The Folk Origin of Fan Shi Yangko

The tune of "Yangko" was introduced to the Fendi and Baimashi generations in Fan Shi (now Yingxian) during the Wanli period of the Ming Dynasty. At that time, it was just a square art of running and singing in the streets and alleys. The masses call it "things" and call it "Fendi Yangko" according to the name of the land. During Daoguang period of Qing Dynasty, folk artists Zhang Xin and Zhang Dai collected and improved the popular yangko tunes and instrumental music, absorbed the vocals of other operas into "yangko", transplanted the repertoires of other operas and put them on the stage. Zhang Xin took the lead in setting up a workshop to teach traditional Chinese opera, and moved Yangko from the stall to the stage. Daoguang and Xianfeng gradually matured. Zhang Dai's foremen got together to rehearse plays such as An Gua and Borrowing a Pipe, as well as plays such as Killing Cherish, Writing by Liu Tang, Nine Clothes and The Story of a Sweater. The late Qing Dynasty and the early Republic of China were the heyday of Fan Shi Yangko, which formed a situation to compete with Hokuriku Bangzi. Deeply loved by the masses, it has been passed down to this day. 1 956 65438+1October1,the government of Fan Shi organized diaspora folk artists, formally established the Fan Shi Yangko Team, rehearsed "Flower Pavilion", participated in the second Shanxi Opera performance and won the collective performance award. Zhang Runlai, Meng Zhixiu and Sun He are all the rage. .