What does genre movie mean

A movie made according to the requirements of different genres (or styles). As a way of film production, genre was dominant in Hollywood in the 1930s and 1940s, and commercial films in other capitalist countries also used the concept of genre as the basis for film production. Genre refers to the category, type or form of a movie formed by different subjects or techniques. Genre film as a way of film production has the following characteristics: the film creator must strictly follow the basic rules of the film genre specified by the producer, namely: 1. formulaic plot, 2. stereotyped characters, and 3. illustrative visual images. The production of genre films is based on the psychological characteristics of the audience, in a certain period of time to a certain genre as the focus of production, that is, to take the so-called "boom alternation" approach. After people get tired of westerns, they switch to horror movies, and then to other types of movies, and so on, over and over again. Among the many film genres, the four most typical are comedy, western, crime, and fantasy. The genre film, as a method of filmmaking, is essentially a norm for standardizing artistic products. Its prescriptive nature and coercive power over film creators can only work under the big studio system, which is characterized by the producer's dictatorship. Therefore, with the gradual disintegration of the major studio system after the 1950s, genre films tended to decline, and the strict boundaries between genres tended to be blurred, becoming more and more divided into styles in the general sense.

In terms of style, theme, structure, and even characterization, the films showed similar interests. For example, American westerns, police procedurals, and song-and-dance movies. Films made according to the requirements of different genres (or styles). As a way of movie production, it was dominant in Hollywood in the 1930s and 1940s, and commercial movies in other capitalist countries also used the concept of genre as the basic concept of movie production. Genre refers to the category, type or form of a movie formed by different subjects or techniques. Genre film as a way of film production has the following characteristics: the film creator must strictly follow the basic rules of the film genre specified by the producer, namely: 1. formulaic plot, 2. stereotyped characters, and 3. illustrative visual images. The production of genre films is based on the psychological characteristics of the audience, in a certain period of time to a certain genre as the focus of production, that is, to take the so-called "craze alternation" approach. After people get tired of westerns, they switch to horror movies, and then to other genres, and so on, over and over again. Among the many film genres, the four most typical are comedy, western, crime, and fantasy. The genre film, as a method of filmmaking, is essentially a norm for standardizing artistic products. Its prescriptive nature and coercive power over film creators can only work under the big studio system, which is characterized by the producer's dictatorship.

The concept of genre film has had different views and differences in the history of film development. Before the 1960s, film historians and artists regarded Hollywood's "genre film" as a batch of mutually identical entertainment rather than a work of art produced in a film factory according to a fixed pattern. After the 1960s, the "author theory" believed that behind a good work there must be an "author", and claimed that if you hadn't seen all the works of a certain director, you couldn't really understand one of his films. This extreme viewpoint is merely a rejection of the former theory, and is meant to show the importance of the American concept of film genre. It is to show the importance of the American concept of genre, because, in their view, the success of a movie is often due to the tradition of a certain genre, not to the unique contribution of the director. This is not fundamentally different from the American cinema of the 1930s and 1940s, which was not about the pursuit of artistic genres, but about the establishment of the idea of genre cinema.

The Hollywood genre movie is, in fact, a comparison of the sameness of themes and subjects, images and symbols, characters and plots, and forms and techniques. The stars, in particular, are idealized when their characters are portrayed as subjects of a narrative that captivates the viewer's attention and thus exaggerates their talents. They are merely "static narrative agents", embodiments of pictorial symbols and genre gestures, functioning as part of a genre form. If John Wace, the cowboy of the West, Humphrey Bogart, the detective, or Cagney, the bandit, were to play in a musical, they would not have Fred Astaire's characteristic genre essence. characteristic genre essence. However, the canon of the Hollywood genre is not without its positives; it is a process of accumulation, improvement, and refinement for some talented and good producers in the presentation of certain narrative forms and narrative languages. This was the case with John Ford and Hitchcock, among others. This is why Hollywood has been able to produce some of the finest works of art. For the audience, it is a pleasure in itself to be able to recognize the easily recognizable and familiar conventions of the genre. In a sense, Hollywood has a tradition of treating film as a popular art, whereas genre film emphasizes the relationship between the artist and his material, and between the material and the audience.

The production of Hollywood genre films and the development of the concept of genre film, although to some extent enriched the narrative form and narrative language of the film, on the whole, the narrative mode of Hollywood genre films is still subordinate to the dramatic narrative mode. Genre films emphasize the storyline of the film to win, and character relationships are subordinate to plot relationships. "The development of film narrative is artificial, formalistic, and like its characters - stereotyped". Hollywood Emphasizes coherent editing and fluid combinations of time and space to facilitate the linear development of closed cause-and-effect relationships in a loop. The plot and shots of a movie also follow a logical progression, trying to create temporal and spatial coherence, which is easy to be recognized by the audience. The closed structure creates a happy ending for the movie, and determines the assumptions and inauthenticity of the characters and the environment. This narrative mode also brings about a series of techniques and means of closure: all the information of the screen composition is concentrated in the center of the main character on the screen; the lighting creates a bright effect, isolating the characters from the real environment, etc. The "three-shot" mode also brings about a series of techniques and means of closure. The "three-shot" method, as a programmed Hollywood technique, replaces the audience's thinking by giving the camera to whoever is speaking, allowing the audience to follow the story and inducing the audience to simply agree with the views and attitudes of the film and its characters. The editing method, on the other hand, is merely a way of accomplishing the task of subplotting and making the movie so smooth, coherent, and sleek that no trace of editing can be seen. This smoothness is often the result of line after line, and therefore the sound is a manifestation of enclosed space.

All of this is in the service of a certain content, to celebrate that sacrosanct cultural attribute. The scenery and the objects, the characters and the action are stable, a conception of unchangeable cultural attributes. It is this closed attitude that creates a complacent and self-sufficient world of Hollywood genre movies. The movie becomes a ritual, creating an illusionary world in the minds of the audience with real representations. Whether in wartime or during the Great Depression, Hollywood has always conjured up a mythical, ideal, or perhaps completely non-existent "real space" for people.