How to say Shandong Fanshu

Shandong Fushu is a rap art form originated in Shandong Province, China, which is mainly characterized by performances in the form of fast boards, rapping and percussion instruments.

This art form is loved by people for its unique rapping skills and high artistry. The performance form of Shandong Fanshu mainly consists of four parts: singing refers to the melodious and melodious voice of the main singer on the stage; reading is the language that tells the storyline; doing is to express the characters' behaviors and emotions through body movements; and playing involves playing musical instruments such as gongs, drums, clappers, etc.

Shandong Fanshu is a popular art form because of its unique rapping skills and high artistry.

Shandong Xueshu does not have overly complicated musical instruments, and is often sung by one or several actors with very simple props, and can be performed with only one person and one board, with most of the instruments being fast boards or mandarin ducks boards. The performer usually holds a bamboo or copper plate in one hand (or both). Those who hold bamboo boards are also known as bamboo board shuoshu.

Development

In the sixth year of the Qing Dynasty (1826), some failed graduates in Linqing made up a few times of the story of Wu Sung, and brought it back to Li Changqing in Chiping, and handed it over to his cousin and nephew Fu Hanzhang. Fu borrowed the Pear Blossom piece of accompaniment, in the old cattle on the basis of the reins of the tune to create a unique rhyming chanting style of singing, in the nineteenth year of Daoguang (1839), the first performance in the Qufu Linmen will be welcomed for its novelty of the form, was called to sing in the Confucius Palace.

In the late Qing Dynasty and early Republic of China, the team of Shandong Fushu artists expanded, and the main repertoire of the book Wu Sung Chuan became more and more perfect.

In the early twentieth century, the meat mouth performance appeared, which had an unfavorable impact on its development. In the 1930s, Gao Yuanjun, Yang Lide, and Fu Yongchang advocated the abandonment of "meat mouth", which enhanced the vitality of the genre, expanded the audience, and made it possible to circulate in the province and in cities such as Beijing, Tianjin, Nanjing, and Shanghai.

Refer to Baidu Encyclopedia-Shandong Fushu