Deyun Society has once again become the target of public criticism, and the new group has been criticized by the mainstream media for its lack of social responsibility. what do you think?

Deyun Society always catches the wind and says that cross talk is targeted, not cross talk. Recently, an article in China Youth Daily specifically criticized Deyun Society's new ensemble "Deyun Douxiao Society". The headline is "There is laughter and fighting, but there is no good cross talk". This is just a title, and the concepts mentioned in the content are even more biased. It is estimated that fans of Deyun Society will be furious after reading it!

Deyun Society, headed by Degang Guo, has always been the object of exclusion in the mainstream phonology field. The mainstream phonology field, represented by Jiang Kun, will meet from time to time to discuss the development of cross talk, advocate literary cross talk in the new era, and abandon the traditional three-vulgar cross talk. Therefore, Degang Guo, who insisted on traditional cross talk, and his Deyun Society became the targets of the mainstream vocal music world. However, Degang Guo did not give up his decision to talk about traditional cross talk, but insisted on it with enthusiasm for traditional cross talk, which also complied with the market demand. He always finally made a clear decision and led Deyun Society to create a world. Now the blow and condemnation of the mainstream comic dialogue circle are gradually decreasing. However, as Lao Guo himself often said, there are many people who are really popular, and there is little condemnation of mainstream crosstalk, but the criticism of Deyun Society has never stopped. As soon as Deyun Society talked about cross talk, it was rejected by the mainstream music circle and criticized by the mainstream media for its consistent new ensemble. Really speechless!

Deyun Society has always been a diversified entertainment company. In addition to cross talk in the theater, Degang Guo recently led his disciples to do a new variety show called Deyun Society Fighting and Laughing Society, which is a group that integrates the new situation and mainly shows the talents of the younger generation of cross talk actors in Deyun Society. In the program, Degang Guo, Yu Qian and Gao Feng led several disciples of Deyun Society, including Yun-peng Yue, Zhang Helun, Zhou Jiuliang and others.

This variety show is quite meaningful. All the people who participated in the program were crosstalk performers from Deyun Society. No matter their interviews or game sessions, they all bring their own jokes. Even when they talk and chat, it's like talking cross talk, and the funny baggage will come. In addition to these game links, the crosstalk performances of Deyun's apprentices are absolutely essential in the program. Every time, Degang Guo will temporarily give his disciples a test, and they will also create new crosstalk around the theme given by Lao Guo. Therefore, on the whole, the variety show of Deyun Society and Douxiao Society is still very good, which can bring joy to the audience. It's a good program, and netizens have complained about it, but China Youth Daily.

The title of an article in China Youth Daily is "There is laughter and fighting, but there is no good cross talk". Obviously, he is blaming Deyun's new ensemble "Deyun Society Fighting and Laughing Society". Just looking at this title is actually affordable. After all, about a variety show, it may be based on variety shows, and it can't be a cross talk like the cross talk of Deyun Society Theater, so this title is still a relatively formal comment, but when you see it,

The article writes, "We can see Degang Guo's strict demands on these young actors, and we can also see these actors make a fool of themselves in various games, but we just can't see their real living conditions, let alone how to examine and refine their lives. We don't know whether this link is missing in the production process of the program, or whether these actors have such a lack in their own lives. "

First of all, this passage is obviously targeted. Who says variety shows must show the real life state of actors? The purpose of "Deyun Douxiao Club" is to show the cross talk ability of young disciples. Because Degang Guo said more than once that an actor must keep a certain distance from the audience, in fact, he meant mystery. With this mystery, the audience can be absorbed, so this is definitely not the lack of the program manufacturing process, let alone the lack of the actor's own life.

Secondly, if we look at another commentary in China Youth Daily, the accusation will be more direct. The article points out that crosstalk is really used to make money and make jokes, but what really attracts people's attention is its social and aesthetic obligations as art itself, which is not only the negligence of this variety show at present, but also the lack of Deyun Society in its long-term development.

This concept is true, any art program must have social obligations, but which variety show is not like this? Isn't it all about pleasing the audience and getting attention? Why doesn't China Youth Daily comment? Is it too targeted to talk about this issue only by grasping the new group comprehensive "Deyun Douxiao Society" of Deyun Society? Therefore, accusing Deyun's variety shows of lacking social and aesthetic obligations is really a bit of a layman's comment on experts.

China Youth Daily also pointed out that the truth of crosstalk art is to make money and make jokes. This sentence is true, but what is said later is biased, which is a bit like the concept of anti-vulgar crosstalk advocated by the mainstream phonology community. It can really arouse the audience's attention to the social and aesthetic obligations of art itself. It is a bit unreasonable to simply point out that Deyun Society lacks these two points. In the program, Degang Guo repeatedly stressed that cross talk should be appreciated in different ways. As long as crosstalk is elegant, it is impossible to have too many audiences, just like the predicament of the mainstream phonology industry, which is elegant, but few people are willing to listen; In addition, as long as the vulgar cross talk doesn't go on for a long time, Deyun Society can develop and grow to the present, which is the performance of appealing to both refined and popular tastes. Therefore, China Youth Daily's comments on Deyun Society are a bit amateur, because it lacks social and aesthetic obligations. The cross talk of Deyun Society is really vulgar, but it also has social obligations and aesthetic obligations, otherwise they would not have developed to this extent!

China Youth Daily, as the mainstream media, should look at problems from multiple angles and be cautious in words and deeds. This concept is likely to attract the dissatisfaction of Deyun fans!