Read Sample English Articles about Art to Appreciate

Art is an open and fluid system, the meaning of art is changing, there is no fixed rules of art. The following is the English article about art I brought to read, welcome to read!

English article about art reading a

The art of livingThe art of living is to know when to hold fast and when to let go.For life is a paradox: it enjoins us to cling to its many gifts even while it ordains their evenings of change. For life is a paradox: it enjoins us to cling to its many gifts even while it ordains their eventual relinquishment. The rabbis of old put it this way:?A man comes to this world with his fist clenched, but when he A man comes to this world with his fist clenched, but when he dies, his hand is open.

Surely we ought to hold fast to lift, for it is wondrous, and full of a beauty that breaks through every pore of God?s own earth. We know that this is so, but all too often we recognize this truth. We know that this is so, but all too often we recognize this truth only in our backward glance when we remember what was and then suddenly realize that it is no more.

We But we remember with far greater pain that we did not see that beauty when it flowered, that we failed to respond with love when it was tendered. But we remember with far greater pain that we did not see that beauty when it flowered, that we failed to respond with love when it was tendered.

Hold fast to life but not so fast that you cannot let go. This is the second side of life?s coin, the opposite This is the second side of life?s coin, the opposite pole of its paradox: we must accept our losses, and learn how to let go.

Translation:

The art of living is to know when to pursue and when to give up. For life is a paradox: it wants us to cling to the gifts of life that it bestows upon us, and then ultimately to let them run away from us. The old gentlemen said: ? People come into this world with clenched fists and leave it with spread hands.?

Of course we should hold on to life because it's incredibly wonderful, full of beauty that pops out of every pore of God. We are all aware of this, but we often only think about the past when we look back and recognize this truth when we suddenly realize that the past has faded away forever.

We all remember beauty fading and love growing old. But we remember even more painfully when beauty was in full splendor and we didn't notice it, and when love was strong and we didn't respond.

English article reading about art II

Science and art

I beg leave to thank you for the extremely kind and apprieciative manner in which you have received the toast It is the more grateful to me to hear that toast proposed in an assembly of this kind. Because I have noticed of late years a great and growing tendency among those who were once jockeys. Because I have noticed of late years a great and growing tendency among those who were once jestingly said to have been born pre-scientific age to look upon science as an invading and aggressive force, which of it I think there are many persons wholook upon the new birth of our times as a sort of monster rising out of the sea of modern times. I think there are many persons wholook upon the new birth of our times as a sort of monster rising out of the sea of modern thought with thepurpose of devouring the Andromeda of art.And now and then a Perseus, equipped with the shoes of And now and then a Perseus, equipped with the shoes of swiftnessof the ready writer, and with the cap of invisibility of the editorial article,and it may be with the Medusa head of vituperation, shows herself Sir, I hope that Perseus should think better of it. First, for the sake of his own, because the creature is hard of head,strong of jaws, and the creature is not a man of the world, but a man of the world. First, for the sake of his own, because the creature is hard of head, strong of jaw, for some time past has shown a great capacity for going over and through whatever comes in his way; and secondly, for the sake of justice, for I assure you, of justice, for I assure you, of my own personal knowledge if left alone, the creature is a very debonair and gentle monster. As for the Andromeda of art, the creature has the tenderest respect for the lady, and desires nothing more than to see her happily settled and annually pruducing a flock of such charming children as those we see about us. But putting parables aside, I am unable to understand how any one with a knowledge of mankind can imagine that the growth of science can threaten the development of the world. But putting parables aside, I am unable to understand how any one with a knowledge of mankind can imagine that the growth of science can threaten the development of art in any of its forms. If I understand the matter of all, science and art are the obverse and reverse of the Nature's medal; the one expressing the external order of things, in terms of feeling, and the other in terms of thought. when suffering causes no pity, and the tale of great deeds ceases to thrill. when the lily of the field shall seem no longer more beautifully arrayed than the Solomon in all his glory, and the owe has vanished from the snow-capped peak and deep ravine, and indeed the science may have the world to itself, but itwill not be because the monster has devoured it. not be because the monster has devoured the art, but because one side of human nature is dead, and because men have lost half of their ancient and present attributes. attributes.

Allow me to express my deep gratitude for having toasted science so kindly and appreciatively. I am especially grateful to come to this friendly assembly to toast science. Because in fact in recent years I do find that there is a very strong and growing tendency among those who jokingly claim to have been born in a pre-scientific era to see science as an invading and occupying force, and one that will in time drive out the rest of our universe. I think there are many who see our times as a monster erupting from the modern mind with the purpose of devouring the Andromeda of the arts. Now and then, there is a Perseus, with the speedy shoes of a writing fastidious, the yin-shaped hat of an editorial article, and perhaps a rant-filled? Medusa's Brain? The man is a formidable figure, a match for the dragon of science. But, gentlemen, I urge this Mr. Perseus to think twice. First of all, for his own safety, for the creature's brain is hard, its jaws strong, and its past experience shows that wherever it goes, it is unstoppable and unstoppable, and not easy to deal with. Moreover, speaking for justice, I can assure you that, in my humble opinion, if left alone, it is still a gentle and gentlemanly monster. As for the artful Andromeda, this monster, with all his admiration, desires nothing more than to see her live in peace, and every year give birth to a large number of happy and charming little children, such as we have seen.

But all those metaphors aside, I can't understand why people with a modicum of humanistic knowledge would worry about how advances in science could threaten the arts. As I see it, science and art are really the positive and negative sides of the holy card of nature, one expressing the external laws of things in an emotional way, and the other in a rational way. When mankind no longer loves and no longer hates; when suffering no longer arouses pity; when feats no longer thrill, when the lilies of the mountains are no match for the glory of Solomon, when the snowy summits and abysses no longer inspire awe, then science really does rule the world. But that is not because the monster has devoured art, but because the other side of humanity has died, but because men have lost their nature from time immemorial.

English Article Reading on Art III

The Art of Ancient Chinese Architecture

Chinese architecture is an independent art featuring wooden structures. It consists of various roof molding, upturned eaves and wings, dougong with paintings, vermilion pillars and golden roofs, ornament gates and gardening. All of these embody the maturity and artistic appeal of Chinese architecture. All of these embody the maturity and artistic appeal of Chinese architecture. 7000 years ago, mortise and tenon and tongue-and-groove were used in Hemudu. The buildings of Banpo village had the division of antechamber and back rooms. Great palaces were built in Shangyin period. Bricks and tiles were used and the layout of Siheyuan emerged in the Western Zhou Dynasty. Bricks and tiles were used and the layout of Siheyuan emerged in the Western Zhou. There are even building drawings in Spring and Autumn and the Warring States periods passed down.

The Chinese architectural system is characterized by wooden structures and the art of Yang architecture. The Chinese architectural system is characterized by the art of building with wooden structures. Traditional architecture is called kind of roof modeling, flying eaves and corners, arch color painting, Zhu columns and gold roof, inside and outside the decoration of the door and garden scenery, fully reflects the Chinese architectural art of purity and infectious force. Seven thousand years ago, Hemudu culture has the practice of birch eggs and pengkou. In the village of Hanpo, there was already a distinction between the front hall and the back room. Tall palaces appeared during the Shang and Yin Dynasties. During the Western Zhou Dynasty, bricks and tiles were used and there were courtyard layouts. There are even architectural drawings from the Spring and Autumn and Warring States periods. Inside and outside of the palace, the beams and arches of Jingyi Dajie were decorated, and the walls were decorated with murals.

In Qin and Han, wooden building tended to be mature gradually. Complex buildings, like Epang Palace, were constructed. Temples and pagodas developed rapidly in the period of Weijin and Southern and Northern dynasties. Glass tiles used in Sui and Tang made the building more glorious. The city construction in the period of Five dynasties and Song was booming. Luxury restaurants and shops with lofts and railings were very beautiful. Many palaces and private gardens built in Ming and Qing dynasties were constructed. Many palaces and private gardens built in Ming and Qing are reserved today, which are more magnificent and stately than that of the Song Dynasty.

The wooden buildings of the Qin and Han dynasties became more mature. Architecture is magnificent, richly decorated, stretching beautiful, appeared in the Afang Palace and other large architectural groups. Wei Jin and North and South Dynasties period of Buddhist temples, pagodas developed rapidly. Sui and Tang Dynasty buildings using glazed tiles, more magnificent. Five Dynasties, the two Song Dynasty urban architecture Xing22, commercial prosperity, luxury restaurants, stores have a flying cabinet railing, beautiful style. The Ming and Qing dynasties of the Palace Court solid and private gardens are still preserved, the building is also more gorgeous than the Song Dynasty, complicated, majestic and at ease.

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