Chinese New Year hanging stickers in when there is

When is the Spring Festival hanging stickers

Generally in the New Year's Eve a day or two before the sticker, the purpose is to remove the "Xi \", while adding joy.

Why do you want to stick the New Year's paintings on the Spring Festival?

New Year's paintings, originated from the ancient painting of the god of the door. Han "customs" recorded: "...... Painting tiger at the station, all after the previous event to defend the evil also." Visible door god painting in the Han before already have. Jin "Jing Chu years and times record" recorded: "Sticker painting cat chicken household hanging reed rope on it, inserted by the peach charm, all the ghosts are afraid of". Ancient very early in the door of the custom of stickers, mostly myths and legends of the characters, in order to drive away evil spirits.

The significance of the Spring Festival stickers ~! ~ speed!

Painting to decorate the environment when celebrating the New Year Festival. New Year's paintings are a unique form of folk art in China, adapted to the customary activities of people celebrating the New Year's Day and the emergence of the development. The earliest New Year's paintings began in the Qin and Han dynasties, when they were painted on the portals on New Year's Eve to drive away the ghosts and ominous things. To the Song Dynasty, Bianjing (now Kaifeng, Henan Province), Lin'an (now Hangzhou, Zhejiang Province) at the end of the year on the market there are the God of the Door, Zhong Kui and other deities for sale, for the New Year's Day to hang. With the richness of urban and rural activities to celebrate the New Year, at this time the New Year's paintings expanded the suite to show beautiful women, dolls, customs, operas and other subjects, and began to open the plate carving and printing, accelerating its development and popularity. After the middle of the Ming Dynasty, the further development of commercial handicrafts, engraved printing in the color overprinting technology also tends to mature, greatly promoting the woodblock prints of the drawings and sales, there have been a lot of New Year's paintings around the country. Among them, Tianjin Yangliuqing Nianhua and Suzhou Taohuayu Nianhua became the two major centers in the north and south, while others, such as Zhu Xianzhen in Henan Province, Wuqiang in Hebei Province, Weixian in Shandong Province, Linfen in Shanxi Province, Hanzhong and Fengxiang in Shaanxi Province, Mianzhu and Liangping in Sichuan Province, Shaoyang in Hunan Province, Foshan in Guangdong Province, Zhangzhou and Quanzhou in Fujian Province, and Tainan in Taiwan were also famous for their Nianhua prints, which were artistically formed into different styles with more diverse subjects, and became the peak period of woodblock prints. The period of woodblock prints was in its heyday. Until the end of the Qing Dynasty, due to the imperialist invasion and domestic reactionary rule caused by the poverty of the countryside, affecting the sales of woodblock prints and gradually declined, but in Shanghai, Tianjin and other cities with lithography and offset printing of New Year's Paintings, especially in the month of New Year's Paintings are the most popular. During the Anti-Japanese War, the revolutionary art workers who fought in Yan'an and Taihang Mountains absorbed the folk New Year's Paintings and created new New Year's Paintings with new contents, which opened up a brand-new way for New Year's Paintings. 1949 onwards, the New Year's Paintings continued to develop and became one of the paintings that had a wide range of people.

New Year paintings are mainly used as decorations for New Year's festivals, with joyful contents, strong romanticism colors, and red-hot and lively forms, which constitute its basic artistic characteristics. New Year paintings have a wide range of subjects, such as customary life with auspicious content, news anecdotes, traditional opera and novel characters, ladies, babies, landscapes, flowers and birds and auspicious patterns, etc. There are a large number of performances, and some new things are always reflected in the New Year paintings in a more rapid manner, and in the twentieth century, there are also satirical subjects that critically expose ugly behaviors and depict the political events of the news in New Year paintings. Compared with other forms of paintings, New Year paintings emphasize more on decoration and entertainment. Woodblock prints are adapted to the decorative needs of different environments in different regions, and a variety of styles have been created, such as door paintings, calendar paintings, center halls, four-paneled screens, window tops, windows, kangwizi, and lucky lights, etc. New Year paintings often depict beautiful images. New Year paintings often use the familiar harmonic symbolism in depicting beautiful images to express auspicious contents, such as pine, crane, peach and lingzhi to symbolize longevity, lotus and fish to symbolize good fortune for years to come, and peony inserted into bottles to symbolize peace and prosperity, etc. In New Year paintings that express historical stories and opera themes, there are styles of single-panel paintings, groups of paintings, and serial paintings (or screen paintings). New Year's paintings also emphasize handsome characters, auspicious titles and bright colors, which are pleasing to the eye and express the joyful mood of the New Year's festivals. Most of the authors of New Year paintings are familiar with the life and hobbies of the masses, and their creations are closely adapted to the needs of the masses, and are therefore popular among the people. Since the New Year paintings are posted in thousands of households, they play a great role in influencing the people's thinking and aesthetic taste.

New Year's paintings in the development of different production methods due to drawing and printing and has a variety of forms. Early New Year's paintings are mostly manually drawn, so far in Gaomi County, Shandong Province still retains the ash New Year's paintings, that is, the drawing to charcoal on the paper to copy, accelerate the speed of the draft, and then depicted, the same drawing can be very quickly drawn multiple New Year's paintings, more with the nature of the original. Woodblock printing yearbook began in the Song Dynasty at the latest, the early woodblock engraving ink line, artificial color, after the Ming Dynasty popular watermark color, simple strong and gorgeous, but some areas (such as Tianjin Yang Liuqing) yearbook in the color is also in the character of the head and face, clothing, and other parts of the artificial dyeing and depicting the formation of delicate half-printing and half-painting form. Stone printing, offset New Year's paintings are produced with the development of modern printing technology, can be complex and colorful painting plate printing, which month card New Year's paintings due to the absorption of folk New Year's paintings of festive red fire characteristics, the use of charcoal rubbing brush and watercolor rendering, the formation of delicate and realistic effect of the popularity of the moment. 1949, New Year's paintings absorbed the Chinese paintings, oil paintings, gouache paintings, color photography, and other forms, to show a more colorful and varied appearance. The Chinese New Year paintings have been absorbing Chinese paintings, oil paintings, watercolor paintings, color photography and other forms since 1949, showing a richer and more colorful appearance.

With the change of people's ideological concepts and living customs, New Year's paintings are also changing in content and form. The superstitious component of exorcism and pray for luck has basically disappeared, and the connotation of wealth and good fortune is also changing, the excellent traditional themes are still popular, reflecting the new characters and new styles of works continue to emerge every year with a large number of varieties and the number of widely distributed, for the enrichment of the people's spiritual life of the New Year Festival to make a contribution.

When the Spring Festival, why do people eat rice cakes and post New Year's paintings?

Stove worship, that is, sacrificing to send the god of the stove to heaven. In ancient times, when technology was not developed, people worshiped the god of the stove as the god in charge of the family's food, and believed that the god of the stove should go to the Jade Emperor to report his duties on the night of the New Year, and the Jade Emperor's reward and punishment for this family all depended on the report of the god of the stove. The most folkloric of the offerings for Zaos is the "Sugar Melon", which is said to be sweet to make the God of Zaos speak only sweet words in front of the Jade Emperor, and is said to be sticky to stick to the teeth of the God of Zaos, so that he can't say bad things out of his mouth. During the festival, the image of the God of the Zaos, which has been worshipped for one year, will be removed and incinerated, which is considered to be a sacrifice to heaven. To this day, the folk still have "sugar melon sacrificial stove, the New Year came" said.

New Year's Eve is the last day of the lunar month (February 6 this year), it and the Spring Festival (the first day of the first month of the year) first and last. The word "除" in "New Year's Eve" means "to go; to change; to alternate", and the meaning of New Year's Eve is "the old year is removed, and the new year begins in the morning". "Therefore, the activities during this period are all centered on getting rid of the old and praying for good luck. There are three main activities on New Year's Eve: having a reunion dinner, making sacrifices, and observing the New Year's Eve. Among them, the most distinctive is the New Year's Eve celebration.

Year-end vigil commonly known as "stay up all night", that is, New Year's Eve night, sleepless nights. Legend has it that in ancient times, there was a ferocious monster called "year", which came out on the last day of the lunar month to devour people and animals, endangering the people. Later, people found that its weakness is afraid of fire, afraid of sound, so people will be in the night of New Year's Eve, sleepless all night, lit a fire, burning bamboo, so that it makes a bang, the monster will not dare to come out for wrongdoing. Since then, the custom of staying up all night and setting off firecrackers on New Year's Eve has been left behind. However, there is another important task in the New Year's Eve vigil: making dumplings, and they must be filled with vegetarian dumplings, in the hope that in the new year, "vegetarian clean, safe and smooth". Some people put sugar and peanuts in the dumplings, which means a sweet life for those who eat sugar and a long life for those who eat peanuts.

Note that there are a number of taboos, such as the ban on sweeping, the small year, usually hard to reach the corners should be cleaned up, and into the New Year's Eve to the morning of the first day of the New Year, even if the ground is messy can not be swept, it is customary to believe that it will be "broken". Another example, the ban on scissors, forbidden to say "no more" All these are people looking forward to auspicious psychological reflection.

Dietary habits of the Spring Festival diet but the real is very careful, the northern folk proverb has "the first dumplings, the first two noodles, the first three Hezi, the first four pancakes rolled in eggs," said. Dumplings is one of the important food of the Spring Festival, in addition to New Year's Eve (the last day of the lunar month) to eat dumplings, the first day of the first month, the first five days to eat dumplings, but these three days to eat dumplings on the law is very different. The dumplings eaten on New Year's Eve must be filled with veggies to take the meaning of peace and safety in the coming year, and the dumplings can't be boiled all at once; the dumplings eaten on the first day of the first month must be the ones left over from New Year's Eve (i.e., from last night), to take the meaning of auspiciousness and prosperity; and the dumplings eaten on the first day of the first five days of the first month must be made into a lace-shaped dumpling, which is commonly known as the "pinching of a small person's mouth". "The purpose is to prevent the next year, the villain to make right and wrong, Figure a good luck.

Another tradition of the Spring Festival is the rice cake, rice cake made of glutinous rice, North and South two kinds of rice cakes, northern rice cakes have steamed and fried two kinds of more sweet, southern rice cakes in addition to steaming and deep-frying there are still slices of frying, soup cooking and other methods of operation, the taste is sweet and salty, due to the year and sticky resonance, high and cake resonance, therefore, eat sticky rice cake, that is, contains the year, that is, the people of the expectations for the new year, over time, sticky rice cake has also turned into the rice cake.

Room layout: the Spring Festival room layout to four stickers, paste the Spring Festival couplets, paste the New Year's Eve paintings, paste the word "Fortune", paste the windowpane.

Posting Spring Festival couplets: originated in the folk to drive away the ghosts and evil spirits on both sides of the door hanging peach board, (the ancients believe that the peach wood has the effect of driving away evil spirits), after the Ming Emperor Zhu Yuanzhang unification of the whole world, the people of the world in the Spring Festival to post couplets to praise the unity of the world and the country and people's peace and security, and then there is this custom. Song Shi * Shu Shijia recorded the history of the earliest one of the Spring Festival couplets "New Year Na Yuqing, Jiajie No. Spring" stickers New Year's paintings: from the content, catering to the masses of people seeking auspicious psychological, to the harvest, more children, more blessings, more life as the subject matter of a common "Magu Xianshou", "Goddess of Scattered Flowers", "Kirin sends a son," "Zhong Kui Defend the Fortune" and so on. China's famous New Year's Paintings production areas are: Tianjin Yangliuqing, Suzhou Taohuayu, Hebei Wuqiang, Shandong Weifang and other places.

Posting the word "Fu": commonly known as the Spring Posting Fu, is to pray for a new year of good weather and good rain, life and prosperity, the word "Fu" when posting the word "Fu" also inverted, the harmonic "Fu inverted (Road)". This custom is still alive and well today.

Window Decals: Window Decals to decorate the room, the form is usually "window flowers", "door paper", "wall flowers", "lamps", etc., in different shapes, the creation of free, and its subject matter is also very rich, common "fat pig arched door", "mice marrying", "LianYuYouYu". But the materials used are very uniform, red paper with a small amount of gold and platinum, colored paper, this custom in the vast rural areas through the centuries, and still not bad ......

Spring Festival worship activities:

According to the traditional customs of the Spring Festival worship has a certain order, the first day of the year is usually neighbors or relatives of their own family to pay tribute to each other, the second day of the wedding! Children with their husbands and sons-in-law back to their families to pay tribute to the New Year, the third is aunts and cousins below the children and nephews to pay tribute to each other, for those who are not in the local or difficult to meet friends and relatives, you can also send a piece of New Year's greetings, the custom started in the Han Dynasty, to the Qing dynasty during the customization of the Kangxi period, known as the "New Year's sticker, New Year's piece," on the written festive greetings, sent to friends and relatives, to enhance friendship. Friends and relatives walk around each other, long leaning on the underage and not working children but also to give the New Year's money, usually the New Year's money is every five and ten, in order to take the good luck.

New Year's paintings are usually posted when?

Posting New Year's paintings

Beijing and Tianjin New Year's Eve is the twenty-ninth day of the Lunar New Year

When is the Spring Festival

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Perpetual Calendar

February 19, 2015 Lunar New Year's Day Spring Festival

February 8, 2016 Lunar New Year's Day Spring Festival

Date of Spring Festival in 2015. Chinese New Year Date, February 19, 2015

2016 Chinese New Year Date, Chinese New Year Time: February 8, 2016

2017 Chinese New Year Date, Chinese New Year Time: January 28, 2017

2018 Chinese New Year Date, Chinese New Year Time: February 16, 2018

2019 Chinese New Year Date, Chinese New Year Time: February 5, 2019

2020 Spring Festival Date, New Year's Eve: January 25, 2020

The Spring Festival, or Lunar New Year, commonly known as New Year's Eve, generally refers to New Year's Eve and the first day of the first month.

When was the Spring Festival in 2005

January 29

When did New Year's paintings have their heyday?

A form of folk art unique to China, namely paintings to decorate the environment during the celebration of New Year's festivals. Because of its special function, the content of joyful celebration, romanticism color and the form of red-hot tongue are the basic artistic characteristics of the New Year paintings, and it is more important to pay more attention to the decorative and entertaining nature of the other forms of paintings. New Year's paintings sprouted around the time of the Qin and Han Dynasties, when people painted door gods on the door to ward off evil spirits. To the Song Dynasty, the capital generation of the end of the year market began to have a special for the New Year's Day to hang the door god, Zhong Kui and other gods for sale. In addition to this, the subject matter of New Year's paintings also expanded to infants, beautiful women, opera and other aspects, and began to openwork engraving, accelerating the popularity of New Year's paintings. After the middle of the Ming Dynasty, the color overprinting technology gradually matured, promoting the development of Nianhua, and many Nianhua production areas appeared all over the country. Tianjin Yangliuqing New Year Paintings and Suzhou Taohuayu New Year Paintings became the two major centers in the north and south. At the end of the Qing Dynasty, woodblock prints gradually declined, Shanghai, Tianjin and other cities rose to lithography and offset printing of the yearbook, especially the most popular month card yearbook.