How to control the tone when whistling?

1. Lip: Lip is one of the most basic elements of whistle. Its mouth shape is: close your lips and leave a small hole in the middle to insert your little finger. The smaller the seam, the higher the sound; The bigger the gap, the lower the sound.

2. Airflow: Airflow blows out from the gas stored in the human body and sucks the gas out of the body into the body, which is called internal suction. The combination of the two is called blowing and sucking. As a beginner, I usually practice outside. The bigger and more urgent the airflow, the higher the sound; The slower the airflow, the lower the sound. Start practicing conveying airflow, don't blow too hard and too fast.

Otherwise, there will be no memory in one breath, and then inhalation will be over. When you start to practice breathing, you must be steady and gentle, and control your breathing.

3. Tongue: Tongue can not only adjust whistle, but also be the key element of pronunciation and timbre. The farther the tongue hangs in the mouth, the lower the whistle; The more your tongue moves forward, the higher your voice will be.

The above are the "three elements" of whistle, which should be closely coordinated and synchronized. Otherwise, only paying attention to one factor and ignoring the other will not achieve good results. As long as you practice more, experience more and learn more, you will find the law.

Extended data:

Whistling principle: According to scientific practice, the tongue plays an important role in whistling. The tongue itself cannot vibrate to make sound, but it can control the airflow, squeeze the air in the mouth, change the volume of the mouth and change the pitch of the whistle (note: only the pitch). The sound level is determined by the vibration frequency.

The two are in direct proportion: the higher the vibration frequency, the higher the sound and the lower the sound, so changing the vibration frequency is the ultimate function of the tongue. To cultivate an excellent whistler, it is very important to learn to master the pitch with the tongue, and to practice the subwoofer and subwoofer in the advanced stage, we should pay more attention to the cooperation of the tongue.

The placement of the tongue does not need deliberate dogma, but there is a principle: try to let the air flow through without obstacles (you can't roll your tongue), cooperate with your tongue to reduce the volume of your mouth when you are high-pitched, and make your mouth expand as much as possible when you are low-pitched, depending on the activities of your upper and lower jaws. Air always passes through the tongue, so the size of the opening between the tip of the tongue and the upper jaw plays a vital role in changing the priority of air flow.