China's traditional aesthetics regards it as beauty.

On the one hand, it shows the real world (life world), on the other hand, it is the world of a specific person or a specific artist.

I have no research on phenomenology. I have read some works about phenomenology, and some works and papers about phenomenology by China scholars, but they are neither systematic nor in-depth. Nevertheless, since 1980s, I feel that the spirit of phenomenology has something in common with the spirit of China's traditional aesthetics, and phenomenology is very enlightening for us to think about the basic theory of aesthetics.

According to China's aesthetics, beauty is to present a complete and meaningful perceptual world, that is, people often say that the image world is a blend of scenes. Zhu Guangqian and Zong Baihua inherited this view, which I summarized as "the image of beauty".