Which dynasty's blue and white porcelain had peony flowers?

Judging from the development of blue and white porcelain decoration, it has always maintained the traditional style loved by the Chinese nation. Blue-and-white porcelain first appeared in the blue-and-white porcelain of the Tang Dynasty in Gongxian kiln, and was painted with flower patterns. It is produced by the people and fired in a folk kiln. After the Ming Dynasty, the firing of blue and white porcelain began to be divided into official kilns and private kilns, with different complexity and thickness, but the patterns still reflected the national concentricity and preferences, and preserved the national cultural spirit and artistic form. The patterns and lines of folk kilns are smoother, the brushwork is more flexible and vivid, and it has more aesthetic value in painting art.

Peony flower decoration is a common theme in blue and white porcelain from Yuan and Ming Dynasties to modern times. Most of them are represented by broken peony and wrapped peony, and the whole peony is the main decoration of porcelain. Branched peonies are mostly double-sided continuous edge decoration patterns. Painting peony on porcelain is common and rich, because it has auspicious meanings such as wealth, auspiciousness, beauty and happiness. However, in different times, the painting methods of peony flowers and peony leaves have different times styles, which need to be carefully identified. Auspicious themes include: national beauty and fragrance, wealth and white head, wealth and peace, wealth and longevity, wealth and splendor, and jade hall.

Peony always leads everyone, and is known as the king of flowers, after flowers. In the Tang Dynasty, peony was called the national flower. So there are many poems about peony in Tang poetry. Some poets refer to peony as "the beauty of the country", such as "the beauty of the country hits the clothes at night, and the national color is full of wine", "where to find the beauty of the country at this time" and so on.