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Throwing Bricks to Draw Jade Idioms

Idioms are a major feature of traditional Chinese culture, with fixed structural forms and fixed sayings, denoting certain meanings, and are applied as a whole in a statement, assuming the components of subject, object and determiner. The following is the idiomatic story of Throwing Bricks to Attract Jade (General 10) that I have organized for you, which is only for reference, and I hope it can help you.

Throwing bricks to attract jade idiom story Part 1

In the Tang Dynasty, there was a little-known poet named Zhao Longevity.

His poems were written in such a way that even the famous poet Du Mu appreciated them very much.

He was also known as Zhao Yilou (赵倚楼), because of his famous line in one of his poems, which reads, "A long flute is heard as a man leans on a building".

At that time, there was a man named Chang Jian in Wu Di, who also liked to write poems and admired Zhao Longevity.

Once, Chang Jian heard that Zhao Longevity had come to Suzhou to play, so he wanted to take the opportunity to get Zhao Longevity's verses.

Figuring that Zhao was going to visit the famous Lingyan Temple, he inscribed two lines of poetry on the wall of the temple, hoping that this would lead to Zhao's verses.

As expected, Chang Jian came to Lingyan Temple soon after Zhao Longevity arrived in Suzhou.

When he saw the two lines of the poem inscribed on the wall of the temple, on a whim, he put up his pen and added two lines to make a complete poem.

In this way, Chang Jian's wish was realized.

Since the first two lines of Chang Jian's poem were not as good as the last two lines of Zhao Longevity's poem, people called Chang Jian's practice "Throwing a Brick to Draw Out a Jade", which means to throw out a brick to draw out a piece of precious jade.

Later, "Throwing bricks to attract jade" gradually became a familiar idiom, which is a metaphor for exchanging something shoddy for something precious.

Nowadays, people often use the idiom of "Throwing Bricks to Draw Jade" to express their modesty, which means that their own opinions and words are very shallow, and they hope that they can draw out other people's opinions or masterpieces. In the Tang Dynasty, there was a poet named Zhao Longevity, who was very talented in poetry, and his poem "A flute is heard and a man leans on a building" was once appreciated by the famous poet Du Mu, so people called him "Zhao Yilou". At that time, there was another poet named Chang Jian, whose poems were also well written, but he was not satisfied with them, but he admired Zhao Xia's poetic talent. Once, Zhao went to Suzhou to visit the city. Chang Jian was in Suzhou at that time, and was very happy to learn the news beforehand. He said, "This is a good opportunity, we must not miss it, we must try to make Zhao Longevity leave a few good poems behind!" But in what way? He thought, "Lingyan Temple is a famous place in Suzhou, and Zhao Longevity will definitely go to Lingyan Temple when he comes to Suzhou, so if he inscribes a line and a half in the temple in advance, it may arouse Zhao Longevity's poetic interest. He was a good teacher, but he was not a good teacher. He was a good teacher, but he was also a good writer.

Some people say, often build this approach, can really be called "throw a brick to attract jade".

Throwing bricks to attract jade idiom story Part 3

Source: Poetry of All Ages.

Meaning: Throwing out bricks to draw back jade. It is a metaphor of self-effacement in which one first expresses a crude opinion or humble writing with the aim of drawing out others' high opinions or masterpieces. Throw: to throw, to cast.

In the Tang Dynasty, there was a poet named Zhao Longevity (gú). His poem "A flute is heard and a man leans on a building" was once appreciated by the poet Du Mu, so people called him "Zhao Yilou".

There was also a poet named Chang Jian, whose poems were also very good, but he was not satisfied with them, and was very impressed by Zhao Long's poems. Once, Zhao went to Suzhou to visit the city. Chang Jian was in Suzhou at that time and was very happy to learn the news beforehand. He said, "This is a good opportunity, we must not miss it, we must try to make Zhao Longevity leave a few good poems!" But in what way? He thought: Lingyan Temple is one of the major attractions in Suzhou, Zhao Longevity is bound to go to Lingyan Temple when he comes to Suzhou, if he inscribes a line and a half of poem in the temple in advance, it may arouse Zhao Longevity's poetic interest.

So, Chang Jian wrote two lines on the wall of Lingyan Temple. Zhao Longevity really came to Lingyan Temple to visit, and saw the poem on the wall, only two lines, so he put his pen on the back and added two more lines to make a complete one. The strategy arranged by Chang Jian was successful: he used his own two lines, which were not very clever, to exchange for Zhao's brilliant poem, which he continued to write.

Some people say that this approach of Chang Jian can be described as "throwing bricks to attract jade".

The idiomatic story of "Throwing Bricks to Draw Jade", Part 4

Source

Song - Shi Dao Yuan, "Jingde Zhuanlian Lu".

In the Tang Dynasty, there is a monk named Zen Master from Nim, according to legend, he is very strict on the requirements of the monks and disciples to participate in Zen meditation, must be everyone sitting quietly convergence of the mind, focus on concentration, and never pay attention to anything in the outside world, but to achieve the concentration of the mind from the delusion, the body and mind immobility of the realm of meditation. One day, the monks evening participation, from Nim Zen master deliberately said:

"Tonight, the answer, there is a hearing of the Dharma to understand the person out."

At this time, all the disciples are sitting cross-legged, closed eyes convergence of the mind, not moving. There is a small monk who can't stand it, and he even called himself an enlightened person, and came out to worship. From Zen Master Nim glanced at him, said slowly: "Just threw a brick to attract jade, but attracted a piece of adobe is not as good as a brick!"

According to the books "Poetry of the Ages" and "Talking about Evidence", a poet named Chang Jian in the Tang Dynasty always admired the poetic talent of Zhao Fei. When he heard that Zhao Yu came to Wu Di, he expected that he would visit Lingyan Temple, so he rushed to Lingyan Temple first and inscribed two lines on the wall in front of the temple, hoping that Zhao Yu would add two lines and continue the poem after seeing it. As expected, when Zhao Yu visited Lingyan Temple and saw the two lines of the poem on the wall, he could not help but be inspired by the poem, and continued the two lines at the back of the poem by hand, making up a complete stanza. Chang Jian's poems were not as good as those written by Zhao Fei, so he used the poorer verses to bring out Zhao Fei's best lines, which was called "throwing bricks to attract jade" by later generations.

Comment

Throwing out bricks to draw back jade. The metaphor is to use immature opinions or words to draw out other people's high opinions.

Pinyin: Throwing Bricks to Draw Jade pāozhuānyǐnyù

Comment: Throwing bricks to draw jade back. It is a metaphor for using one's own immature opinions or works to draw out others' better opinions or good works.

Source Song - Shi Daoyuan "Jingde Chuanluan Dengluo": "At that time, a monk then came out, worship, the teacher said: than to throw out bricks to attract jade, but attracted a pendant."

Main character

Near synonym Brick to attract jade, one's opinion

Antonyms

Idioms by The Free Dictionary

During the Tang Dynasty, there was a poet named Chang Jian, and another poet named Zhao Longevity. Chang Jian was so impressed by Zhao Longevity's talent that he always wanted to get his hands on Zhao Longevity's poems, but he just couldn't do it. Later, he really came up with a way to ask for the poems. When Chang Jian inquired about Zhao Long's visit to Lingyan Temple, he rushed to the temple first and inscribed two lines on the wall, then hid himself away. On that day, Zhao Longevity really came to Lingyan Temple to worship Buddha and visit the temple. When he turned to a wall, he found two lines of poetry inscribed on it. He looked at it for a moment and thought, "The poem is well written, why are there only two lines? So he lifted up his pen and added two more lines after Chang Jian's poem, making it a complete seven-character stanza. After Zhao Longevity left, Chang Jian rushed over to watch it and pondered over it word by word. He thought that the two lines he added were really superior to his own, so he copied them down. When others read it, they said that Chang Jian had used the method of "Throwing Bricks to Attract Jade" in order to get Zhao Longevity's poem. The idiom of "Throwing Bricks to Draw Jade" was originated from this idiom, which is a metaphor for using a poorer work or a more superficial opinion to draw out someone else's good work or high opinion. Later, it was used as a word of self-effacement.

The Tang Dynasty is a dynasty of poetry in the history of our country, with many poems and poets.

The late Tang poet Zhao Longevity is quite famous, once in a poem entitled "Long Sky and Autumn Hope" wrote two great lines: "Remnant stars, a few geese across the plug, a flute people rely on the building." These two lines depicted the scenery of Chang'an, the capital, in early fall in a vivid and vivid way, and were thus quite appreciated by the famous poet Du Mu.

Zhao was very strict in his approach to poetry, and never wrote easily, so some people often could not get what they wanted when they asked him to write poems.

At that time, there was another poet named Chang Jian, who admired Zhao's poetic talent and longed for more of Zhao's poems.

Once in Suzhou, Chang Jian was very happy to learn that Zhao Longevity was coming to Gusu, and he thought, "We must use this opportunity to try to make Zhao Longevity leave some good poems. The Lingyan Temple is one of the famous places of interest in Suzhou, and Changjian deduced from Zhao Longevity's character that he would surely go to Lingyan Mountain to view the ink of his predecessors.

In order to trigger Zhao Longevity's poetry, Chang Jian first inscribed two lines on the white wall of Lingyan Temple.

On this day, Zhao Longevity really came to Lingyan Temple for sightseeing, and saw that the two lines on the white wall were not badly written, and only felt that they were not yet finished, so he gladly ordered his pen to continue two lines at the back, completing a poem in seven-character stanzas. He read it a few times and left. After Chang Jian came back and read the poem, he felt a lot of emotions, and felt that Zhao Longevity's two lines of poetry were indeed much more superior than his own first two lines of poetry, and worthy of learning.

Chang Jian used his own two lines to exchange for two more brilliant lines, making a complete poem, which was summarized in the idiom of "Throwing Bricks to Draw Jade", which is often used as a metaphor to describe the use of shallow opinions to draw out brilliant insights.

The idiom of "Throwing Bricks to Draw Jade" is 7

In the Tang Dynasty, there was a poet named Zhao Longevity (gu), who was very talented in poetry, and his poem "A Flute Leaning on a Building" was appreciated by the poet Du Mu, and he was called Zhao Yilou.

Once, Zhao Longevity went to Suzhou to visit. Chang Jian happened to be in Suzhou, and he happily said, "This is a good opportunity, we must try to make Zhao Longevity leave a few good poems!" But in what way? He thought: Lingyan Temple is one of the most famous places in Suzhou, and Zhao Longevity was bound to go to Lingyan Temple when he came to Suzhou, so if he wrote a line and a half in the temple in advance, it might arouse Zhao Longevity's poetic interest.

So, Chang Jian wrote two lines on the wall of Lingyan Temple. Zhao Longevity really came to visit Lingyan Temple and saw that the poem on the wall only had two lines, so he put his pen on the back and added two lines to make a complete one. Chang Jian's plan was successful, and he used his own two lines to exchange for the wonderful poem which was continued by Zhao Longevity!

Some people say that Chang Jian's method can be called "throwing a brick to attract jade".

Later, people used the idiom of "casting bricks to attract jade" to describe themselves as first expressing their shallow opinions or humble words, with the aim of drawing out others' high opinions or masterpieces, which is a kind of expression of self-humility.

The idiom of "Throwing Bricks to Attract Jade" is "Throwing bricks to attract jade", which means to throw a brick to draw back a jade. The idiom of "Throwing Bricks to Draw Jade" is to throw, cast. It is often used as a humble expression to use one's own crude and immature opinions or words to draw out others' high opinions or masterpieces. Whether or not: raw bricks, i.e., adobe.

This idiom comes from Song. The idiom comes from the Song Dynasty. Volume 10. Zhaozhou East Hospital from civic master", the masses of evening participation, the division cloud: "Tonight to answer the question, there is a solution to the questioner out." There is a monk then out, worship. Long said: "Than to throw a brick to attract jade, but attracted a whether or not."

In the Tang dynasty, the monk from longing Shan Shi, presided over the Zhao County Guanyin hospital for many years. Legend has it that he was extremely strict with his monks in their Zen meditation requirements, necessitating everyone to sit still and concentrate on their minds, focusing their attention on the outside world and never paying attention to any distractions, to achieve the concentration of the mind and rest, the body and mind immobilized into the realm of the fixed. One day, the monks evening participation, from the longing Zen master deliberately said: "this night to answer, have heard the law to understand the person out."

At this time, the audience should be sitting cross-legged, closed eyes and mind, not moving. Just a little monk can not calm down, even to solve the problem of the self-proclaimed, out of worship. From the informative Shan Shi glanced at him, said slowly: "just throw a brick to attract jade, but attracted a piece of adobe worse than a brick!"

In addition, there is a story of throwing bricks to attract jade. According to the "Poetry of the Ages", "talk about the evidence" and other books: the Tang Dynasty poet Zhao Long, with a good line "flute a person leaning on the building" won the appreciation of the great poet Du Mu, people therefore called Zhao Long for "Zhao Yilou", then there is another poet named Changjian, has always admired the Zhao Long's At that time, there was another poet named Chang Jian, who had always admired Zhao Long's poetic talent. When he heard that Zhao Yu had come to Wu Di, he expected that he would visit Lingyan Temple, so he rushed to Lingyan first and inscribed two lines on the wall in front of the temple, hoping that Zhao Yu would add two lines to the poem after seeing it, and then continue it into a poem. As expected, when Zhao Longevity visited Lingyan Temple and saw the two lines on the wall, he could not help but be inspired by the poem, and he added two more lines at the back to make a complete poem. Chang Jian's poem was not as well written as Zhao Long's, so he used the poorer verses to bring out Zhao Long's best lines, which was called "throwing bricks to attract jade" by later generations. In fact, Changjian and Zhao Long were not contemporaries, and their respective activities were more than a hundred years apart, so it is not credible to say that the poem was renewed, but because this story is very famous, people also recognize it as one of the sources of the idiom "to throw a brick to attract jade".

"South and north rut" this idiom of the yamen is the car bar; rut is the wheel on the road to leave traces. The idiom of "辕向南辙向北" is a metaphor for actions that are opposite to the goal, and as a result, they are farther and farther away from the goal.

This idiom comes from "Strategies of the Warring States. Wei Ce IV", today's minister to come, see people in Taihang, square north and hold its drive, told the minister said: "I want the Chu." I said, "I want to Chu." I said, "What will be the north face of Chu?" He said, "My horse is good." The minister said: "Although the horse is good, this is not the road to Chu." Said: "I use more." The minister said: "with although much, this is not the road of Chu." He said, "I am a good imperialist." The more good this number is, the farther away from the Chu ear.

In the late Warring States period, the state of Wei, once the world's most dominant state, was weakening, but the king, King Wei Anli, still wanted to send troops to attack the state of Zhao. When Ji Liang, a strategist, heard the news, he came back halfway to see King Anli to discourage him from attacking Zhao. Ji Liang said to King Anli, "Today I met a man on the Taihang Road who was traveling north in a cart, but he told me to go to Chu. Chu is in the south, so I asked him why he went to the south and headed north instead. The man said, 'It doesn't matter, my horse is good and runs fast.' I reminded him that a good horse was useless, and that heading north was not the right direction to go to Chu. The man pointed to the big pockets on the cart and said, 'It doesn't matter, I have plenty of money for the road.' I pointed out to him that even if he had a lot of money, it wouldn't help him, and he wouldn't be able to get to Chu this way. The man still said, 'It doesn't matter, my horseman is the best at driving the cart.' This man was really confused to the point that he was going in the wrong direction; even if the horse ran exceptionally fast, the road money brought exceptionally large amounts, and the horseman was exceptionally good at driving the cart, the better these conditions were, the further away from his destination he would only be." Speaking of this, Ji Liang brought his words to the present topic: "Nowadays, if the great king wants to accomplish his hegemony, every move he makes should be trusted by the whole world, in order to build up his authority, and all people's expectations will be returned to him; if you rely on the fact that you have a big country and a strong army, and you don't attack others at any time, you can't build up your authority, it's exactly like the person who wants to go to the south, but instead he goes towards the north, and he can only be farther and farther away from the goal of accomplishing his hegemony! "

When King Anli of Wei heard this, he was y impressed that Jiliang had given him an important point of view, and resolved to stop attacking Zhao.

The above historical events formed the idiom "北辕适楚", which was later used to be called "南辕北辙" in the process of circulation, and derived another idiom "背道而驰", which has the same meaning as "背道而驰". ", the same meaning and "regress".

The idiomatic story of "Throwing Bricks to Draw Jade" Part 9

In the Tang Dynasty, there was a man named Zhao Longevity, who wrote good poems, which were greatly appreciated by Du Mu, a famous poet. At that time, there was a poet named Chang Jian who also appreciated Zhao Long's talent. One day, Chang Jian heard that Zhao Long was going to visit Lingyan Temple, so he went to the temple first and wrote two lines of poetry on the wall, hoping to draw out Zhao Long's poem. Sure enough, when Zhao Longevity saw the verses on the wall, he thought it was very good, so he made it a complete poem by smoothly adding two lines to it. People called this approach of Chang Jian as Throwing Bricks to Draw Jade. The idiom of "Throwing Bricks to Draw Jade" is used to describe a person who first expresses a superficial opinion to draw out the high opinion of others.

Throwing bricks to attract jade idiom story Part 10

Throwing bricks to attract jade source

Song - Shi Dao Yuan "Jingde Chuanlianlu - Volume 10 - Zhaozhou East from the Nim Zen Master": "The masses of the evening to participate in the teacher Yun: 'Tonight to answer the question to go, there is a solution to the questioner to come out. There was a monk who came out and worshipped. At that time, a monk came out and worshipped. Nim said: 'than to throw a brick to attract jade, but attracted a whether or not.'"

Throwing bricks to attract jade, from the Record of the Transmission of the Lamp. According to legend, Chang Jian, a poet in the Tang Dynasty, heard that Zhao Longevity was going to visit Lingyan Temple in Suzhou. In order to ask Zhao Longevity to compose a poem, Chang Jian first inscribed two lines on the temple wall, and when Zhao Longevity saw it, he immediately put up his pen and continued two lines, and they were better than the first two lines. Later on, the literati called this practice of Chang Jian as "throwing bricks to attract jade". This strategy is used in the military, refers to the use of similar things to confuse, entice the enemy, so that they are confused and fall into my trap, and then take advantage of the opportunity to defeat the enemy's strategy. The words "brick" and "jade" are figurative metaphors. The "brick" refers to the small advantage, the bait; the "jade" refers to the purpose of the battle, i.e. the big victory. "Luring jade" is the end, and "throwing bricks" is a means to an end. Fishing needs to use bait, first let the fish taste a little sweet, it will be hooked; the enemy took a little advantage, only to fall into the trap, eat big losses.

In 700 BC, Chu used the strategy of "throwing bricks to attract jade" to take the city of Hangzhou lightly. In this year, Chu sent an army to attack the state (now northwest of Utopia County, Hubei Province), the army acted quickly. The Chu army was at the city, the momentum is strong, the state knew that out of the city to meet the battle, the fate of the fate, decided to hold on to the city. Stranded city terrain, easy to defend and difficult to attack. The Chu army attacked many times, but was repulsed. The two armies held each other for more than a month. The king of Chu, Mo Ao Qu Ju Ju carefully analyzed the situation of the enemy and us, and thought that the city could only be taken with wisdom, but not with force. He offered the king of Chu a plan of "catching big fish with bait". He said: "attacking the city can not be, not as good as the bait." The king of Chu asked him about the method of baiting the enemy. Qu Xia suggested: when the city was besieged for more than a month and lacked firewood, send some soldiers dressed as woodcutters to go up the mountain to fetch firewood and bring it back, so that the enemy would definitely come out of the city to loot the firewood. In the first few days, let them get some small profits, and when they were paralyzed and a large number of soldiers went out to seize the firewood, they would first set up ambushes to break their way, and then gather and annihilate them, and then seize the city by taking advantage of the situation. The king of Chu was worried that the stranded country would not be easily fooled, Qu Xiaoxiao said: "Don't worry, the king, although the stranded country is small but light and dry, light and dry is less strategy. With such sweet-smelling bait, there is no worry that it will not take the bait."

The king of Chu then followed the plan and ordered some soldiers to dress up as woodcutters and go up the mountain to fetch firewood.

The king asked the soldiers to dress up as woodcutters and go to the mountains to collect firewood. The spy said that they came in and out in twos and threes, and were not followed by any soldiers. The Hang Hou immediately set up his men, and when the "woodcutters" left the mountain with firewood on their backs, he suddenly attacked, and succeeded in catching more than thirty "woodcutters" and capturing a lot of firewood and grass. For several days in a row, the harvest was really not small. Seeing that it was profitable, more and more soldiers of the strangled country went out of the city to seize the firewood and grass. Seeing that the enemy had already swallowed the bait, the king of Chu decided to catch the big fish quickly. On the sixth day, the soldiers of the Stranded Kingdom went out to loot the city as they did in the previous days. When the "woodcutters" saw that the Stranded Army came to loot the city again, they were so scared that they ran for their lives, and the soldiers of the Stranded Kingdom chased after them, and unknowingly, they were led into the ambush circle of the Chu Army. See ambushes four, killing sound of the sky, where the stranded soldiers can withstand, panic and retreat, and encounter ambushes cut off the way back, dead and wounded. The king of Chu took advantage of this opportunity to attack the city, and the Hang Hou knew that he had been tricked and was unable to resist, so he had to surrender.

The allusion to "throwing bricks to attract jade"

During the Tang Dynasty, there was a man named Zhao Longevity (赵嘏), who wrote very good poems. He was known as "Zhao Yilou" because of the line "A flute is heard and a man leans on a building". At that time, there was another person named Chang Jian, whose poetry was also very good, but he always thought he was not as good as Zhao Longevity.

Once, Chang Jian was very happy to hear that Zhao was going to visit Suzhou. He thought, "This is a good opportunity to learn from him, so I must not miss it. But what is the best way to make him leave his poems?" He thought, "Since Zhao Longevity has come to Suzhou, he will surely go to Lingyan Temple; if I leave half a poem in the temple first, he will surely complete it when he sees it." So he inscribed half a poem on the wall.

Later, Zhao Longevity really came to Lingyan Temple, and after he saw the half poem on the wall, he put up his pen and added two lines after it. Chang Jian's purpose was achieved. He exchanged his not very good poem for Zhao Longevity's wonderful one.

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