Traditional Culture Encyclopedia - Traditional virtues - Who can provide the original script of the traditional wu opera "Sinking Fragrance Pavilion"?
Who can provide the original script of the traditional wu opera "Sinking Fragrance Pavilion"?
There are Houyang, Xiwu, Xi'an, Songyang. Houyang Gaoqiang was popular in the area of Dongyang and Yiwu, and some people think that it may be a derivative of Yiwu Gaoqiang, which is good at performing martial arts. Xi-Wu Gaoqiang was named after the opening of a class in Xi-Wu Village in the north of Jinhua, and its singing was more euphemistic and simple than that of Xi'an Gaoqiang, with more rolls sung, which was related to the Hui Chi Ya tune. Xi'an Gaoqiang is popular in the area of Quzhou, which was called "Xi'an" in ancient times, hence the name. It is rumored to be closely related to Yiyang Cavity, and some people think that it may be the legacy of Xiping Cavity. Its tunes are characterized by many words and few cavities, and have the characteristic of a single vent. The above three kinds of songs are sung by one person, with the help of many people and gongs and drums, and the tones of the songs are sung from the heart.
Most of the high cadences are characterized by gongs and drums, no matter what the strings are, one person starts to sing, and all the people are in agreement with each other, and the tone of the voice is high and exciting. But the West Wu and Songyang Gaoqiang has a band accompaniment, which is a unique form of Gaoqiang in China. There are a lot of high-cavity songs, and different plays have prescribed "sets". At the beginning, they use long and short sentences. The repertoire is rich, such as the "Sophora", "Hapu", "White Rabbit" and so on.
Kunqu, commonly known as "Grass Kun", "Jin Kun", is a branch of the Kunqiao circulating in the Jinhua area. Because of the long-term mobile performance in the rural grass platforms and temple fairs, to the farmers as the main audience object, so the language is more popular, the pursuit of plot twists and turns, singing is not bound to the four-voiced cavity, to perform martial arts, do the work of the play, the play is mainly. After the Ming Dynasty, it has been regarded as the authentic Wu Opera. In fact, it is a tributary of Kunqu in Quzhou (now Qu County) and Jinhua, and the language and tunes are simplified or changed in combination with local customs, so it is called "Grass Kun". Now its repertoire has less performance, part of the tunes are absorbed for the chaotic bombing voice, such as chaotic bombing tunes containing [Kun head] [small peach red] [new water order] [downhill tiger] and other fragments.
Bombing, because of the specialization of bombing "bombing class" more from Pujiang County, so it is also known as "Pujiang bombing". To two Fan, three five seven, Luhua as the main singing tune. Its popular areas in addition to Jinhua, Quzhou, Yanzhou (ruled by today's Zhejiang Jiande), but also often in the Changhua, Tonglu area performances. Erfan has the characteristics of northern opera singing, and some people think that it originated from the West Qin cavity, and some people think that it originated from the Anhui blowing cavity and the Siping tune. Three five seven with the characteristics of the southern opera singing, is an early blowing cavity. Some people believe that its formation is related to the Huizhou, Siping and Taiping cavities in southern Anhui. Luhua is derived from the blowing cavity, is a relic of the Hui opera.
According to "Dictionary of Chinese Opera and Songs": messy bomb in wu opera, refers to sing "three five seven", "reeds tune", "two van", "plucked" four voice cavity. The four vocal cadences of "Sanwuqi", "Luhua tune", "Erfan" and "Puzi". "Three five seven" "reed tune" by the Anhui "Shibei cavity" evolved, with the flute lead player, the tune is gorgeous, smooth, stretching, singing the tune of the word less cavities, and later developed into more words less cavities of the "stacked plate". Later, it developed into a "stacked board" with more words and fewer cavities. The "Erfan" is the sound cavity evolved after the Qin cavity spreads to the south, and develops into "Shakuji", "Xiaogong", "Zhenggong" and "Fanji" in Wu opera. In wu opera, it develops into four kinds of tunes with different attributes, each with its own "inverted plate", "original plate", "running water" and "tight skin". There are four different tunes, each with its own style, such as "Backboard", "Original Board", "Flowing Water", "Tight Skin", "Stacked Board", etc., which are characterized by feelings such as excitement, exuberance, sadness, and melancholy, etc. The "Batako" has four different tunes. There are also different styles of "plucking", such as "inverted plate", "back to the dragon", "original plate", etc. According to the nature of the tune, generally "plucking" is the most popular style. According to the nature of the tune, generally "Erfan" and "three, five, seven" associated, "reed" and "plucked" associated. The repertoire is more, such as "Lush Flower", "Gui Zhi Writing", "Plum in the Snow", "Pearl Shirt" and so on.
Hui opera, from the southern Anhui Province. Since the end of Qing Dynasty, a large number of people from Anhui moved to the area of Jinhua, most of them were doing business, and Anhui opera flowed in with the business road, and the local Anhui classes in Jinhua and Quzhou two provinces amounted to more than thirty, and there were more than ten local koban opened only before and after 1918. The wu opera huiban had its own style, with old huiban tunes such as bazi, luohua and blowing cavity as the main tunes. They sing Xipi and Erhuang, and their performance is rough, shrewd, simple and healthy, and their repertoire includes "The Second Palace", "The Temple of Fa Men", "The Green Dragon Society" and so on. Among them, "fire Zidu" "water capture Pound" and other performance styles, in the present Pihuang drama is less common.
Tanch spring, according to legend, originated in Suzhou Tanchu. During the Qianlong and Jiaqing years (1936-1820), Jinhua already had a singing class for the opera Tanya. Some people think that the beach spring is brought in by the flower boat lady who traveled to and from Quzhou and Lanjiang to sell her art, and there was an amateur sitting and singing class first, and then it was derived by wu opera artists as an opera, and became one of the vocal cadences of wu opera. It is divided into "Pujiang Beach Spring", "Lanxi Beach Spring" and "Dongyang Beach Spring". The repertoire includes "Monks and Nuns Meeting", "Broken Bridge", "Peony Lesson" and so on. After the liberation of the traditional repertoire of "Monks and Nuns Meeting" and "Broken Bridge", there are new creations in the scripts and performances.
The time tune is a collective name for small folk plays that have been in fashion since the Ming and Qing dynasties. Some of them come from the Ming and Qing dynasty popular songs, some belong to Nanluo, some are Youtan, and some originate from local ditties. Evolved from local folk songs, songs and dances, it is a kind of singing rural life of small theater voice, the repertoire of "Going to Guangdong", "selling cotton yarn", "the king's wife scolded the chicken" and so on.
The above six kinds of voice, in wu opera is not a play mixed use, but each voice has a group of specialized repertoire. At the beginning, the high voice, Kun voice and chaotic bombing formed a class independently, and then developed into a combined class with different combinations. High, Kun, chaotic singing theater class, commonly known as the "three classes". Later, Hui opera was introduced to the Jinhua area, and some of the trio classes abandoned the high opera and sang Hui opera at the same time, while some Hui classes sang chaotic bombing at the same time. Afterwards, they absorbed the tandan spring and the time tune. [edit paragraph] Overview of Wu Opera The traditional repertoire of Wu Opera is very rich, and the more influential repertoire includes: "The Golden Seal", "Sun Bin and Pang Juan", "Three Invitations to Pear Blossoms", "Broken Bridge", "Tears of Xi Shi", and the modern opera "Peach Storm", etc. The traditional repertoire of Wu Opera is very rich.
Wu opera's performance is exaggerated, vivid, image, strong, pay attention to the martial arts play Wen do, the literary play Wu do, so-called: "the martial arts play slowly, the literary play step on the broken platform". Due to the past clothing without sleeves, performances in the fingers, wrists, appearance, frame similar to Dunhuang murals of the characters gestures, a style of its own. And there are many stunts, such as face changing, playing teeth, rolling lamp, red fist, flying fork, playing beads and so on.
The role of the line is divided into the old man, Lao Wai, vice end, the young man, the big flower face (net), two flower face (vice), small flower face (ugly), four flower face (Wu net), flower Dan, as Dan, Dan, Dan, the old Dan, Wu Xiaodan, the three Liang Dan, (the third flower Dan), miscellaneous (playing the gods, tigers, dogs, by the management of the "three boxes" of the part) **** Fifteen lines. Famous actors and actresses include Jiang Heyi, Xu Dongfu, Zhou Yuexian, Xu Ruying, Zhou Yuegui, Xu Xigui, Wang Jinlong, Ye A Gou, Zheng Lanxiang, Ge Suyun, Wu Guangyu and so on.
During the Tongzhi and Guangxu years (1862-1908), wu opera classes reached more than forty classes. after 1935, wu opera began to have female actors and actresses, and had successively organized women's sections of Minsheng, Culture, Minle, and Small Culture (Huiban), and the various "triple-play classes" and "chaotic bomb classes" also passed through the accompanying troupes.
Early wu opera class society mainly performed in four townships bazaar, temple fair (collectively known as catching meeting place), in the early 30's, only began to enter into the city, taking Jinhua Chenghuang Temple, Xihua Temple and so on as the performance venue, after gradually often performed in Changle, Beishan, Jincheng, mass and other theaters. In the countryside, some of the early amateur groups were called "Prince Classes" (mainly composed of the "leisure class" in villages and towns). These organizations initially to sit and sing for their own amusement, every time to welcome the gods will be, then beat the gongs and drums along the streets from village to village to tour singing, and later began to develop for the masquerade performances on stage.
At the time of anti-Japanese war, Jinhua was once lost, some outstanding actors such as small flower face A Yao, Shin Lan Ying, flower girl Zhang Shu milk equal to the war, wu opera classes and societies were scattered, this kind of drama was almost in ruins. After the founding of the country, with the support of the relevant departments, the wu opera improvement association was formed (later changed to jinhua area opera federation), and in 1953, zhejiang wu opera experimental troupe was established, and a number of "**** and class" were also set up all over the world. in 1955, the troupes jointly recruited more than two hundred trainees, and cultivated a number of talents. in 1956, on the basis of the Zhejiang wu opera experimental troupe, a group of "wu opera" was established, and a number of talents were trained. In 1956, on the basis of Zhejiang Wu Opera Experimental Troupe, Zhejiang Wu Opera Troupe was established, and carried out more systematic excavation record and inheritance reform work on the traditional art of Wu Opera. By the early 80's, wu opera **** had twelve troupes, among which seven of them were originally Hui class, two of Sanhe class, one of two-and-a-half class, and two of chaotic bomb class.
The state attaches great importance to the protection of intangible cultural heritage, and on June 8, 2007, Zhejiang Province Wu Opera Troupe won the first Cultural Heritage Day Award issued by the Ministry of Culture of the State. [edit paragraph] Related terms 1, Yiwu cavity
Ancient opera voice cavity. Ming Longqing Wanli began to be popular in Yiwu, Zhejiang Province. Ming Wang Gide "law": decades and Yi Yang, Yiwu, Qingyang, Huizhou, Leping cavity of the out. This is the earliest record of Yiwu cavity. According to the Shen favor Sui "Duqu Notes", Yiwu cavity in the late Ming Dynasty is still with Haiyan, Yiyang cavity at the time of the greater impact of the opera cavity. It has been lost, and its repertoire, music, and performing art features are not available. According to the recollection of some old wu opera artists, Yiwu accent was popular in the Qing Dynasty around Pujiang, Zhejiang Province, which is a form of high accent, and its repertoire, music, and performing art are very close to the Xi-Wu High Accent of current wu opera. However, Mr. Luo Di of Zhejiang Art Research Institute thinks that: the so-called Yiwu cavity is just the "Yiwu oral cavity" brought out by Yiwu people when they sing opera in foreign countries, and the opera sung by Yiwu people for a long time will be called "Yiwu cavity". So the so-called Yiwu cavity in Yiwu is almost impossible to find. From the voice of the song, Yiwu cavity is not a voice.
2, West Wu high cavity
Opera theater. Because it was once popular in Jinhua, Zhejiang Province, West Wu village, so the name. It is said to have been prevalent at the end of the Ming Dynasty. Some people think that the West Wu high cavity is Yiwu high cavity of the black sound. In the past, it was sung by the Sanhe class around Qu County, and now it is also occasionally sung in Wu Opera. In the process of development, Xi'an Gaoqiang and Xi'an Gaoqiang influenced each other. It adopts the backstage helpers and adds orchestral accompaniment. The music tune is more rough and simple than that of Xi'an Gaoqiang. The traditional repertoire includes "The Meeting in the Mill House" and so on.
3. Xi'an Gaoqiang
The opera genre. It was once popular in Quzhou (now Qu County, Zhejiang Province). The ancient name of Qu County was Xi'an, so it was also called Quzhou Xi'an Gaoqiang, which used to be sung by the local triad, and is now also occasionally sung in Wu Opera. It is the evolution of the Yiyang cavity from Jiangxi, which was transferred to the Quzhou area. In the process of development, it was influenced by the Kun cavity and the blowing cavity, adopting the backstage helpers, and adding flute accompaniment and crossing the door. The form and method of singing are relatively free, except for the rolled singing and part of the introduction, each line is sung with a word or number at the end of the line. The traditional repertoire includes "Sophora Tree", "The Tale of the Pearl", and "Reed Flower".
4, Houyang high cavity
Opera theater. Popular in Zhejiang Dongyang, Yiwu, Pujiang and other places. Originally sung by Dongyang class. Now wu opera also occasionally sings. Some people think that it is called Houyang Gaoqiang after Yueyang Gaoqiang was spread to Dongyang in Hunan Province. The songs sung have more colors of folk songs and are accompanied by orchestral music, but the musicians are still used to help. The melody is simple and seldom sung in roll form. The traditional repertoire includes "White Parrot Brothers", "Liang Shanbo", and "The Story of Selling Water". Houyang Gaoqiang and Shaoxing tunes have more **** the same point.
5, Songyang high cavity
Opera theater. Popular in zhejiang suichang, longquan area (zhejiang original songyang county, 1958 and into suichang county). It originated in the late Ming and early Qing dynasties, and was quite popular during the Guangxu period of the Qing dynasty. It is often played with a flowery voice and a high eight-voice vacation voice. It is accompanied by orchestral music, but with the help of the voice. There are seven types of board styles: set board, flat board, tight board, inverted board, stacked board, stacked son, and kozi. The accompaniment is from Kunqu opera, Hui opera and folk percussion music. The language is mainly Songyang official accent. The traditional repertoire is relatively rich, and the entire repertoire of "The Lady's Passing", "The White Rabbit's Record" and "The Record of Reed Flowers" can still be performed now. Before the liberation has declined, after the liberation of the excavation and rectification. [Edit Paragraph] Stunts 1, Snake Steps and Snake Walks
This is the performance of Bai Suzhen and Xiaoqing in Wu Opera's beach spring "Broken Bridge". Bai Suzhen and Xiaoqing are not women on earth, but also people and snakes, so they have to have both styles in the performance. The performance of wu opera "Broken Bridge" is almost perfect. White Snake and Green Snake's steps are light and delicate, S-shaped, like snakes walking on the water, floating in the air, together with the beautiful dance, making people feel that there is a strong mythological color. When chasing Xu Xian, Xiao Qing is so ferocious that once she stops, she will do a "triple tampering", i.e., suddenly tampering and shaking her head three times, which is just like the ferocious and agile form of a water snake in searching for food. After the liberation, there have been several generations of actresses performing "Broken Bridge", the earliest of which are Chen Meijuan and Chen Juandi, followed by Xu Ruying and Jin Fenghua, Liu Yulian and Jiang Shuying, Ni Zhixuan and Zhu Zhufeng, Fang Lei and Gong Jian, and Fang Xiaorong and Jin Guo-juan, etc. They perform "Snake Steps", "Snake Paths", "Snake Paths", "Snake Paths", "Snake Paths", and so on. Their performance of "Snake Steps and Snake Forms" maintains the strong characteristics of wu opera. In "The Prequel of White Snake" directed by Xu Qinna.
2. Floating like a paper man
"Floating like a paper man", also known as "paper man's work", is a kind of light-weight stunt. The character is suspended in mid-air, with his head down and arms straight, swaying from side to side and spinning back and forth as if he were a paper man. Actor performance method is: two toe tiptoe, the use of light body work, suddenly swaying, suddenly moving left and right, suddenly 360 癴 0 spinning, are to be shown as paper floating in the air form. The main point is that the actor's two feet on tiptoe, arms down as far as possible, and then move the body with small broken steps, and to cover the feet of the costume, so as not to cause the audience to see that you are in the use of toe kung fu.
The wu opera Hui opera folded drama "live capture three Lang" in Zhang Wenyuan have this performance. Yuncheng county escort Song Jiang, for the good and righteous, money like dirt, known as "timely rain", y embraced by the townspeople and elders and the admiration of the jianghu good man. Yan and Yan Baoji mother and daughter in distress Yuncheng, Song Jiang pity his life is difficult, from time to time to give some small money for its livelihood. Yan see Song Jiang spend money like dirt, and in the Yamen office, will be Yan Boshi promised to Song Jiang as a concubine. So Song Jiang bought a house in the city and kept Yan as his concubine.
Song Jiang had a colleague named Zhang Wenyuan, who was a handsome and elegant man. Because of Song Jiang and the same Yamen clerks, and also some of the teacher-pupil relationship, so Song Jiang often drink with them, and then become friends. Song Jiang is generous, sometimes even Zhang Wenyuan brought into the Yan Poji place to drink, during the Yan Poji ordered to play and sing to help. This Yan Boshi was born with a peach blossom face, quite good-looking. Zhang Wenyuan was originally a hypocrite who was fond of womanizing, and once he saw the beauty of Yan Baoshi, he had a bad heart. Coincidentally, Yan Boshi is also a watery woman, the two hit it off, and soon became an adulterer and adulteress. Zhang Wenyuan often come to the rendezvous, only hidden from Song Jiang alone. Yan Boshi has a new love, will be cold to Song Jiang. Song Jiang was not a man of color, see Yan Po-shek intentionally cold also not much to Yan Po-shek place to pass.
After Chao Gai and his men robbed the "Shengchen Gang", the government sent soldiers to arrest them, and it was only thanks to Song Jiang's intelligence that they were able to escape and go to Liangshan to live in the grass. In order to repay the favor of saving his life, Chao ordered Liu Tang to send 300 taels of gold and a letter. Song Jiang was not a man who loved money, and only accepted one ingot of gold and the letter, and told Liu Tang to bring it back. After Liu Tang was sent away, Yan Wushu bumped into him and dragged Song Jiang upstairs to stay for the night. Because of Yan Po Si cold, Song Jiang very boring, not wait for the morning will leave, but the gold and letters contained in the "Chao Wen bag" forgotten in the room. Yan Boshi took a look at the bag and knew that Song Jiang was secretly connected to Liangshan, so she used the opportunity to force Song Jiang to write a letter of repudiation and take out 300 taels of gold for the rest of her and Zhang Wenyuan's life.
Song Jiang realized that the bag was lost in his room and rushed back to look for it, but the bag had been hidden by Yan Po Si. The bag has been hidden by Yan Baoshi. Yan Baoshi makes things difficult for Song Jiang and kills him in a rage.
Yan Boshi was killed by Song Jiang, but her spirit was still alive, and she wanted to continue her love with Zhang Wenyuan and go to the netherworld with him. At night, Zhang Wenyuan misses Yan in his study, and Yan's spirit sneaks into the study to meet him, telling him about the past and asking him to go to the netherworld with her. Zhang Wenyuan was scared out of his wits and wanted to escape, but he was mesmerized by Yan Baoshi and hanged to the point that he bled from his seven orifices. "Paper Man Gong" is used in the hanging time: Yan Boshi a Zhang Wenyuan (Sanlang) grabbed by the collar, Zhang Sanlang, like a pendulum like swaying left and right, like a fly like spinning in place, floating like a paper man, as light as a curl of smoke. This kind of stunt performance portrayed Zhang Wenyuan's scared and lost demeanor to the fullest. This is a wu opera small flower face's specialty, the most outstanding performance is Feng Jinliu and Yu Lanying. The "floating like a paper man" stunt has been used in all kinds of dramas, and is still performed for a long time. But it is seldom seen in wu opera. (Author: Jia Xianglong)
3, the lost stunt ---- big eyes small eyes
This is wu opera emblem play "practice in the fire" ("Xiangzi ferry wife") in Han Xiangzi's performance. Han Xiangzi, one of the Eight Immortals, went to a deep mountain to learn from his master and did not return for three years. One day, Xiangzi came down from the mountain, in order to test whether his wife Lin's heart has changed, turned into an ugly monk, sneaked into the garden, when Lin's incense burning in the garden, praying for her husband's early return, that is, he went up to tease and flirt with flowery language, Lin's will servant girl to expel him, Xiangzi put down his heart, turned back to his original body, and asked his wife to say: "If you want to meet husband and wife, wait for another three years." After saying this, he went away invisibly. When Xiangzi was disguised as an ugly monk and teased Lin, his right eye opened wide and his left eye shrunk so small that he could not even see Wuzhu. This kind of look reveals the ugly monk's psychological activity of lusting for color like life. The wu hundred famous clowns Ying Ah Yao and Xu Dongfu would perform it. This kind of stunt has no successor.
4, the lost stunt ---- dragonfly pointing water
It is the stunt performance of Wang Ying in the wu opera Hui opera "exploring five suns". When Wang Ying was exploring Wuyang City, he searched for the water source, supported his right hand on the ground uprightly, his whole body was straight, and he performed "draught" sometimes, and his body was cocked back sometimes. This stunt shows Wang Ying's superior martial arts skills and mysterious gestures during reconnaissance. It is now lost.
5, the lost stunt ---- kicking shoes wearing shoes
This is the performance of Xu Xian in Wu Opera "Broken Bridge". Fan Shouqi, a famous junior of Hui Ban of Wu Opera, could kick the flat boots on his feet to the top of his head, and then drop them from the top of his head to his toes and wear them in automatically. Shouqi used this stunt on Xu Xian. When Xu Xian was being chased by the White Lady and Xiao Qing, he fled, and in a panic, he sat on the ground and fell, kicking his shoes to the top of his head, looking around and finding nothing. Scratching and feeling around, it turned out to have landed on his head. Then the head will be a shrug, the shoes into the toe of the accurate. This "kicking shoes wearing shoes" stunts, the Xu Xian timid panic mood performance out of this world. It has now been lost. [Edit Paragraph] Artistic Characteristics The character line of wu opera was called "thirteen and a half net towels" in the past, namely, four white faces: the youngest, the oldest (Zheng Sheng), the oldest, the deputy end; four flower faces: the big flower face (net), the two flower faces (deputy net), the three flower faces (ugly), the four flower faces (Wu Jing); five dan dangs: flower dangs, Zheng dangs, Zuodan, the oldest dangs, the martial arts small dangs, this is the thirteen lines. This is the thirteen lines. Plus "three boxes" (tube masonry end, and play the gods, tigers, dogs) and miscellaneous feet, "half a net towel". Later on, the three-liang dan was added (the Quzhou area called the flower dan "Da Liang Dan", and the opera dan "Er Liang Dan", with the "three-liang dan" meaning the third flower dan role) and the small dan (also called the "small bag head"). "small head", "worship Dan", specializing in the role of maids, courtesans and other seldom open), *** fifteen rows of roles. In the past, there were twenty-eight performers in a troupe (especially in the Huiban troupe). Counting the class master (also known as "leader", in fact, the boss) a person, "head" (that is, "theater ants", the group to help invite the corner of the class to invite people, the group is mainly responsible for contacting the performance venues, 50 In the 50s has been canceled) a person, the band five people, backstage management head box (wardrobe box) a person, helmet box (hat, helmet, beard) a person, three boxes (laying the end of) a person, general affairs a person, the head of the two, plus fifteen rows of actors, **** twenty-eight people.
Performing arts, due to the long-term performance in the square, the formation of exaggerated, rough, strong, bright characteristics. Such as the martial arts general appeared, to quickly step back and light a high frame to highlight the character, and other types of theater stand after a step forward is different. Another example is that other kinds of dramas all pay attention to the circle, and the movement is a continuous curve, but wu drama is often straight in the circle, and there are folding line and straight line in the curve to show the power of movement and the intensity of feeling. It pays attention to "martial arts play do in writing, literary play do in writing", that is to say, "martial arts play come slowly, literary play step on the broken stage". Such as "Broken Bridge" is a literary play, but Bai Suzhen and Qing's "snake step" and a series of dance figures, Xu Xian's "hanging hair", "flying knee", "grab back", "pounce tiger" and other drop pouncing kung fu, the degree of its weight are not less than the martial arts theater. On the contrary, the martial arts theater "water capture Pound", but the slow move slow style, in the music of the fight, to dance movements to win.
The past wu opera has no water sleeves, so the wrist and finger kung fu is very prominent. Dan's opening the door, the whole suit, the whole face and so on action, all pay attention to the finger's trembling kung fu; The net, the raw and so on role's various cloud hand action, also pays much attention to turn the wrist, turns the palm plus the debut often bends the leg to light up the sole of the boot, and the exorcism dance and the Buddhist dance quite has the proximity place. In addition, when the character comes on stage, both elbows (lower arms) are flat, the thumb is cocked, the other four fingers are close together, when the character "starts to dominate", the body rotates, and the tip of the whip is always upward when the whip is lifted to urge the horse, etc., which is similar to the action of the puppet show. At the same time, many stunts are preserved in wu opera, such as the three changing faces through somersaults with color in "Fire Burning Zidu", the top light in "Rolling Lamp", the overturning beam and seventy-two hangings in "Big Mending Cylinder", the red fists and dancing forks in "Meat Dragon Head", the juggling of Buddha beads in "Monks and Nuns Association", the "upside-down flag of the wind" in "Water Capturing Pound", the "upside-down drinking water" in "Three Strikes on Wang Ying", and the "upside-down drinking water" in "Three Strikes on Wang Ying". The "Drinking Water Backwards" in "Water Catching Pound", "Flying Zombie" in "Sang Liang Stabbing Liang", and so on.
Characterization, some plays tend to understand the characters from the perspective of peasant life, even if the emperor and generals. Such as "nine tin palace" in the official has filled the seal of nine thousand years old Cheng Bite Jin, in the people for him to wish him a birthday, but also self-conscious to eat up jujube. Another example is Liu Bei in the "Three Knot", but a good white food, smooth-talking dilettante.
The wu opera troupe performed in the past, must first point play: by the two dan color head decorated with beads and emeralds, face powder, dressed in red and green men's guest clothes (pleats). One of them holds a toothpick and opens the name of the play, the other one holds a pen and asks "the head of the temple fair" to point the play with the pen. Before the performance, must first haunt the stage, called "haunted stage", generally only use percussion instruments to play a variety of gongs and drums, to take its lively, in order to solicit the audience, called "haunted stage". However, whenever the first performance is held, it will be "Huatoutai", in which four pieces of music played by large suona, small suona, flute and huqin are inserted into the gongs and drums, sometimes euphemistically and softly, sometimes violently and majestically ("Huatoutai" has become an independent folk music group), and the audience will be able to enjoy the performance through the "Huatoutai". The audience can evaluate the level of the band through the "Hua Tou Tai". After the "head stage", the "Eight Immortals" (there are various kinds of music such as "Eight Immortals Piling Up Flowers" and "Eight Immortals Chasing Peaches") will be performed. Peach Society Immortals to celebrate the birthday of the Queen Mother as the content), and then "jump Jiaguan" (commonly known as "jumping white face", "heavenly officials to give blessings"), "jumping Kuixing ", "Jumping God of Fortune", and then perform three to four "excerpts of the play" (folded drama), known as "open stage". Whenever the opening of the first stage, Huiban will perform "Hundred Longevity" ("Full Bed Wat", "Playing the Golden Bough"), chaotic bombing class will perform "Nine Sikong". Perform these two plays, one for its auspiciousness; two for the bright line; three because of the play in the line as a whole, singing and doing, reflecting the level of performance of the class society. The temple fair masters also accordingly decide the length of the play and performance period, the audience is accordingly choose to see which several plays. After the opening play, there is the "second stage", which is generally played with a big suona, accompanied by gongs and drums, and is relatively short, aiming to give the actors and the audience a short break. Then the opera begins, known as the "main program". After the performance of the main play, a small play is added, which is known as the "back to find". Such as "dumb back crazy", "scolding the chicken", "Wang Xiaoyi New Year" and so on. From the opening to find, a play takes about four or five hours or more.
The famous actors of wu opera are Jiang Heyi (excelling in old life), Xu Dongfu (ugly), Xu Xigui (old life), Ye A Gou (old life), Xu Ruying (Dan), Zhou Yuexian (Dan), Wang Jinlong (young student), Wang Jingchun (old foreigner), Zheng Lanxiang (Dan), Xu Fengxian (Dan), Wu Guangyu (ugly), etc.
Wu Opera is the most famous opera of the world, and it is the most famous opera of the world.
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- How about Nanjing Sheng Xing Freight Co., Ltd.
- What are the specific lyrics of the prose poem written by Xu Fei's father?