Learn the basic skills of playing erhu.

Erhu, also known as Huqin? Qin Qin? 、? Qin Qin? China national stringed instruments have a history of 1000 years. So what are the basic skills of learning to play erhu? Below I sorted out the basic skills of learning to play erhu for your reference.

Learn the basic skills of playing erhu.

Learn the basic skills of playing erhu 1, and coordinate the joints of the bow and arm.

The bow-out and bow-in movements of erhu are accomplished by a series of coordinated movements of body, arms, forearms, wrists and fingers. Traditional erhu performance emphasizes that the big arm moves first to drive the small arm, the small arm drives the wrist, and the wrist drives the fingers again, just like the shape of a fish wagging its tail. This form of bow transport is helpful to express the buffer and strength of sound, and is suitable for playing vigorous and broad music. The disadvantage is that there is no point in the sound, so it is difficult to control the bow sensitively and it can't be retracted freely. The current erhu bow-pulling action pays attention to nature and the instinctive reaction of the body subconsciously. It should be completed by the simultaneous movement of the body, arms, forearms, wrists and fingers. When coming out of the bow, the body leans to the right, the center of gravity moves to the right, and the arms, forearms and wrists extend to the right at the same time. After the arm is unfolded, continue to move the forearm and wrist, and continue to move the wrist after the arm is unfolded until it leans about 45 degrees to the left. When entering the bow, the body changes slowly from right to left, the center of gravity of the body moves slowly to the left, and the big arm, the small arm and the wrist extend to the left at the same time. After the big arm retracts, continue to move the forearm and wrist, and the forearm and wrist retract vertically and stop. This series of actions is the same as shaking hands, raising hands and drawing curtains in our daily life. The brain instructs all joints of the arm to move and stop at the same time. This kind of bow can also be used, with full timbre and balanced force. Moreover, the manipulation of the piano bow is more comfortable, and the short bow is more granular, which is helpful to practice the fast bow. Pay special attention to the movements of the joints of the body and arms when entering and leaving the bow, and don't stop.

Learn the basic skills of playing erhu II. Lift the bow at 20 degrees and 90 degrees.

When erhu enters and exits the bow, the bow should be attached to the string along the surface of the drum, running to the right front of the body (about 20 degrees), and the movements of the body and arms are horizontal. The barrel is naturally placed, and the left thigh root is attached to the waist, so the left side of the barrel is slightly inclined to the left and rear, so that the smaller the angle between the inclined barrel, the bow in the same direction and the piano rod, the more solid the timbre will be. When playing the inner string, you should pay attention to prevent the bow hair from touching the piano rod and not touching the string. The stem and the bow are naturally vertical, and the bow should be at right angles (about 90 degrees) to the front, back, up and down of the strings when kneading the strings. Because physically, the ponytail makes the loudest sound when it rubs against the strings at right angles. Some players tend to tilt the bow upward for artistic treatment, and at this time, the lever must also tilt to the left at the same time to achieve the vertical angle between the lever and the bow.

Learn the basic skills of playing erhu. Variation of bow carrying force

When the erhu carries the bow, it is required that the bow hair should be close to the strings from the bow root to the bow tip and then from the bow tip to the bow root. The pressure of the bow hair attached to the string from the root, middle and tip of the bow should be constant, and the best sound should be full and unified. There are three kinds of pressure exerted by the bow on the strings, one is the gravity of the bow, the other is the muscle strength (the contraction force of the skeletal muscle at the relevant position and the finger force of the right hand), and the third is the gravity of the right arm holding the bow. From the perspective of human function:? Skeletal muscles are mechanical levers, joints are rotating shafts, and muscles are the source of power. Are dominated and driven by the unified command of the brain. ? In order to ensure the fullness and unity of the bow-carrying sound, the bow root is closest to the power point of the right hand, so the stress is large, so the bow root can basically maintain a full timbre with the help of the self-weight of the bow and the gravity of the arm. On the contrary, the bow tip is farthest from the right hand force point, so the force is less. Therefore, in addition to the self-weight of the bow and the gravity of the arm, we must especially increase the muscle strength of the bow tip to maintain a full timbre. It can be seen that the strength of the erhu bow is always changing. The bow force of erhu changes from light to heavy, and the bow force changes from heavy to light. Pay attention to the natural drooping of the right arm and the relaxation of the three joints of shoulder, elbow and wrist, so that the movements from the whole arm to the fingers can be coordinated, and a smooth and pleasant sound can be made.

Learn the basic skills of playing erhu. 4. Changes in the breath of carrying bows

As early as the Southern Dynasties, the painter Sheikh proposed? Is Qi a traditional aesthetic category of China? . In art, the existence of breath is very important, especially in music. Music by? Breathe? Composition is like people, breath is like life. No breathing, no ups and downs, no phrases, no intonation. So-called? Man and piano are one? In fact, it is the perfect combination of music and breath when we play. Practicing bow transport also requires the combination of breath. Inhale slowly and evenly when pulling the bow until the end of the bow, exhale slowly and evenly when pushing the bow, and support the pronunciation with breath. Long-term cycle practice can make the player stretch physically and mentally, calm down, carry the bow full and smooth, and play the sound solid and not empty.

Self-monitoring of learning the basic skills of erhu performance: 5. Bow.

Monitor:? Monitor. Monitor? . Qin practitioners have been practicing for several years, and 90% of the time is for themselves. Therefore, the piano player's self-monitoring consciousness is particularly important. When our left and right hands play, our ears are listening. This will lead to self-play and self-monitoring. Most piano players only pay attention to the playing self while playing, but ignore the listening self. When we play, the listening self should clearly distinguish the quality of the sound, fully check and identify the shortcomings of his performance, help the self-correction of playing at any time, and develop the good habit of practicing tuning while playing. This is also what we often say to practice the piano with questions. Self-monitoring is self-searching for problems and deficiencies.

Learn the basic skills of playing erhu 6 How to practice carrying a bow

Every time you practice the piano, practice your bow first, turn on the metronome and adjust it to 60 beats per minute. The inner and outer strings are carried out one by one, and the three forces are added one by one and practiced repeatedly.

First, according to a bow and two beats, the inner chord begins:

42 1 ? | 1 ? | 1 ? | 1 ? |

5 ? | 5 ? | 5 ? | 5 ? |

One bow and four beats, and the inner chord begins:

44 1 ? | 1 ? | 1 ? |

5 ? | 5 ? | 5 ? |

With one bow and eight beats, the inner chord begins:

48 1 ? | 1 ? |

5 ? | 5 ? |

Introduction to learning erhu

First of all, sit upright.

Choose a chair with a suitable height, with your legs flat and your feet on the ground. When sitting in a chair, don't sit on the chair surface and don't lean back. Legs are shoulder width apart, feet are flat on the ground, and left and right feet are half a foot apart (left front and right back). The calf is perpendicular to the ground and 90 degrees to the thigh. Horn. Keep your body upright, keep your upper body in a natural and straight posture, and relax your whole body. Prevent hunchback, italics, leaning, bending and other incorrect sitting postures.

Second, hold the bow steady.

The right hand is relaxed and bent into the shape of a semi-clenched fist. Place the arch root at the third joint of the index finger, and the index finger naturally bends and gently rests on the arch bar. Press the thumb slightly to the left of the third joint of the index finger above the arch bar with the pulp of the finger, and the middle finger and the ring finger extend between the arch bar and the arch hair. When pulling the outer string, the arch bar is controlled by three forces: the third joint of the index finger is upward, the pulp of the thumb is downward, and the first joint of the middle finger is outward later, so that the arch hair rubs against the outer string to make sound. When pulling the inner string, the third joint of the index finger is upward, and the abdomen of the thumb is downward as the support point to control the bow rod, and the abdomen of the middle finger and the ring finger is hooked inward with the arch hair as the focus point, so that the arch hair rubs on the inner string to make sound. Hold the bow, hold the bow easily and naturally.

Third, hold the piano correctly.

The barrel of erhu should be placed on the left leg near the lower abdomen, with the stem upright and slightly leaning forward; The left arm bends naturally, and the elbow should not be raised too high, and the left arm is 45? Angle, wrist slightly raised, put the piano in the jaw, fingers naturally bend into a semi-clenched fist, and touch the strings at the intersection of fingertips. When pulling the handle, the tiger's mouth of the left hand should be placed near the secant of the erhu, and the root of the index finger should be in contact with the secant of the erhu and relatively fixed.

Fourth, press the strings scientifically.

When the fingers of the left hand press the strings, all joints should bend naturally, with the index finger bending to the greatest extent, decreasing in order of middle finger, ring finger and little finger, and almost straightening the strings when reaching the little finger. Finger bending must be based on the principles of nature and relaxation. The thumb should be relaxed and flat, or slightly inclined, but not bent downward. When pressing strings, the movements of fingers should be mainly the movements of the metacarpophalangeal joints (also called the third joints of fingers) of the left hand, supplemented by the movements of the palms. Finger strings should be elastic? Fight? String, not stiff? News? String.

Fifth, the bow should be flat.

When you pull the bow with your right hand, your wrist should protrude slightly outward and be in an extended state, and you should pull it to the right with your wrist as the starting point. However, the big arm should not be stretched out too early, so as to avoid excessive elevation of the elbow, leading to? Raise your arms. Incorrect posture. At the same time, when pulling the bow, don't move your right arm to the rear to avoid pulling the bow into an arc. When pushing the bow, the forearm should be pushed to the left with the recovery of the big arm as the starting point, and the wrist should be flexed inward. When the big arm is finished, the small arm continues to push to the left; After the forearm is closed, how many centimeters should I push the bow to bring the wrist strap back? Intermediate state? To facilitate the beginning of the next bow. Whether pulling or pushing the bow, the bow should run straight. The order of lifting the bow is generally from pulling the bow to pushing the bow, which should be a habit.

Playing erhu is a coordinated effort of the left and right hands.

On the left hand, pay attention to fingering; Right hand, watch the bow. The basic techniques of bow method are: changing strings, splitting bows, connecting bows, fast bows, trembling bows, bows, broken bows, jumping bows, throwing bows, etc. The basic techniques of fingering are: changing the handle, kneading the strings, sliding, decorative sound, finger trembling, overtone, plucking the strings and so on. These skills should be learned step by step.

Playing erhu? Five conditions?

First, the key to the sound of the piano is to be touching, the sound should be soft and pure, and the timbre should be diverse;

Second, the feelings should be sincere, the sound of the piano is a reflection of the heart, and the understanding of the work and the feeling of life should be brought to the music played;

Three, exquisite techniques, skilled application, technology for the content service, vivid and natural to receive reasonable and unexpected results;

Fourth, the image of the character performer, accurate, natural, beautiful and generous, including the posture of holding the piano, the method of playing the piano and the facial expression, should be integrated with the music played. After listening and watching? .

Fifth, rhyme and rhyme, which are the highest level requirements, should be accurate, true and simple.

About playing the piano. ? The piano body is stable and slightly tilted to the left, which is conducive to stable operation. Shoulders and arms must be natural. You should sit up straight and don't collapse. ?

About holding a bow Learning archery well is like building a house and laying a foundation. It is the key to grasp the wrist flexibly, hold the string on the piano tube and pull the string horizontally, and change the string without trace. ?

About pressing strings. ? The left hand should be wrapped around the tiger's mouth naturally, the fingertips should touch the strings slightly, and the movements should be small and round. ?

About intonation. ? It is difficult to master the intonation of erhu, the interval relationship should be clear, the finger distance of each key changes, and the smooth change of the handle should be in place. ?

About rhythm. ? The beat of notes should be accurate, the change of length should be clear, and the sentence should be intoned in different sentences, which sounds smooth and vivid. ?

About strength. ? Empty string practice is very important. Playing the piano well is not impetuous, the movements of both hands should be coordinated, the movements should be standardized and the endurance should be strong.

Erhu practice is relatively difficult to sing. ? The left hand is easier than the right hand, the bow is easier to push, the outer string is easier than the inner string, the string is easier to change when pushing and pulling, the upward movement is easier than the downward movement, the fingering is easier to be accurate, the technique is easier to show, and the decoration is easier to charm. It seems that it is difficult to learn. ?

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