Traditional Culture Encyclopedia - Traditional virtues - The Imagery Described in Farewell to Hongqiao and Its Characteristics
The Imagery Described in Farewell to Hongqiao and Its Characteristics
I. Imagery
1, clouds: they are the ones that can beckon for goodbye and are sentimental, as if they really want to bid farewell to the poet.
2, Golden Willow, Sunset: the golden willow along the river is likened to a bride in the sunset, thus turning the inanimate scene into a living activity, warm and lovely. Willow reflected in the Kang River scene, drenched in the poet's infinite joy and feelings of attachment.
The willow branches irradiated by the setting sun are covered with a flattering golden color. The golden branches sway gently with the wind, the shadow reflected in the water, like a beautiful bride. This colorful shadow in the waves, rippling in the water, also rippling in the poet's heart, contains the poet's infinite joy and deep attachment.
3, water plants: green water plants in the soft wave wave, as if waving to the poet. In the scene, there is a scene in the scene, and the scene is blended.
4, clear yellow floating heart, soft waves, clear pool, green grass: gentle and sentimental, so much so that the poet produced his own willingness to be a watercress idea, showing a strong attachment to Kangqiao and lingering feelings.
5, water and starlight: to the evening canoeing back, water and starlight, so the poet can not help but "in the starlight colorful song". The poet's happiness through the appropriate choice of imagery has reached its peak.
Second, characteristics:
In Farewell to Cambridge, the poet chose the clouds, golden willow, sunset, clear waterlily, soft waves, clear pool, grass, starlight, summer insects and other imagery. These images are all common things in life, or commonly used in traditional Chinese poetry, but in the poet's writing, these ordinary images are given more fresh and unique feelings.
Expanded InformationFarewell to Kangqiao is a popular poem by modern poet Xu Zhimo, a representative work of the New Moon School of poetry. The whole poem takes the ups and downs of feelings when leaving Kangqiao as a clue, expressing the deep feelings of farewell to Kangqiao.
The language is light and soft, the form is exquisite and rounded, the poet uses the technique of mixing the real and the imaginary to depict a flowing picture, constituting a wonderful mood, and meticulously expresses the poet's love for Kangqiao, his longing for the life in the past, and his inexorable sadness for the present in a sincere, strong, and timeless way, which makes it a masterpiece of Xu Zhimo's poems.
Xu Zhimo (January 15, 1897-November 19, 1931) was a modern poet and essayist. His original name was Zhang Qian, the word ritual bonfire Sam, and he changed his name to Zhimo when he was studying in England. He was a representative poet of the Crescent Moon School. He studied at Shanghai Hujiang University, Tianjin Beiyang University and Peking University.
In 1918, he went to the U.S. to study economics, and in 1921, he went to England to study political economy as a special student at Cambridge University. In Cambridge, he was y influenced by western education and European and American romanticism and aestheticism poets.
In 1923 he founded the Crescent Society, and in 1924 he became a professor at Peking University; in 1926 he became a professor at Kwanghua University, Daxia University, and Nanjing Central University (renamed Nanjing University in 1949); in 1930 he resigned from his posts in Shanghai and Nanjing, and at the invitation of Hu Shih, he became a professor at Peking University again, as well as a professor at the Peking Women's Teachers' Training University.
On November 19, 1931, she was killed in a plane crash. Her representative works include Farewell to Kangqiao and A Night in Fei Cui.
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