Twelve sets of mukham performance form

Twelve sets of muqam performance form is as follows:

1, performance content

Twelve sets of muqam is twelve sets of classical music compositions.

The twelve sets of music are: Lak, and Biyat, Muxia Vilek, Chal Ga, Panjiga, Uzihal, Ai Jiem, Ushak, Bayati, Nawa, Sca, Yilak. Each of the twelve Uyghur mukams is divided into three main parts: the Dainaiman, the Dastan and the Meshirev;

Each of these parts consists of four main melodies and a number of variations. Each of these pieces is an integral part of the main theme of the mukham and, at the same time, an independent piece with harmonic characteristics, accompanied by instruments such as sattar, bouncer, hotwap, dap, dutar and so on.

2. The composition of each mukam

In modern Uyghur language, "mukam" has various meanings such as "law", "norm", "tune" and so on, in addition to the meaning of "classical music".

It consists of twelve Mukam, each by the big NaiGeMan (big song naghma), Dastan (narrative poem dastan) and MaiXiZheFu (folk songs and dances mashrap) three major components, including song, music 20 to 30, length of about 2 hours.

It takes more than 20 hours to sing all the twelve mukams. Mukam is a diverse genre with intricate rhythms and rich tunes. The vivid musical images and musical language, the deep and slow classical recitation songs, the warm and joyful folk dance music, and the smooth and beautiful narrative group songs are unparalleled in artistic achievement.

The Twelve Mukams, the spine of Uyghur music, is the golden key that opens the Uyghur culture, a fusion of the essence of Chinese, Indian and Islamic classical music.

Muqam's main musical instruments:

1, Sattar

Also known as "Setar", the Persian "Sa" for "", "three", "three", "three", "three" and "three". Three", "Itar" is "string", meaning three strings of the instrument. It has a long history, similar in appearance to the Bombur, with a bright tone, and can be used for solo, ensemble, or to accompany the singing of the "Twelve Mukams".

2, Aijiek

Also known as Harzak. Originated from the Uyghur folk. It is popular in Makgaiti, Bachu, Awati, Kashgar, Shache and Kuche in Xinjiang.

3, playing Boolean

Long history, simple and ancient form, beautiful tone, rich in unique local style, often used in solo performance. Chinese historical records, there are "DANBUL", "Bouncer" and "DANBUL" and other translations.

4, all it

The sound of the instrument is thick, melodious, is a traditional stringed instrument loved by the Uyghur people in Xinjiang. Its name is derived from the Persian word "dutar", which means "two" and "tar" means "string". "strings" means, that is, two strings of the instrument.