Characteristics of classical dance

Form refers to actions beyond form. It is manifested in various postures, ever-changing movements and their connections. All visible forms and processes can be called "shapes".

Form is the most basic feature of image art, the attachment of classical dance charm and the media of classical dance beauty.

2. God

Here refers to the connotation, spirit, rhythm and temperament. Any art without charm can be said to have no soul. Charm is an extremely important concept in China's literary criticism. In the movement of human body in classical dance, verve can be recognized and felt. Moreover, only by grasping the "god" can "form" have vitality.

3. Strength

The running rhythm of China classical dance is often different from the conventional 2/4, 3/4 and 4/4 musical rhythms. More often, it is carried out at a regular "elastic" rhythm, loose but not slow, tight but not chaotic, static in motion, free in static, and moving in motion.

4. Law

"Anti-French" is unique to classical dance, which can produce ever-changing, confusing and ever-changing movements of human body.

From every specific movement, there is also a saying that "everything starts from the opposite side", that is, "everything must be done from the left, everything must be done from the left, everything must be done from the opening, and everything must be done from the front". It is these special laws that produce the special aesthetics of classical dance.

Extended data:

Classical dance representative repertoire

1, female

Fan Dance, Blue Rain Orchid, Butterfly Flying Flower Dance, Love Lotus, Luo Fu Tour, Pink Lips, etc.

Step 2: Men

Kong Yiji, Dian Bing, Lonely Hiroshi, etc.

Step 3 dance in groups

Tago, Yao Tao and so on.

References:

Baidu encyclopedia-classical dance