Hong Luck Dangtou Chinese Landscape Painting Technique

Hong Luck Dangtou Chinese landscape painting technique is to outline the rocks and stones, a combination of light and dark, heavy ink painting the right side of the rocks, chapped and dyed combination of shaping the texture of the stone texture. Penmanship to paint the stone above the pine trees, distant mountains towering, toned vermilion or vermilion color to paint.

1, the first front end of the painting of the rocks, the combination of light and dark, in the side of the front and side of the outline of the rocks, chafing combined with the combination of shaping the thickness of the rocks and the texture, the flexibility of the brush, do not have to be too rigid, pay attention to changes in the brush wet and dry. Above the mountain stone pine tree ink color is thicker, pay attention to the whole posture of the pine tree, out of the branch natural, pine needle writing brushwork expression, ink color is rich and rich.

2, the same way, the heavier ink painting the right side of the rock, pay attention to the structural characteristics of the stone type, the use of both square and round to show the hard rocky mountains, the pen is dry and sharp without dragging the mud. Shape the concave and convex changes in the rocks. The combination of chapping and coloring shapes the texture of the stone.

3, penmanship painting stone above the pine tree, grasp the posture of the tree, high and low, vivid and graceful, out of the natural branches. Pay attention to the pine needles sparse and dense changes, leave white natural. On the tip of the mountain, adjust the thick cinnabar, cinnabar moss.

4, the distant mountains towering, adjust the cinnabar or cinnabar color to paint, pay attention to the near real and far virtual, high and low staggered, on the bottom of the real virtual, the bottom of the light color staining excessive, to express the feeling of cloudy.

The peaks of the mountains are undulating, pay attention to the sense of hierarchy. The key to the expression of clouds and mist is to leave white, the structure of the form should have concave and convex undulation changes, the feeling of the landscape pale expressed. Ochre, cinnabar, cinnabar coloring, pay attention to the whole picture of the spatial level, the relationship between reality and falsehood. Finally finishing, complete.