Why is "New Chinese Style" a pit? What's the difference between "Chinese style" and "new Chinese style"?

Many young users facing decoration like Chinese style modeling very much, but at the same time, they are worried about the sense of oppression brought by Chinese style to the room. For this kind of users, we generally recommend choosing new Chinese decoration. Different from the traditional Chinese style, the new Chinese style absorbs more elements of modern style. The only similarity between them is probably "using China elements".

In contrast, the new Chinese style is more in line with the tastes of young people, and the interior as a whole will be more agile and lively. If you have to find out the difference between the two from the details, it is probably the following three places. Compared with the two decoration styles, the most prominent place is the line-the traditional Chinese style is characterized by thick and smooth lines. Rough, this needs no explanation. Traditional Chinese style or traditional European style, which directly absorbed the decoration characteristics hundreds of years ago, all have a common feature-thick lines. I think it has something to do with the lack of technical level in those days. Thick lines mean easier carving and more durable.

The new Chinese style has changed a lot in this respect, and the lines are mostly narrow. This change is not only more in line with today's aesthetics, but also the "savior" of the room area of small and medium-sized units that are popular now. Well, what I want to say is that thinner lines will be more friendly to the sense of space. Smoothness is a very important point in our traditional culture. When we look at the decoration of traditional Chinese style, or directly look at ancient gardens and buildings, we can find the same feature-few edges and corners. Chairs and backrests should be curved; Hollow decoration must have smooth edges ... decorated in a square shape, almost never appeared.

The new Chinese style changed the arc into a straight line. The modeling and furniture of the new Chinese style are square. Straight lines mean hierarchy and neatness-especially in today's high-density rooms, neatness is particularly important. In terms of color matching, the traditional Chinese style is mainly white and jujube red. There are few decorative colors, mostly red and yellow-well, serious court style.

The new Chinese style is much more open in this respect, and the main colors are black, white and gray. I think it has something to do with the color matching principle of modern style. After all, another matrix of new Chinese style is modern style. Decorative colors are more inclusive. Any color can be put into the new Chinese style as long as you like it and match it reasonably. And the proportion of decorative colors is also higher-as long as the total area of decorative colors does not exceed 50%, it is not out of line.

Traditional Chinese style requires the highest modeling. No matter how simple the decoration is, there must be at least a few hollow carvings and Chinese knots. Too many shapes discourage small users. There is no requirement for the number of styles in the new Chinese style, and its China elements are mainly completed by decorative painting, home style and necessary styles. On the contrary, new Chinese style pursues simplicity. Not only is there no necessary requirement for the number of shapes, but the fewer the shapes, the better.