How to treat the decline of China traditional opera?

I think there are many problems that lead to the decline of Quyi art, such as the problems in artistic creation, the problems in the mode of communication, and the weak awareness of traditional festivals, solar terms and temple fairs in China, which leads to the reduction of the soil for opera performances.

The weakening of the artist's skill level and artistic foundation triggered a chain reaction. The golden age of Chinese opera and Quyi has passed, and now the most famous ones are not like bowls in those days. Therefore, in the contemporary commodity society, affected by the lack of commercial value, the economic income of opera artists has been seriously reduced. Except for some national operas that have won awards on TV, many opera singers earn a living by farming while performing, so the time for such practice and performance will be reduced to varying degrees, and poor skills are the beginning of decline.

Moreover, due to the limitation of ideological and cultural level and artistic creativity, many folk artists can not form a symbolic personal artistic style, nor can they better show the charm of this highly memorable opera. This will give the audience who may not have much knowledge of opera appreciation an overall impression that "all kinds of operas are similar". In today's society, which pays so much attention to symbolic value, it is absolutely impossible to have no characteristics; If the work is not good, no one asks for a performance, and the economic income is meager, it will lead to a sharp decline in the career change and inheritance of artists. So far, there are three inheritors of the drum art I have learned for 800 years.

The way of artistic communication is too traditional. There is also the problem of artists' own communication. Although he posted videos on the Internet, recorded videos and texts, and left contact information, these are only extensive and piecemeal promotion, and the research results published only in his personal space are not standardized enough to make more professionals and enthusiasts pay attention to this art and study it in depth. In terms of commercial development, it is still the most traditional and main performance mode in rural areas, and it is a mixed performance with many other arts. No independent organization has been established or a long-term cooperative relationship has been formed with commercial Quyi Society for commercial performances.