characters, played by Ge You and Wen Wen, killing people for their love of each other, rather than trying to get Ma Go Ri killed? Jiang Wen has already done this once before in Let the Bullets Fly, when he arranged for Ge You's Master to say to Zhang Muzhi, "Do you want to kill me, or do you want to sleep with me?" This time he's even more playful, with Wu Qi masturbating while calling Xiang Feitian (did the censors not see this, or did they just tacitly approve?). , and the close-up shot of Ge Yu stroking the phone line means the same thing. As for the final wedding aisle between the two, it's a total fantasy scene. Against the red mill and golden sunlight, the prisoner's uniform of Ma Zhizhi has, as it were, turned into a hospital gown, as if the men and women in the mental hospital are all participating in a grand mass wedding. In that hallucinatory moment when the hero is dying and the movie is about to end, anything is possible.　　For example, what kind of job did Ma go day have in the palace of the former Qing Dynasty? Is he supposed to be a eunuch? Indeed, isn't his repeated rejection of Wanyan Ying exactly the same as Wang Xueqi's rejection of Big S in Sword and Rain? Anyway, in the past two years, Chinese movies, especially costume movies and period dramas, have been bustling with eunuchs, so it's only natural for Jiang Wen to catch up with the trend. And like Wang Zhiwen in that scene within a scene, but also with the Shanghai dialect that Jiang Wen is a "A no egg" (in Shanghai, Suzhou, Wuxi that area of the dialect refers to the man has no balls, waste, do not give power), such hints there are a few places. However, to put it in another way, how come Ma Zhi Ri can't be the head of the face of the Empress Dowager? Wasn't he pressed to the bed by Cixi? Apart from the hinging of the braid, who's to say they didn't do something else? Moreover, it should be noted that Wang Zhiwen, the "King of Kings", taunts Ma as an "eggless man" in a civilized scene, while Ma first talks about his "Beijing past" in the movie. The first time Ma talks about his "Beijing past" is in the opening scene of the movie when he pays homage to or parodies "The Godfather". In other words, whether Ma is a eunuch or the head of the face itself is always presented to the audience in a performative scene, how much of it is real and how much is fictionalized, these are all matters of opinion and uncertainty.　　At the heart of "One Step Beyond" is the line between "truth" and "fiction." This is true not only of these plot points, but of the entire story that the movie brings to the audience, and there is no way to distinguish between where the real events that serve as a blueprint end and where the director plays with his own ideas. You can't really tell where the real events on which the story is based end and where the director's imagination and creativity begin. Amidst all the post-modern collages, parodies, and homages to previous masters and film classics, One Step Beyond has a basic foundation, which is the Yan Ruisheng case that stirred up the Shanghai Bund in 1920, as well as the movie Yan Ruisheng, which came out in 1921. However, the Yan Ruisheng case provided Jiang Wen with more than just a prototype for his story, and he very keenly grasped the biggest selling point of the movie Yan Ruisheng that year, which was its claim that real people acted on real stories and everything was real. Back then, it was Yan Ruisheng's friend and colleague Chen Shouzhi organized the Chinese Film and Opera Research Society, saved a group of people dedicated to filming this film, not only the size, physical appearance and Yan Ruisheng similar to Chen Shouzhi himself starred in the leading role, but also invited a former prostitute to perform the murder of Wang Lianying, and even in the process of filming the film and in the premiere of the subsequent Yan Ruisheng car with the crime were deployed! "All these arrangements are just a "real". In the scene within a scene in "One Step Away", "Wang Tian Tian", who dominates the stage of civilized opera, and Wu Liu, who wants to become "Chinese Lumiere" (but may be closer to Leni Riefenstahl), are both talking about "truth". "If he really killed someone, he'd have to be shot for real." Unfortunately, neither of these two things is ultimately given a definitive, definitive answer. Not only did Shu Qi's Wanyan Ying die an unexplained death (after the amnesia and civilized drama of Ma Zhi Zhi's rendering, whether she was "asleep" or "bruised and battered" has become blurred), that is, Ma Zhi Zhi's Japanese died in the end or not. Or whether the Japanese Mazai died or flew away with the bullets (we only hear the gunshots from the sound track, but not the blood stains on his body after he was shot), have become a big question mark. If, with Shu Qi in the first half of the play, it's the opium marijuana that causes the death, in the end, with Jiang Wen, it's the death itself that becomes the film's concluding hallucinogen.　　Whether or not a movie is good and fun to watch depends on its ability to bring elements of reality into the imagination. For Jiang Wen, the movie is indeed a dream in which the line between the real and the fictional is blurred, and his entire intention lies in that line itself. In this sense, One Step Closer is also an "Inception", a set structure in which all kinds of dreams are intertwined, a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play within a play. Especially with the train to start and end of the part, completed on the horse walking day on the martial arts six a big dream, as if he from the accident that led to the death of Wanyan Ying, the idea to get out, directly into the endless thoughts of his true love of women. After all, Jiang Wen also has a leaky heart, the only constant throughout the movie is the "Solveig's Song", which sings the waiting of a woman who never changes her mind. Only the horse walks on the day or not willing to sit on this emotion, he would rather let himself in the reach, just one step away from the place to fall or soar, and that is the reality and imagination, the distance between the real and the imaginary, the real and the fictional.　　3. Strip away Jiang Wen's innate pride and restore the real One Step Beyond: Horse Goes Day, Wu Liu Now we don't dare to say she's bad.　　Source: Douban: Jiao Ziming "One Step Beyond" Let's first talk about why the title of the movie up this? Three possibilities, male one male two respectively called horse go day, Xiang Feitian, know a little bit of chess know, the same time line chess, horse less than the phase of a step, analogous to the kind of drama two people also manipulate a thing, the last two people down really worlds apart, a step but also of the distance. Chess in the phase, Xiang Feitian can only be in the French Concession for the tiger, not out of the "Han community" of traitors. Second, Wu Liu and Ma go day, Ma had recalled that Wu Liu if not kicked section of two legs, even if one left, will be able to go with her to shoot a movie instead of getting off the bus in the middle of the day, on this road. The third title of the third interpretation, horse walking day had offered advice to the old Buddha: to save my Qing Dynasty just one step behind the head of the braid to cut, and then horse walking day all the way to run cold so drink drunkenly woke up: the Republic of China. The difference is that the braid was cut is the Qing Dynasty, they cut the braid is the Republic of China, the same hearts, just this step gap is big. Jiang Wen sent "finish face" to buy "married" Zhong San'er (Zhongshan please bring your own accent) home, or someone else bought to send Zhong San'er (Republic of China is not his Zhongshan children to fight?). Others sent it? Coincidence? Political legacy?) And then Ma Chou-il "cuts off" the analogous "President" Wanyan (a political asset), and then we all have to "go north"! Please pay attention to the last why Ma Zhaorih drive to escape to the place at first glance is the traditional architecture of Fujian Tulou, which is from Shanghai ah, choose such a place is a landmark. Ma Zhi Ri Jue is "Yuan Shikai", and then the major warlords is the representative of the Marshal in this movie, and is married to the White Russian Federation (is not the late warlords of the major international powers in China on behalf of the interests of the support of it, remember that the dinner table to speak Japanese, German, Latin?) The only thing I don't understand and find far-fetched is that Wu-Liu is representing our party? The only thing I don't understand and find far-fetched is that Wu Li represents our party. What Ma Jianzhi said at the end of his speech was: "I wonder how Wu Li is doing? I'd like to tell Ma, "Wu Li, I'm doing fine. Wu six (5 + 6 = 11 National Day) Wu seven (5 + 7 = 12) 1912 the first year of the Republic of China.　　Secondly, to the "drama", which can basically be summarized in simple terms of chess: when the head gun (the head of the election "bubble" beauty), the horse to jump (the horse to go to the day to manipulate the beauty pageant) Lima Rook (the horse to go to the day with the end of the two people out of the car accident) Phase Flying Sky (the horse to go to the day and the two people out of the car accident) ") Xiang Feitian (Ma to save themselves to save the Marshal, but first saved Xiang Feitian), will be listed (Wu six Wu seven are begging the Marshal's father to death or to save Ma to go to the day) Shi go diagonal (confidant of the "Shi" to help Ma to go to the day out of the trap) end! Let's talk about the movie itself. To borrow a line: Movies are art that you can understand. So after the premiere, many people's word of mouth summarized the most: I can't understand it. Well, if a movie we watched after everyone is talking about other, spoilers are also fine, that means that everyone did not "understand", understand is not, for example, to tell a what happened, who is the murderer, and finally loved who, etc., listen to understand have seen the story of the story of the people who told it that there is still meaning? As the opening TOBEORNOTTOBE Shakespeare's classic opening, like the interpretation of the work, everyone's Hamlet everyone's one step away, I do not think it is necessary to see to understand to see to understand the controversy. There is also understand divided into do not understand in the end they are not understand, feel that they understand but also feel that they understand in this way is not understand. Well, again, I don't get it. As Jiang Wen said: the movie is to understand the art, first of all, "one step further" is not a "movie", is to borrow the movie packaging "conspiracy. Then I "understand" what: mainly in the Xiang Feitian (law, on behalf of the government face) Wang Tianwang (director, on behalf of how to guide the ideology and reputation) Wu Qi (plutocrats behind the government, to launder money of that kind) Wu six (reformist moral high point "CPPCC"), when These several groups of people together in a piece will also choose the life and death of anyone, is the play "two legs to rewrite history". Just as they want to let the horse go day deliberately play a "return to the scene" is equivalent to admit that he is a murderer, and then only to release him, and finally talked about the movie said that the future is not called to choose the flower girl called the election of the movie king and queen, called the Golden Onion Golden Rooster Awards, ah ha ha, then we talk about the 1964 release of the "Little Sisters of the Prairie Heroes" later also later Golden Rooster Awards. The story of the movie is like this. The movie story is like this: after three years of natural disasters, Longmei and Yurong sisters for the production team to herd sheep by blizzard, in order to save the collective property was finally nest frostbite amputation. The reality of the story is: the two little sisters sheep in a blizzard, and finally was in the local people were branded as "rightists" saved, should be political demand was changed into an award-winning kind of. This is my understanding of one step away, people are always one step away from the truth.　　To the gods above kneeling ~ ~ ~ ~ \(≧▽≦)/~ la la la la Transferred from the knowledge of Su Nian