How do you make acrobatic faces?

Acrobatic face changing is how to get?

Face-changing is a form of Sichuan opera, all the organs are in the line above, the key is still rely on the body and the body flexible coordination performance.

The traditional program face-changing belongs to acrobatics or magic

Face-changing is used in the art of Sichuan opera to shape the characters of a stunt. It is a kind of acrobatics.

Adopt Oh

Is face-changing a form of magic?

Yes. In fact, the definition of magic is very simple, that is, "to make people feel incredible performance"

What is the best place to recommend for face-changing performances?

The face-changing show is to go to Xilai Shu Yunyuan, where he has an elegant environment, the show is wonderful, and the performers are quite on point, so it's a good place.

Why China is known as the world's first acrobatics

The history of Chinese acrobatics

Chinese acrobatics has sprouted around the Neolithic era. After the unification of China by the Qin Dynasty, it absorbed the advantages of jiaoyi from various countries and formed a kind of entertaining acrobatic program - jiaoyi opera.

During the Han Dynasty, the content of jiaoyi theater was fuller, more varied, and more skillful. To the Eastern Han Dynasty, the formation of an acrobatic art as the center, bringing together a variety of performing arts in a hall of new varieties - "Hundred Plays" system.

During the North and South Dynasties, there were frequent exchanges between the arts of various ethnic groups, which made the acrobatics of this period show the characteristics of eclecticism and colorfulness, not only the folk base is rich, but also the court performances of various dynasties are also colorful.

During the Tang Dynasty, some programs were amazingly developed, and there was an unprecedented high level of skill. Among them, the "carrier pole" of the art is very high, equestrian programs have great development, animal taming has also reached a high level.

Since the Song Dynasty, the acrobatic arts began to move from the court to the people, creating a wide range of new programs. Tile house, the rise of the hook railings so that artists have a place to sell their skills easily combined and easily dispersed, in addition, the Song Dynasty, there are professional acrobatics classes and training of newcomers to the "class".

After the Song Dynasty, the social status of acrobatics is declining. After the establishment of the Yuan Dynasty, acrobatics fell into the jianghu art of walking the streets and playing tricks. Qing Dynasty artists are based on family relatives, "put the land" performance, or by catching the flow of performance, in order to maintain their livelihood. To modern times, acrobatics has been relegated to the "lower nine streams" of the Hall of Harmlessness.

After the liberation, acrobatics gained new life. Acrobatics from simple skill performance to the development of band, dance, lighting and other integrated art performance. Under the leadership of the Party and ***, contemporary Chinese acrobatics has become a favorite art of people all over the world.

The artistic characteristics of Chinese acrobatics

The artistic characteristics of Chinese acrobatics are generally manifested in the following aspects:

The first one is to pay special attention to the training of waist and leg top work. Chinese acrobatic artists, even actors performing ancient colorful juggling must have a solid foundation in martial arts.

The second is to seek stability in the danger, and to seek silence in the movement, which shows the calm, skillful and accurate skills and the hard work of a thousand hammers. For example, all kinds of thrilling performances in "tightrope walking" require "stability".

The third is to seek the strange in the flat, with the skillful and ingenious method, from nothing to something, showing the creative power of mankind.

The fourth artistic feature is the combination of lightness and heaviness, and the spirit of the spirit into the realization of the soft and hard work to complement each other. The best expression of this artistic characteristic is the "stomping technique" program.

The fifth is the combination of superhuman strength and dexterous heeling skills. For example, in the contemporary program, "The Thousand-Pound Burden", an old actor lifted four stone burdens and seven or eight actors with his hands and feet, weighing more than a thousand pounds, which demonstrated his superhuman strength.

The sixth is the use of a large number of living and working tools as props, full of life, showing the close relationship between Chinese acrobatics and labor life.

The seventh is the combination of ancient arts and crafts and physical skills. For example, "playing the altar", "turn the disk" and other performances of the Chinese porcelain painting art and acrobatics together.

The eighth is that Chinese acrobatics has great adaptability, and the forms and places of performance are diversified.

The ninth is that Chinese acrobatics has a strict master tradition, and close relationship with sister arts. Each technique of Chinese acrobatics is passed down from generation to generation, but at the same time, it has absorbed a lot of nutrients from opera, dance and martial arts.

These artistic features constitute the unique charm of Chinese acrobatics.

Broadly speaking, acrobatics is a collective term for all kinds of extraordinary skills, and it was also called "acrobatics" and "acrobatic music" in ancient times. In the stage of comprehensive development of primitive art, it is not separate from music and dance, and became the dominant culture at that time. In the Hundred Operas of the Han Dynasty (206 B.C.E. to 220 A.D.), and in the court of the Tang Dynasty (618 A.D. to 907 A.D.), it was the same as the music and dance, displaying its splendor and splendor in full bloom. After the Song and Yuan Dynasties (10th to 14th centuries AD), as classical dances were despised, acrobatics also fell into the jungle and were regarded as inferior. However, some of the best tricks of the past dynasties are still inherited from generation to generation, and they have been improved. In the late Qing Dynasty and early Republic of China, Chinese acrobatics spread overseas and became famous in Europe and America. During the Qin Dynasty (221 BC to 207 BC), the folkloric Jiao Dai Opera was introduced to the court. The Han Dynasty developed the Jiaojia Opera to include a variety of music and dance acrobatic programs, including the sword, jumping pills, inverted, walking rope, dancing beasts, playing the big bird, right horse skills, the car edge of the pole, the top pole, *** fights, five cases, the seven plates, fish and dragons roaming, playing lion and other programs, flourished for a long time. According to the records, Emperor Wu of Han Dynasty (reigned from 140 BC to 86 BC) held a grand banquet and reward ceremony in the spring of the third year of Yuanfeng (108 BC) in order to show the wealth of the country. In the course of the banquet, an unprecedentedly grand acrobatic music was performed ......

Is flower cutting acrobatics or magic?

No, the acrobatics you are talking about is not called acrobatics, it is called hand coloring. Liu Qian's hand coloring is also pretty awesome. Only he doesn't use it much in TV programs.

The magic choreography in Liu Qian's TV program is to meet a lot of conditions, such as party effects, duration, program sequencing and so on. So there is not much hand color.

And Liu Qian opened the Chinese close-up magic popular precedent. The time of the evening is counted by seconds, Liu Qian would like to show off his hand color, but the time does not allow ......

Beijing opera in the face is how to become ah

First in the face of the paste a lot of face, all with a fine line connected to the hand, and then the hand in the face of a cover, a wave, and then pull down a face skin down. The general is enameled,

Specifically not clear

When Andy Lau wanted to learn all did not learn.

A movie about face changing

Face changing

In the 1990s, although Shaw's film production has not made much progress, but after turning into an investor to invest in the shooting of some films is still quite a standard.

The story of The Changeling takes place in the 1930s, when the corrupt rule of the Republic of China (ROC) led to a nationwide civil war. The old master of the art of face-changing, the king of face-changing, lives alone in a small boat and travels on both sides of the river to make a living by selling his art. Because he lost his son at an early age, he has no one to pass on his skills to. Feeling that he is already in his twilight years, the king decides to buy a boy as his grandson to carry on his legacy. The child bought, but a woman mixed with a girl dressed as a man, the art of passing male not female, the result is that the girl and the king of face-changing to master and apprentice called companion selling art. The good times do not last long, the girl dog wa accidentally burned the boat, do not dare to see the king of face-changing, wandering in the human traffickers again captured. At the traffickers' place, Dogwa met a boy, Tianci, who was also taken by the traffickers. Tianci was the young master of the Wen family, the head of the local garrison, and unbeknownst to her, Dogwa escaped with Tianci and sent Tianci to King of the Changing Faces as his grandson on his boat. When the King of Changing Faces is arrested as a human trafficker and sentenced to death, Dog Wa begs for the help of Guan Yin, a male actor who admired the King of Changing Faces' skill, and eventually moves Wen, the division chief, to intercede. The King of Face Changers was saved, and finally passed on his skills to Dogwa, who inherited his mantle.

The film shows the hard life of a Sichuan opera veteran. The King of Face Changers is a typical conservative, and it's a shame that the ancient Chinese concept of passing on the art to the children, not to the daughters, and not to the outside world, has led to the loss of countless folkloric masterpieces, but the King of Face Changers is also a person who adheres to this concept. Because of this conservative concept, the King of Face Changers was destined to lead a difficult life in this era. The King of Face-changing is a man of integrity, proud of his bones, but in this era, like a tiger falling from the sun, he can only be reduced to a street performer. Even though he has excellent skills, it is difficult to get rid of the poverty of life, and he can only lament his fate alone.

The living Goddess of Mercy is the representative of another kind of entertainer in this era. He is a typical person who is able to fully integrate into the society, while the King of Changing Faces is another kind of typical person who is rejected by the mainstream of the society, that is, the so-called know-how person. The King of Changing Faces rejects the invitation of the Living Goddess of Mercy because he refuses to give up his own beliefs, and he is certainly a representative of those who do not understand the times. On the other hand, the Living Goddess of Mercy is the most valuable person that the King meets in the latter half of his life. In this era of moral degradation shown in the movie, it is indeed the greatest blessing for the King to meet such a kind person as the Living Goddess of Mercy, and the eventual rescue of the Dog Wa is also a kind of affirmation that good things come to those who do good things.

Dogwa is a reflection of the patriarchal society, the people are not happy, in those days, a baby girl as long as two oceans can be bought, the child in the eyes of parents has been a burden. Dressed as a boy to deceive the buyer is the helplessness of the dogwas, was sold seven times she has endured the life of livestock is unimaginable to modern people, condensed in her body, the same old society's bitterness and hatred of the arc of the dogwas to bring Tian Chi to the king of the change of face to repay the grace of the hospitality of the reproduction of the living Goddess of Mercy in the opera Goddess of Mercy sacrificed her body to save her father to become a Buddha scene is also in order to repay the king of the face, no matter how the king of the change of face to her attitude to change, in the heart of the king of the face to treat her how to change, but in the heart of the dogwas, she is not a child. No matter how the king's attitude towards her changes, in Dogwa's heart, he is still the grandfather who saved him and gave him a stable life. She doesn't know anything about ancient history and imitates the story of Goddess of Mercy only because she watched the performance of the Living Goddess of Mercy, but she does know what it means to repay kindness. To be honest, buying such a child is really a blessing for the King of Changing Faces, apart from embodying the truth that you reap what you sow.

The movie is shot in a delicate way, and the emotional treatment of the characters is accurate. The film does not deliberately show the background of the era, but only tells the story of the King of Face Changers' experience to show the era of war and turmoil. The fact that the king was beaten and charged with child abduction is a reflection of the *** darkness in the society, and the fact that the chief of the division, Mr. Wen, rescued the king is a reflection of the fact that the power of the military was greater than that of the local government in that period of the society. What makes these things happen is the ugliness of the times, which is exactly what the movie is trying to reveal. The indifference of the world is not as strong as a monkey next to the King of Changing Face. The music of the movie is mainly folk music, which contains a kind of light sorrow, used to express this era full of sorrow.

The name of the movie is "Changing Faces", which is not only taken from the skill of the King of Changing Faces, but also used to show the change of people's attitudes in reality, which also includes the King of Changing Faces's attitude towards the dog, which is from the ugly face of the society. The most praiseworthy of the movie is also the lines, full of Chinese ancient ......

Where to teach face-changing

Face-changing is used in the art of Sichuan opera to shape the character of a special prong.

Generally inherited in the form of family inheritance, rarely accept foreign disciples.

LZ is difficult to find, but there are acrobatic troupes, the troupe has taught, LZ can go to consult

Ancient acrobatics are those? Example: chest broken boulder 、、、、、、、

Tightrope walking, mouth top ladder, drilling fire circle, change valve, spit fire, turn over the heel, stacked Luohan, flying disk ...... Warm tips: the teacher's knowledge of ancient acrobatics, but also more from the TV series, if it is to hand in the homework, think about the TV series inside the how to act on it.