What is the meaning of multicolored toner in Chinese painting?

China's poems pay attention to "gorgeous and plain". Calligraphy works follow the law that white is black, and the extremely simple black and white color is this simple and dull beauty, while the wonderful calligraphy image produced by the strong contrast between black and white is amazing. China's ink paintings also mainly express objects by using ink. Calligraphers who are good at using ink express different levels with different colors, and create rhythmic calligraphy works, thus producing different artistic effects. Color should play a good role as a bridge in a painting, and point, line and surface are the best communication language. As far as the form of expression is concerned, all the objects are expressed in black and white. The essence of this black and white is the comprehensive application of point, line and surface, and it is an art of point, line and surface. Black-and-white ink painting pays attention to the fusion of points, lines and surfaces, expressing very complex images and rich black, white and gray levels. As we all know, China's ink paintings advocate "black and white", and everything is expressed in black and white, so there are sayings that "ink is colorful" and "white is black". The so-called "ink color" is dry, wet, thick, light and burnt. There is also a saying that "ink is divided into six colors", that is, the white of rice paper is also a color, which is actually the "blank space" in the painting. "Blank space" is a special expression in Chinese painting composition, that is, the saying that "counting white is black" in Chinese painting is regarded as a color here. It is very difficult to leave appropriate white space at the four corners of the picture to give the viewer room for imagination, and it is very important that the quality of white space directly affects the picture effect. "Ink is divided into five colors and white is black" is actually an important proportion to emphasize the relationship between black and white in the picture. Traditional line drawing relies on lines to exert the charm of lines to the extreme, and uses lines to express rhythm and density to produce colors. Toner is multi-colored, which makes colorless produce a sense of color in black and white contrast. Black and white are two basic colors. The clever combination of black and white is always attractive and occupies a very unique position in the colorful world. Black gives people a solemn, solemn and solemn feeling. White gives people a bright and quiet feeling. Although black is extremely simple, it is very expressive. Su Shi's poem: "Dark clouds turn over ink and don't cover mountains, while white rain jumps over boats." Shi Tao in Qing Dynasty said: "The black mass is full of ink, and the world is wider than the black mass." They all show the mystery and rich connotation of black, the strong contrast between black and white and the gesture of a mountain boat. Chinese painting has both golden and blue landscapes and black and white landscapes. Ink is colorful, white as black, solid as virtual, seemingly dry, but actually very moist. Mr. Huang once said: "Only a painting can capture its charm. It is a real painting, but it is not a real painting. Although it can please people for a while, it will eventually be abandoned by insiders. " In other words, the painter can feel the form in the care of nature and get the true meaning by himself. Chinese painting is freehand brushwork-oriented, especially ink painting, which lays a foundation for the expression of the artist's spiritual world from the aspects of form and technique, such as "white as black", "colored ink" and "not seeking the shape of form, but seeking the shape of God". Therefore, traditional painters in China pay special attention to understanding the mental journey of nature, hoping to cultivate a psychic state of mind and communicate with pen and ink modeling. As for the theme, it is only used to express artistic mood and pen and ink image. If we innovate the theme simply for the sake of formal innovation, it will probably push China's ink painting into a strange circle lacking spiritual core. The ink is divided into five colors, with black characters on a white background, which makes the picture shine on the rice paper, with smudge effect and different levels.