What does the love between Tang and Yang Guifei show?

A nation's literary classics are its precious historical and cultural heritage resources and the most vital, eternal and timeless "cultural gene". Fei Xiaotong said that cultural consciousness means that people living in a certain cultural and historical circle have self-knowledge of their own culture and have a full understanding of its development process and future. In other words, it is the self-awakening, self-reflection and self-creation of culture. As the creative concept and cultural pursuit of the ballet Song of Eternal Sorrow, "cultural consciousness" injects strong humanistic care and social responsibility, re-recognizes the classic cultural value of Bai Juyi's poem Song of Eternal Sorrow, and excavates its rich spiritual connotation and historical details, which has a unique and profound spiritual discovery and aesthetic expression in the ballet Song of Eternal Sorrow. As a brand of cultural and creative industries, the realistic historical dance drama "Song of Eternal Sorrow" is a rare excellent dance drama with excellent ideological, artistic and ornamental features in recent years. Successfully explored the innovation of cultural industry and the artistic expression form of live dance drama, and created the road to the development of cultural and creative industries in the west. Seriously study and analyze the case significance of the dance drama "Song of Eternal Sorrow". How does the adaptation of dance drama literature classics convey the artistic charm and ideological charm of classics? For other parts of China, especially the western region, we should persist in independent innovation, vigorously develop cultural and creative industries, and constantly enhance the overall strength and competitiveness of western culture. The dance drama "Song of Eternal Sorrow" provides us with useful enlightenment. As Tong Qingbing said in the article "The Intrinsic Elements of the Construction of Literary Classics", literary classics are constantly changing. It is not a classic once and for all after people in a certain era have determined it, but a continuous construction process. Bai Juyi's Song of Eternal Sorrow is a household name and passed down from generation to generation. Beijing Opera, Kunqu Opera and Shaanxi Opera, which are adapted from Tang He's love story, are still active on the stage. The Song of Eternal Sorrow by Bai Juyi, a poet in the Tang Dynasty, has been successfully adapted into movies and TV series for many times, which is even more sensational and has repeatedly created a miracle of viewing. As a special cultural heritage resource, Song of Eternal Sorrow is also a rich and precious tourism resource in Huaqing Pool. Exploring the modern significance of Song of Eternal Sorrow, and then fully exploring its modern value, combined with the development of tourism, is the best and effective way to realize the dissemination of literary classics and cultural inheritance. We can find the point of convergence with the times in literary classics, thus enhancing the core competitiveness of tourism and further expanding the space for sustainable development of tourism. The "Song of Eternal Sorrow" in history has been turned into a pile of dry dehydrated food by the years. What we have to do is to inject fresh running water to moisten and stretch the history of folds. The dance drama "Song of Eternal Sorrow" will restore the green leaves and flowers to history. Tang and Yang Guifei came to us through the time and space of history and the dust of years. The dance drama "Song of Eternal Sorrow" artistically reproduces the touching love story of Tang and Yang Guifei who happened here more than 1000 years ago. The dance drama Song of Eternal Sorrow has become a beautiful love dream and an enduring myth for everyone who has been to Xi 'an Temple and Huaqing Pool. The Song of Eternal Sorrow endows Huaqing Pool with profound cultural connotation. Huaqingchi is the hometown of love, and everlasting regret is the soul of Huaqingchi. The dance drama "Song of Eternal Sorrow" is the perfect reproduction and release of Huaqingchi's soul. The legendary story is one of the reasons for the success of the dance drama Song of Eternal Sorrow. Dance drama tells stories, stories and legends. As the aesthetic standard of ordinary audience appreciation: good-looking. Dance drama is a kind of drama. It should attract the audience with vivid stories, meet the appreciation needs and aesthetic interests of most audiences as much as possible, and embody the intention of making the people like it as much as possible: the story is beautiful and full of artistic charm. Nowadays, the poor story of dance drama is the reason why dance drama lacks appeal. At present, many cities in China are engaged in landscape real-life dance dramas, which are basically landscape real-life plus advanced high-tech sound and light, plus modern national songs and dances. You can't help but say that they are good, luxurious, thrilling, beautiful and well-made. Get sensory enjoyment. But I always feel that something is missing, and that is the lack of story. These dance dramas basically show life scenes, life scenes and natural landscapes. The dance drama Song of Eternal Sorrow is unique in that it tells a complete and true historical love story that happened on the edge of Huaqing Pool, which is different from other live dance dramas. Huaqingchi, located at the northern foot of Lishan Mountain in Lintong, Xi. During the heyday of the Tang Dynasty, Emperor Xuanzong and Yang Guifei performed a love story that has been told for thousands of years in Huaqing Palace, making this ancient royal garden a witness of their love. From 745 to 755, Li Longji, the emperor of the Tang Dynasty, and Yang Yuhuan, the imperial concubine, were deeply in love. They visited Mount Li and bathed in Huaqing Pool, during which An Lushan rebelled and rose up against the Tang Dynasty. Tang was forced to flee Chang 'an with Yang Guifei, and Maweipo mutinied. The imperial concubine was forced to hang herself and bid farewell to Tang. This is embodied in Bai Juyi's Song of Eternal Sorrow. Based on this, the story of the dance drama "Song of Eternal Sorrow" is clear, full of flesh and blood, complete and coherent, compact and concentrated, full of twists and turns, complex and sharp contradictions and conflicts, vivid characters and ups and downs of the story, which not only improves the artistry of the dance drama, but also improves the appreciation and appeal of the story. The tragedy of love is the shocking power of the ballet Song of Eternal Sorrow. Lu Xun said that tragedy is to "destroy the valuable things in life for people to see." Tragedy stems from irreconcilable contradictions, which are mixed with helplessness and despair. Can cause people to sing in their hearts. The theme of Bai Juyi's long narrative poem Song of Eternal Sorrow is to describe love stories and praise love. The dance drama "Song of Eternal Sorrow" attracts the audience's vision and hearing through a unique dance art form, and effectively conveys the tragic feature of love "ruining beauty in public for people to see". The play "Song of Eternal Sorrow" is full of articles on the word "love". Concentrated rendering of the lingering love between Li and Yang. Where will you go? You are inseparable, endless hatred. The tragic plot is filled with faint sadness and sadness. Love tragedy and life tragedy transcend the limitation of time and space, hit the hearts of the audience, produced emotional voices, and achieved aesthetic success. Sweet love is what everyone yearns for, and love tragedy is even more thrilling, and the brand left in people's hearts is often indelible. There is no love more touching than suffering and * * *, life and death! This is the outstanding feature of the dance drama "Song of Eternal Sorrow". That is, the dance drama Song of Eternal Sorrow is different from other landscape dance dramas. The dance drama "Song of Eternal Sorrow" embodies the artistic value of being original, unrepeatable and non-renewable. The combination of realism and freehand brushwork is the artistic charm of the dance drama Song of Eternal Sorrow. The prosperous Tang Dynasty is the heyday of the development of China's national songs and dances. In order to more vividly express the style of the prosperous Tang Dynasty, Song of Eternal Sorrow is a harmonious combination of poetry, music and dance. Greatly improved the performance ability of dance drama. It highlights the atmospheric field in the prosperous Tang Dynasty. The whole drama is no longer limited to simply telling a well-known love story, but based on this story, it builds an artistic space of aesthetic imagination and forms a powerful aesthetic force that directly reaches people's hearts. The whole drama uses modern artistic concepts and techniques, and through the artistic atmosphere created by poetry, music and dance, it reflects Tang Wenhua's profound and magnificent soul, which makes people breathe the breath of the prosperous Tang culture, feel the poetic passion and the meaning of love. The dance drama Song of Eternal Sorrow consists of four chapters: two of a kind, Pride, Where Are You Going, and Wonderland. It contains stories such as the emperor and princess's parade, Yuhuan's entry into the palace, the imperial concubine's bathing, the imperial concubine's drunkenness, the Anshi rebellion, Ma Wei's mutiny, the Qixi vows, the imperial concubine's death, and the reunion in Wonderland. Ten scenes are staged in turn. Each chapter is interspersed with a rich baritone poem "Song of Eternal Sorrow", which creates an open, distant and desolate artistic conception, and makes poetry, music and dance slowly unfold a romantic and sentimental love picture in the blend of history and reality, man and the fairy world, tradition and fashion. It fully shows the weather of the prosperous Tang Dynasty and the love legend that has never been sung, allowing the audience to travel through time and space and truly feel 1300 years ago at the foot of Lishan Mountain by Huaqing Pool. Music is the soul of ballet. The music style of Song of Eternal Sorrow is very distinctive. It boldly borrows elements from national music, western music and pop music, and then gives full play to the expressive force of various musical elements according to the scene, sometimes vigorous and passionate, sometimes tactfully low-key, and sometimes mixed. Pipa has a clear voice and distinct personality; This symphony is grand and profound. In the performance of Li Yang and Where Are You Going, deep music, such as crying, sadness and sadness in melancholy, moved the listeners. The whole drama dance integrates national dance and modern dance into the classical dance of the Tang Dynasty, transforming the contradictions and conflicts in the story into dance scenes, dance details and dance images. In the fairyland of "Penglai Fair", Yang Yuhuan fell from the sky, which was really unreal, swaying and breathtaking. The charming amorous feelings of Yang Yuhuan, a stunning beauty, are vividly interpreted. Gorgeous clothes have both oriental classical beauty and modern fashion. Colorful, dazzling, dazzling, beautiful. Absolute beauty shows the splendor of the Tang Dynasty. The whole drama takes Mount Li as the background, Huaqingchi Jiulong Lake as the stage, pavilions, pavilions, corridors, temples, weeping willows and lakes as the elements of dance beauty, plus the use of moving, lifting, conversion devices, gauze curtains and lighting, the projection of 200,000 square meters of mountain murals, the use of modern high-tech visual effects, multimedia audio-visual means and other modern high technologies, plus changing lighting colors, through sound, light, light. These have been successfully demonstrated to the extreme by modern technical means, giving the audience a strong visual impact and appeal. We should see that the love cultural significance of Song of Eternal Sorrow still has strong cultural vitality today, and its spiritual value that cannot be underestimated is still needed and recognized by people in our society. Li Yang's love story in Song of Eternal Sorrow, a love tragedy more than a thousand years ago, and today's love story still gives a strong shock to contemporary people. The Song of Eternal Sorrow has become the swan song of eternal sincere love. "We want to fly in the sky, two birds grow together on the ground with one wing, two branches of a tree." It shows the concept of mutual affinity, never giving up, growing old together and being faithful, and the spirit of love adhered to is in the same strain as the love ethics in China traditional culture. The love culture of Song of Eternal Sorrow has become a unique symbol of our national culture, which contains rich life consciousness and cultural consciousness. Love is the eternal theme of human emotional pursuit. However, people's yearning for and pursuit of a happy life are the same. With the rapid development of economy and society, people's requirements for the quality of life are increasing day by day, and people's desire to pray for a happy love and a happy marriage is getting stronger and stronger. Love-themed Song of Eternal Sorrow is an oriental love myth that will never be sung again. The shocking power of "Song of Eternal Sorrow" comes from the sincere love that is pinned on life and death. Its essence is the pursuit of ideal realm in spiritual life, which I love and have no regrets. Although these legends happened more than 1000 years ago, the more we yearn for them. The legendary story in Bai Juyi's Song of Eternal Sorrow is to create a love dream for the public. The dance drama "Song of Eternal Sorrow" can make this love story more touching and legendary, and make this dream more real, clearer and richer. Although it is out of reach, it can be within reach, which greatly satisfies the "thirst psychology" of tourists. We are willing to take this kind of love as a comfort and satisfaction for our souls. As a traditional festival in China, Tanabata was listed in the first batch of national intangible cultural heritage in China in 2006. Tanabata embodies the love spirit of the Chinese nation and embodies the national cultural blood of truth, goodness and beauty. The Song of Eternal Sorrow makes Tanabata one of the most romantic traditional festivals in China. The moon is like a hook, the sky is full of stars, and a white galaxy runs across the north and south. "On the seventh day of July, in the Palace of Eternal Life, we secretly told each other in the quiet midnight world." Li Longji and Yang Guifei, emperors of the Tang Dynasty, looked up at the bright moon in the sky, poured out their hearts to each other, and made a love oath of "May two birds fly in the sky with the same wings, and may two branches of a tree grow together". This is the sublimation of true love. Therefore, Song of Eternal Sorrow has gained permanent charm. Huaqingchi and Tanabata have forged a romantic relationship, and Huaqingchi has also become a paradise for lovers and a holy place for love. The specific time of "the seventh day of July" has become a symbol of faithful love and a happy reunion of long-term lovesickness and mutual confession. Combine the development of cultural industry with the promotion of traditional culture to create a vibrant cultural brand. Through the research, development, protection and utilization of the love culture of "Song of Eternal Sorrow", we can build the love culture brand of "Song of Eternal Sorrow" in China, inherit the excellent national cultural traditions, and thus protect the blood of our national culture. Establishing a correct outlook on life and love, pursuing a better life, establishing a happy family and promoting the development of a harmonious society will certainly have great attraction and temptation for tourists. Through the dance drama "Song of Eternal Sorrow", the cultural value and business opportunities of the traditional festival "Tanabata" were deeply explored, and the "Tanabata Tanabata" activities were held in Huaqingchi, and a series of unique activities were held for 77 couples, such as imitating the collective court wedding of the Tang Dynasty, imitating the grand wedding ceremony of the Tang Dynasty, setting sail for love, planting roses by hand, pledging vows of eternal love and locking up their lives, which were further grasped. The marriage of dance drama "Song of Eternal Sorrow" and "Chinese Valentine's Day" discusses the potential significance of national traditional festivals in inheriting national memory and promoting traditional culture, as well as the historical value and modern significance of national traditional festival culture under the background of rapid development of modern economy, society and culture. As an important part of traditional culture, national traditional festivals should be integrated into Chinese education and spiritual civilization construction. It further expands the spiritual development space of the traditional festival "Qixi" and deepens the cultural gold content of "Qixi". Actively innovate the form and carrier of traditional festivals, so that "Qixi" can adapt to modern people's lifestyle and combine with modern people's love pursuit. On the night of July 7, sentient men and women with infinite hope for the future came to Huaqingchi. Facing the starry sky, they felt the touching love story of Li Yang in Song of Eternal Sorrow, chewed those touching vows of eternal love, and recalled the true meaning of human love. Pray for a happy marriage and look forward to a full moon of love. The infinite yearning for sincere love and the passionate pursuit of true feelings make the ballet "Song of Eternal Sorrow" emotionally resonate with modern people. This kind of value and significance is beyond the times and the country. Culture is the soul of tourism. Tourism is cultural consumption. On the basis of successfully building the cultural brand of the dance drama "Song of Eternal Sorrow", we should make full use of the radiation power of the cultural brand to spread it to the outside world, not just staying at the "one-time gain" of the dance drama. It has gained twice or even more income, and gradually formed a series of cultural industry clusters and industrial chains with the dance drama "Song of Eternal Sorrow" as the leader to drive tourism and cultural industries. History is a pile of ashes, but there is still a residual temperature in the depths of the ashes. Lonely, silent ashes are buried with the burning flames of the past. What we have to do is to let the scattered residual temperature give us a little warmth. The dance drama "Song of Eternal Sorrow" makes the dark fire buried under this pile of historical ashes present a love diamond. The essence of the spread of literary classics is to spread the spiritual values in the classics, so that their spiritual values can be publicized and promoted in the new historical period and modern social era. From Bai Juyi's poem "Song of Eternal Sorrow" in the Tang Dynasty to the modern dance drama "Song of Eternal Sorrow", the successful transformation from the language narration of literary classics to the dance body language reflects the real cultural self-confidence and cultural consciousness in the adaptation of literary classics into dance dramas. Modern dance language and modern technical means convey the profound meaning of literary classics, expand the spiritual connotation and meaning space of the poem "Song of Eternal Sorrow", and provide a new interpretation perspective and train of thought for the adaptation of literary classic dance drama creation. Once the historical and literary heritage resources are effectively transformed into cultural productivity, the cultural content and added value of the products will be increased. The advantage of cultural resources will become a market advantage. And transform the potential cultural influence into the aesthetic resources and spiritual resources of modern people, and further enhance the communication, market influence and competitiveness of literary classics. Stills of Dance Drama "Song of Eternal Sorrow"