Is the cultural inheritance of new Chinese mahogany furniture important?

Cultural inheritance is very important. Don't say that the new Chinese mahogany furniture has nothing to do with our life. In fact, the change and invariability of the new Chinese style is also very important. The ancient sages with high IQ created unprecedented high-quality furniture. After the changes of the times, the ancients are still constantly transforming and innovating. If we don't inherit this culture, I'm afraid that after a long time, we can only use furniture invented by the ancients.

1. Why have new Chinese mahogany furniture become popular in recent years? The mahogany furniture in the market has attracted many furniture lovers and collectors. Some experts have analyzed that the reason for this popularity is that people are gradually moving towards a retro style, and the fresh style of literature and art lies in people's sense of belonging and identity with traditional culture. Moreover, mahogany furniture is not only a kind of furniture, but also a national memory. Its craft and sculpture contain the wisdom and essence of the ancients. In addition, this new Chinese mahogany furniture is more valuable for collection and inheritance.

Second, the shortcomings of traditional mahogany furniture From the market point of view, traditional mahogany furniture has many imperfections. On the one hand, many young people feel that mahogany furniture is hard and rigid to sit on and can't satisfy their tastes. On the other hand, the audience of traditional mahogany furniture is mainly the post-70s and post-80s, but their loyalty to traditional culture is not very high. They have extremely high requirements for the comfort of furniture and have their own aesthetics. So traditional mahogany furniture can't meet their needs.

Third, the essence of new Chinese mahogany furniture, new Chinese mahogany furniture only keeps pace with the times on the basis of cultural inheritance and development. For example, there is a Zixianglong in the south of the Yangtze River who created a famous brand of new Chinese furniture. With his unique craftsman spirit, while retaining the elements of China, he created elaborately crafted furniture, exerting his meticulous care to the extreme and never giving up. He is not an unconditional retro or rootless passive innovation. Everything is the advanced product of keeping pace with the times, which not only makes his career successful, but also makes the new Chinese furniture assume the responsibility of connecting the past with the future.