Why is Ma recognized as a master of crosstalk?

Ma Lisan is called a "master" because when he was alive, he was the oldest, most senior, most qualified and most accomplished person in the phonograph industry. His father is, and his master is now called "Toad Week". Ma's outstanding contribution in the history of crosstalk lies in his comprehensive inheritance of the excellent tradition of crosstalk. If Mr. Hou's main contribution is many breakthroughs and developments in cross talk innovation, Ma's outstanding achievements come from his comprehensive grasp and profound inheritance of the traditional spirit of cross talk art. Ma's cross talk can be said to be like the wind, eloquent, revealing and natural, with a pleasing sense of relaxation from beginning to end. As for the unpredictable and amazing imagination of horses, it is even more amazing.

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From the perspective of literary scripts, Ma's crosstalk mainly tells stories and depicts characters in the first person's "I" tone. Plot and characters have therefore become the two pillars of Ma Xiangsheng literature. The first-person narrative mode of "I" makes the content of the performance more delicate and credible, and also has more artistic appeal and satirical aesthetic convenience and tension. Because of the concreteness and extensibility of the first-person narrative style, Ma's crosstalk statement belongs to inductive sublimation and infiltration in thinking. This leads to their different aesthetic attitudes: in the use of irony, they are "self-deprecating"; In artistic expression, Ma Lao embodies the profundity of "human feelings are articles"; In the type of thought display, he is popular and simple; On the return of style value, Ma Lao explained the ubiquitous common people's mentality and lifestyle with the traditional spirit of cross talk art, which was longer than realism.