I would like to ask you to use some kind of literary theory as a tool for "The moonlight in front of the window is suspected to be frost on the ground. Raise your head to look at the moon, lower your

I would like to ask you to use some kind of literary theory as a tool for "The moonlight in front of the window is suspected to be frost on the ground. Raise your head to look at the moon, lower your head to think of your hometown." Textual analysis "Li Bai<Silent Night Thoughts> textual analysis"

First of all, I declare that I only high school diploma, the boy delusion, in order to Bo taunt, chat to relieve boredom.

You cited Fu Hao analysis of Ye Zhi's method, only 3 kinds, do not see the original text, in order to see the leopard, it seems that Mr. Fu on the literary theory research is not very thorough. I only taste to what I have dabbled in the discussion.

"Silent Night Thoughts" Li Bai

The light of the moon before the bed is suspected to be frost on the ground.

Lift your head to look at the moon, lower your head to think of your hometown.

I: Formalist textual analysis (demolition of the building now brick and mortar and reconstruction of the form of dismantling)

"Silent Night Thoughts" involves the image or the poem's object are:

bed, bright moon, moonlight, frost, (raise) head, (low) head, hometown

The subject is the poet. The actions of the subject involved are:

Lifting (head) and lowering (head), looking (at the moon), and thinking (of the hometown);

The emotions of the subject involved are:

"Doubtfulness" and "Thoughtfulness".

(The quiet night is bitterly long and it is difficult to sleep well, and the despondent and unsettled thoughts are bewildering.) I'm not sure if I'm going to be able to sleep, but I'm going to be able to sleep with the moonlight, and I'm going to be able to sleep with the frost. I'm not sure if it's true or not, but it's cold, and I'm not sure if it's a good idea to do it. I've been looking at the moon and thinking about my family, so I'm going back to my hometown.

The whole poem is natural and fluent, with shallow words and a deeper context. The light of the frosty moon is used as a guide, and the low state of lifting is spread out, ending in the feeling of homesickness. The poem is a great example of how a person's mind can be moved by nostalgia, as it is the case with a new pastry. As the taste of new pastries, first doubt after tasting and then indulge in its flavor is difficult to extricate themselves.

By "night" and "bed", by "bed" and "(moon) light", by "moon" and "(moon) light". From "moonlight" to "frost", from "looking" to "thinking", from "bright moon" to "frost", from "moonlight" to "frost". moon" to "hometown". The law (structure and meter) is strict and natural, and the sentiment is soothing and profound, which is really a great masterpiece. If Li Bai's thinking and the text of "Silent Night Thoughts" are isomorphic and homomorphic, he can be called a "genius poet"; if the relationship between Li Bai's thinking and the text of the poem is that the thinking regulates the text, he can be called a "master poet" (huh!); if the thinking and the text are in dynamic balance, he can be called a "master poet" (huh!). If the relationship between thinking and the text of dynamic balance, can also be called "color poet".

Two: accept the textual analysis of aesthetics (methods and means of textual control)

Also Zhu Guangqian said, to this effect: language is the line, thought is the ball. It is with the thread of language that we express the ball of thought.

I further think: not only do we have to use the thread of language to express the ball of thoughts and emotions, but we have to try to make this ball reproduce in the audience (readers) as much as possible without any discrepancy, and that is the success of expression. Of course, being exactly the same is impossible, unless you're using Morse code. But how can you be as consistent as possible, so that the ball reproduced by the author and the reader based on the text is the same? I think the key is in controlling the text itself versus controlling the feedback of the text. The various forms of organization of the text (using the art of the line) are used to construct and design an effective feedback law so that the controlled dynamic complex system (i.e., the reader) achieves the desired goal of the author - the ball that the author wants to express. Given that the text does not have the possibility of immediate feedback, the author cannot engage in a question-and-answer feedback control online with the reader to correct the ball formed by the reader, thus making the reproduction of the ball entirely dependent on controlling the text, i.e., controlling the thread of language.

This is a translation-like problem. For the writer, when there is a ball, he will look for some of the most appropriate and accurate words from the vocabulary of the text's constituent elements, use his text-organizing literacy to choose the best method of organizing the text, and finally finalize his text. For the reader, he can only reconstruct the ball the author wants to express through assumptions and associations from the vocabulary and organization of the text. （

Three: Comparative literary textual analysis (the similarities and differences between ancient and modern Chinese and foreign works written about nostalgia)

Four: Structuralist textual analysis (semantics)

Five: Textual analysis from a cultural point of view (the cultural phenomenon of "nostalgia sent to the moon" in Chinese poems)

V.

Also: look at Qian Zhongshu's "Selected Poems of the Song Dynasty", "Talking about Art", and "Guanjiaozhi", there are quite a few similar ones.

Sorry, going to bed, this is all I'm writing today, I'll make up for it later, look out for peace!