What traditional cultures are hidden in Facebook?

Different from masks, colorful drama masks are unique plastic arts in China, which also have an important influence on modern art design.

Facial makeup, which originated from primitive totem (about 550 AD), gradually evolved into artistic drama facial makeup. According to Duan Anjie's Records of the Old Tang Qulu and Yuefu Miscellanies in the Tang Dynasty, Gao Changgong, a warrior of Lanling in the Northern Qi Dynasty in 550 AD, was brave and good at fighting, but because of his beauty, he wore a hideous mask every time he fought.

China opera facial makeup art has a long history, and it is said that its origin is closely related to facial expressions. According to the literature, the ancient Wuyue people wore tattoos and carved black pools.

At that time, for the needs of life and production, people painted all kinds of natural colors on their faces and bodies, covered them with all kinds of skins and feathers, and even dyed their teeth black. It can be said that they are the distant ancestors of China traditional opera facial makeup.

With the continuous improvement of traditional Chinese opera acting, masks continued to be used in the drama of "joining the army" in the Tang Dynasty, and at the same time, there were occasional images of ghosts and gods who dyed their faces and made up their faces.

In the Song Dynasty, painting and makeup gradually formed two basic types: cleansing face and painted face, in order to show the characters' faces, thoughts and feelings more vividly.

Actors in Yuan Zaju play characters with a certain division of labor, while clean and ugly characters drawn with pink ink are drawn with simple colors and then with contrasting colors, which is convenient for the audience to identify the types of various characters in the drama.

By the Ming dynasty, the division of various roles in traditional Chinese opera performances had been more detailed. Major operas gradually have standardized faces. In the early Qing dynasty, the facial makeup of the characters in the play changed obviously in composition and color.

After Qianlong in Qing Dynasty, with the vigorous development of folk operas in various places, especially the rise of Peking Opera, the modeling of Facebook became more and more perfect, and the basic methods of "full face", "three-tile face" and "cross frontage" were laid in composition. In the late Qing Dynasty, a new spectrum was developed, and all kinds of characters tended to be stereotyped.

Extended data:

As a treasure of China culture, Peking Opera occupies a very important position in the modern art system of China. As a typical symbol of Peking Opera, Peking Opera masks have a strong inspiration for modern art design. Integrating the artistic elements of Peking Opera facial makeup into costume design can enhance the cultural function of costume design.

In the art system of Peking Opera, facial makeup is the most important cultural symbol, and an effective visual art system can be constructed through the organic collocation of colors. Peking Opera facial makeup realizes the effective communication between culture and plot through the facial makeup of Peking Opera actors, and gives the audience an intuitive visual embodiment.

In the design of Peking Opera facial makeup, various visual elements have been effectively integrated, including both the beauty of image and the aesthetic elements of color. In visual collocation, through the effective collocation of black, red and white, it not only conveys the plot elements, but also forms the aesthetic characteristics of colors.

For modern fashion design, it has important reference value and is helpful to effectively improve the efficiency of modern fashion design.

Phoenix Net-Peking Opera Mask and Its Color Structure

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