Traditional Culture Encyclopedia - Traditional culture - What is the meaning of the aesthetics of the national style
What is the meaning of the aesthetics of the national style
The beauty of Chinese style is in its charm and style. It refers more to a feeling, between the seemingly and not the specific Chinese style.
Chinese style is the restoration of Chinese clothing, is with the Tang and Song elegant dance, is the Song Dynasty tealight, Ming Dynasty vase replica, or the old crafts passed down from generation to generation.
Some people say that the national style is like the poetry of the distant past, with true feelings and y rooted in the land under your feet.
As the poet Rabindranath Tagore said, "The ancient seed, whose germ of life lies within, just needs to be sown in the soil of a new age."
Chinese style origin
Chinese style is mainly based on literary or ancient poems as the main rhetorical style. With this criterion, one is able to rule out certain songs as not belonging to the Chinese style. For example, David Tao's "Whose Heart Does the Moon Represent" is a beautiful song, and the rewrite brings infinite surprises, but due to the use of modern text colors in the rhetoric, it can only be positioned as an R&B-style rewrite song.
A similar example is Hong Kong's Weilan's rewrite of "Tonight You Won't Come (Cantonese)", which is very successful, but due to its rhetorical style of modern language, it should be categorized as an R&B style.
In any case, the Chinese style of rhetoric should be the higher the better, the ancient and modern Senjiao to some extent, but also take into account two major reasons. First, the market needs of the reason; Second, the melody of the change, so that the word does not have a certain format law, this is also the objective reason for the modern text Senjin.
But as a kind of music belonging to China, let the foreign head of music, from the point of view of music, to inherit and continue Su Dongpo, Liu Yong and other words in the rhetoric of the pursuit of artistic spirit. With this ambition and pursuit, the combination of ancient and modern or completely back to the ancient has not been an important issue.
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