The Influence of China's Traditional Aesthetic Thought on China's Films

The influence of China's traditional aesthetic thought on China's films is as follows:

Take ink painting as an example: ink painting produces rich changes from the focus, thickness, weight, lightness and clearness of ink, and the change of shade of ink is the change of color level. Ink painting is based on brushwork, giving full play to its functions, and showing China's unique artistic conception in the world where ink painting blends.

Ink and wash animation combines traditional ink and wash painting with modern animation, forming an artistic creation that combines lightness, elegance and reality. Ink animation uses beauty and water desalination to give people an artistic image that combines with reality to describe objects, thus producing a unique image of China and achieving high artistic effect. China's ink and wash cartoons were once brilliant on the historical stage, and they still shine today.

Introduction to China's traditional aesthetics:

According to China's traditional aesthetics, aesthetic activity is to construct an image world outside the material world, that is, "don't construct a spectacle outside the world". This image world, that is, the aesthetic object, is what we usually call "beauty" in a broad sense (including various aesthetic forms).

(1) Beauty lies in images, and aesthetic activity is to build an image world outside the material world.

(2) The image world illuminates the real world, which is what China's aesthetics calls nature. It is not the truth of logic, but the truth of existence, and it is an interesting world full of life.

(3) Aesthetic activities are people's super-rational spiritual activities.