In fact, many TV plays are very good old versions. What's so good about the old water margin?

The old version of outlaws of the marsh is almost to the extreme. Anyone who borrows traditional opera techniques will have good results, boldly use opera style; Where body language and expressions are needed to promote the plot, such as the part where Ximen Qing seduces Pan Jinlian, it is like an independent drama; The fragments that set off the atmosphere in the big scenes of modern TV dramas, such as the water war in Shangliangshan, Gao Qiu, give full play to the big production; When the audience is still waiting to see the scene of the man's shopping, it's time for the martial arts director from Hong Kong to show your talents, and Lu is waiting for you to set up the stage.

The old version of Water Margin draws a lot of nutrition from various channels, and its own understanding is organically reconciled, thus gaining unique vitality.

The most distinctive place is that you can see the benchmark of traditional opera almost everywhere: Li Kui jy's eyebrows and painted face! Hu Sanniang's dress, Tsing Yi! Song Wu's battle, Wu Sheng! Line up, read white! Music, suona! The CCTV version of this "traditional opera" style can hardly be seen now. Although young people who watch the whole traditional opera are almost extinct now, this does not mean that traditional opera is useless. It has been circulated for thousands of years, and it can attract generation after generation. There must be some merits in it.

This creation wisely chose a rare aesthetic style in China TV dramas: rough. Because this play is rough, the light of the play has been too dim for a long time, and the characters are always dirty regardless of gender, age, wealth and lowliness. But it is precisely because of this roughness that Liangshan heroes become real rough heroes, not fancy male models, and rivers and lakes become well-known hard times, not a world where Xian Xia comes and goes freely.

Classics are always classics and will not be easily surpassed. The TV plays of the four classic novels have never been surpassed.