Jin Deyuan Masters

Jiang Xinliang, word Yiming, art name Xinliang, born in 1965 in the porcelain city of Jingdezhen, the national first-class painter, Jiangxi Province, ceramic arts and crafts masters, intangible cultural heritage, Jiangxi Province, senior arts and crafts, graduated from the Jingdezhen Ceramics Institute of the Department of Fine Arts, a passion for painting and calligraphy since childhood, engaged in the ceramic art of thirty years, in the early years of benefit from the masters of China Arts and Crafts Wang Xiliang, Wang Guiying and so on, the creation of technical skills, increasingly comprehensive, brushwork, color and exquisite, works of unique style, deep and profound, works of art. Increasingly comprehensive, comfortable with the brush, color, works of unique style, far-reaching meaning, especially the bird and flower works fine, soft and elegant, color, deep flavor, full of artistic vitality, the works of the majority of ceramic art hobbyists and collectors love, is the current Porcelain City art world in the very potential of young elite artists, but also China's collectors favorite ceramic artists.

"Lao Zhuang way" to expand the art of porcelain painting new pattern

With the development of the times, artistic thinking ups and downs, ceramic art concepts in the constant transmutation of today, the ceramic art world has been presented with a hundred flowers blossomed a hundred schools of thought situation. But in his ceramic art creation practice, he constantly traced back to find the spiritual core of ceramic painting art and the general rules and characteristics. And from many painting classics to find inspiration, seek breakthroughs, from the pre-Qin to Wei Jin to Sui and Tang aesthetics directly affect the development of painting always, enduring, Laozi's "Taoist law of nature," "like not Xiao Xiao", Zhuangzi's "free travel "" not form and God ", pen and ink to the shape and not confined to the shape, the shape of the disadvantages, and then, creating a new style of ceramic painting Zhushan eight friends, integration of poetry, calligraphy, painting, painting, and printing in the porcelain painting, the formation of a new aesthetic pattern of ceramic painting.

He also realized that good ceramic works of art is not enough to inheritance, but also need to innovate, he often go out to sketch, seek inspiration, seek their own paintings, seek individuality, to play their own, the pursuit of the spirit of the beauty of the bone, just as Huang Binhong on the painting of the "people's science" that is the pursuit of the essence of art and the sublime realm of artists to the As Huang Binhong said about the "folk science" of painting, it is what every artist who pursues the essence of art and the sublime realm aspires to.

The ceramic paintings of Mr. Jiang Xinliang are skillfully composed and layered, with a far-reaching mood that makes people have a deep memory. After careful reading, his works y express the essence of traditional Chinese culture. In the process of ceramic art creation inherited the traditional porcelain painting techniques, and bold innovation, works rich in passion, full of emotion, vitality.

Because there is a pair of eyes good at discovering beauty, master Jiang Xinliang in ceramic works, naturally restore and sublimate the beauty of nature, and will be the beauty of the constant inscription in the porcelain works, forever.

Into the world of distinction for the National Palace Collection

Contemporary ceramic artists are no longer living in the bitter house half a lifetime out of the world, actively into the world to let the market in the wind and waves test works, get the honor and recognition is the new pursuit.

Jiang Xinliang masters because of its figures, animals, birds and flowers, landscapes are extremely good at, and formed its own unique style. So much favored by the market collection. Part of the works published in "Jingdezhen young and middle-aged ceramic artists work exposition", "Jingdezhen Ceramics", "Ceramics Research", "Chinese Porcelain Appraisal and Appreciation", "Jingdezhen Bird and Flower Collection", "Ceramics and Collection", "Jingdezhen young and middle-aged ceramics elite" and other well-known publications.

The number of award-winning works of master Jiang Xinliang is up to more than 30 pieces! Among them, the palace imperial porcelain carving deep carved flowers and birds, Benjin Paihua by the National Palace Museum collection!

In 2009, pastel "birds and flowers" porcelain works in the second China (Jiangxi) Tourism Arts and Crafts Works Design and Creation Competition won the Second Prize;

In 2010, pastel "landscape" porcelain plate won the Gold Medal;

In the same year, the pastel abstract sketch painting "figures" porcelain plate in Jingdezhen Ceramic Museum of the first exhibition of works of young ceramic artists won the Gold Medal.

In the same year, the pastel abstract painting "Figures" won the gold medal in the first young potters' works exhibition of Jingdezhen Ceramic Art Museum.

The work "Spring" won the gold medal in the first "Poyang Lake International Ecological and Cultural Festival Exhibition" in 2010;

The work "Lotus Pond" won the gold medal in the "2014 Jiangxi Arts and Crafts Outstanding Works Exhibition";

The work "Fuzzy Pond" won the gold medal in the "Jiangxi Arts and Crafts Outstanding Works Exhibition";<

"Hibiscus" works in the third China Arts and Crafts Fair, by the jury won the China Arts and Crafts Gold Medal;

"More than the style" in the second China (national) Arts and Crafts Fair won the China Arts and Crafts Silver Medal;

In December 2019, won the China National International Cultural Expo (Wuxi) inheritance and innovation award

In October 2020, won the Yibo Cup Arts and Crafts Excellence Award

In 2020, the porcelain panel painting work "Zhaojun out of the plug" won the Gold Medal

The Taoist method of natural inheritance of historical techniques, and the tide of the current to launch pioneering innovation. Master Jiang Xinliang, with his body as a boat, as an oar, balancing the art and reality of the boat side, in the long river of time to fight for the flow of the porcelain sea tide of art to cut waves of the sail.