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History of Chinese Literature (First)

Firstly, this is a kind of "away from their own" way of creation. In the old days, it was only said that poetry speaks of the will, and the feelings are moved in the middle of the words; or said that there is no anonymous feelings in poetry, and that there is a poem for feeling something, such as the "Classic of Poetry" - "Xiao Ya" - "Lane Bo" cloud: "The temple people Mengzi, as the poem," the cause of the poem is based on the feeling of a personal experience of something. But like Mei Gao such a literary servant of the minister, the creation of the opportunity and feeling, are not their own, made also not to be able to express their own feelings and views for the purpose, but to other people like as the goal. That kind of speech and lyricism, if it can be called a subjective creation, this is the objectivity. The author should go beyond himself and try to figure out why others would feel something, what they feel, and how he should write in order to express what he feels but cannot say, and to say it more brilliantly than he does. The ancient advocates of the theater, was originally so, the scribes in the Han Dynasty is involuntarily take over this tradition. In later times, not only did the various imperial courts continue to interpret this type of creative work, but also the poems and fugues written on exams, the various types of literary creations, such as false propositions, dramas and songs, and the rhetoric written by the curators, were also often done in this way, and the momentum was not smaller than the one of the speech and lyricism. In the Han Dynasty literature in the beginning of this period, this kind of objective writing I am afraid it is more important!

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