The Origin and Status of Eight Horses

Eight Horses is a traditional auspicious pattern of Han nationality. Draw eight beautiful horses. Eight Horses refers to eight famous horses in Zhou Muwang in ancient Han myths and legends. Its name is different.

Bajun is also the name of music. It's a string tube, and it's a representative piece of Fujian Nanyin.

Music:

Fujian Nanyin: also known as Nanqu, Nanyue, Nanguan and Xianguan, it is known as the "living fossil" of music culture. In the Tang Dynasty, pipa was widely used with a plectrum and held horizontally. Fujian Nanyin has maintained this heritage so far. The clappers used by Nanyin are the same as those used in Dunhuang murals. Nanqu is mainly popular in Quanzhou, Jinjiang, Longxi and Xiamen, and is also popular in places where overseas Chinese live in Taiwan Province Province and Nanyang Islands.

"Band establishment" includes the upper four pipes and the lower four pipes;

The music structure consists of Sanqu, divertimento and instrumental music.

"Musical instruments used" include pipa, erhu and sanxian.

"Representing Music" and "Eight Horses"

Eight Horses is the theme of Eight Horses, with simple tone and distinct rhythm, which vividly shows the dynamics of horses' full display.

Eight Horses: Also known as Eight Horses, Eight Horses is a good horse used by Zhou Muwang (formerly 100 1- formerly 95 1), multiplied by the weekly trip to the world. Horse is one of the favorite painting themes of painters in China. Shi Daoshuo painted five dynasties, two Jin and eight horses. This song is also based on the theme of Eight Horses, and uses the creative technique of combining freehand brushwork with realism to describe the modeling vividly. Play it in the form of a perforated tube.

The whole song * * * is divided into eight bars (bars):

1, Huayi escorting; 2. Wandering around; 3. Jade is full of gas; 4. Arrogance; 5. Wu Zhui is electrified; 6. Hurricane Red Rabbit; 7. Huang Yi took off, 8. Bai returned to the mountain. These subtitles are not directly related to the music content and belong to nominal titles.

The whole song is reproduced in a cycle of paragraphs composed of rhythm and sound like a horse. This paragraph blends with the first half. This structural style is common in China's circular structure, which is related to "changing the head" in China's poetry meter and "closing the head" in China's opera qupai. This paragraph is in the second half of each section. Mainly through the jumping back and forth of Shang Yin (re) and Qian Yin (sol), the dynamic performance of horse's paw unfolding is vividly displayed by using different rhythm combinations. The melody of the first half of each festival is composed of different musical materials, and there are also changes and repetitions. These different melodies are all related to the same factor, that is, the tone is simple and the rhythm is clear, which depicts the horse's demeanor from all sides.

Mei Lanfang, Zhou, Ma, Lin Shusen, Zhao, Bai Yukun, Liu Kuiguan and other eight famous Peking Opera artists are called "Eight Horses" of Peking Opera. On the other hand, Ma, Mei Lanfang, Zhou, Lin Shusen, Liu Kuiguan, Bai Yukun, Zhao,