Composition of landscape description in Chinese painting

1. Life Landscape Painting Composition Landscape painting has always been the object of literati chanting.

"Once the sea was difficult for water, it was always amber." It describes the supreme realm of mountains and water.

Water is bright and mountains are thick. Mountain and water have their own characteristics, so they should set off each other and be closely linked.

China's landscape paintings emphasize the blending of mountains and rivers. With a splash of ink, a series of thick mountains are rendered, and a waterfall pours down between cliffs. It is a smart spring flowing at the foot of the mountain.

Without the agility of water, the mountain will look dull; Without the calmness of the mountain, the running water will become very casual. Mountain and water are an organic whole, which constitutes an excellent landscape painting.

The agility of water and the massiness of mountains are not only important components of ink landscape painting, but also the focus of shaping the highest realm of life. The agility of water gives people wisdom, the agility of water is full of wit, shining with the waves of wisdom, and the calmness of the mountain gives people gentleness. Thick mountains are firm, calm and meticulous.

This wisdom and composure are indispensable and important factors in life. People always want their life to be perfect, and they are always eager to succeed in what they do, so the realization of these wishes is indispensable for the integration of mountains and rivers.

Wisdom water tells people to be full of wisdom and let the waves of wisdom shine. The calm mountain also tells people that life needs to be heavy, and things need to be calm, meticulous and serious.

When people closely link the agility of water with the calmness of mountains as the criterion of life and work, then an excellent landscape painting will be presented to the world! The ancients understood the charm of the integration of mountains and rivers. When the poet feels and expresses his feelings, he still maintains the rigor of his scholarship. Today, when "Shenzhou 5" flies into the blue sky with the dreams of Chinese sons and daughters, Yang Liwei's actions also prove this point.

Before Shenzhou 5's launch, for safety reasons, technicians asked Yang Liwei not to make "too much movement" in the cockpit (cabin). Yang Liwei is an excellent astronaut. When he finished writing the greeting on the paper, he gently threw the pen into the air and felt the interest of the pen floating in the air under weightlessness.

His action immediately caused applause and a knowing laugh from the ground control center ... Since then, he has devoted himself to his work. This is the outstanding performance of landscape integration. Yang Liwei's seriousness and steadiness reflect the mountain-like composure, and his witty movements add fun to the first flight, flashing the smart waves of water! The agility of water and the calmness of mountains are a landscape painting of life.

2. In the life of landscape painting composition, people need to care and help each other.

The true feelings, like an invisible brush, draw a beautiful "landscape painting". Look at this ... a beam of sunlight shines on the earth through the cracks in the leaves, as if it had plated the earth with gold.

The sparse light and shadow are intoxicating. Needless to say, it is destined to be a sunny afternoon.

I stepped on my mother's new scooter and quickly passed through the community. The silver scooter is so dazzling that I can't put it down.

However, the moment I first set foot on it, I forgot my mother's advice "Don't skate too fast". I enjoyed the oncoming wind.

If the land plated with Phnom Penh is a sparkling lake, then I am a small silver fish, swimming freely in my world ... Suddenly, a protruding brick caught me off guard, and I immediately fell into a "big party". Pain and loneliness suddenly occupied my heart, diluting this beautiful afternoon.

I cried. I think the earth is no longer beautiful, the sky is no longer colorful, and I am no longer like a free fish, but a bird struggling in a gloomy sky.

I feel helpless and lonely-because I am really in pain; Because there is no company from mom and dad; Because I can't stand up by myself, I can't rest on the wooden chair not far away; Because ... I regret it! It's all my fault! You know ... how I wish I could go back in time! Just when I was sad, a sweet voice sounded in my ear, which seemed to erase the darkness in the sky for me and make the sunshine bloom again with a smiling face: "What's wrong with you, little sister?" I looked up and saw a big sister and a big brother looking at me with concern, and their eyes were full of concern. Big sister's long hair is like a waterfall that is only rendered in ink without ink lines; Big brother is like a towering mountain, standing there.

I finally found someone who can listen to me, and I couldn't help crying again. Eldest brother jumped up and let me put one hand on his shoulder and the other hand on his waist.

After he helped me to the wooden chair, my elder sister sat next to me, gently rolled up my trouser legs and looked at the bruised skin. She took out another alcohol cotton ball from her carry-on bag. I grinned with pain. When my eldest brother saw it, he began to tell me jokes ... As time went by, my eldest sister had cleaned my wound. I bowed deeply and thanked them for their help.

They just smiled, said a few words to me and left. I looked at their backs and felt that the sky was particularly blue, the grass was particularly green, the flowers were particularly red, and even the wind was particularly sweet.

At that moment, I found a most beautiful landscape painting in front of me-a beautiful "landscape painting" painted by human feelings-the land plated with Phnom Penh is a sparkling lake; I am a silver fish on a scooter; Big sister's hair is a waterfall; Big brother's tall body is a towering mountain ... This painting reveals the true feelings everywhere.

3. Help write a composition about Chinese painting. You must not forget history.

I remember when I just recovered, Teacher Sun called my mother and said that I had passed the "Gouache Level 5 Certificate", which meant that I could learn Chinese painting. So in a daze, it was related to Chinese painting.

chapter one

Due to the variety of Chinese paintings, simplicity is not the same. The teacher decided to make me meticulous. Although that afternoon, I accompanied the red and tender sun, followed a cheerful rhythm, accompanied by birds singing. Run quickly to the classroom. But I don't like painting flowers, so DD

When the teacher draws, I will watch; When the teacher speaks, I will listen; I can't do anything when the teacher is away. When the teacher wants to watch, I will draw a ball; Noble chrysanthemums are painted as flowers, and pale lotus flowers are painted as roses. ) I had to go back and repaint, and I became a person without recess.

Hey, painting, who asked us to pay tuition?

chapter two

Seeing that I was not interested in flowers, the teacher asked me to draw animals. On the first day, I learned cats. It is interesting to draw a cat. There is a white cat in Grandpa Li's house downstairs. I like it very much. If you learn, you can also give it a "close-up"! I am committed to learning, so DD

My painting has improved, and everyone praises me.

Ah, painting, so Chinese painting is so interesting! So practical!

chapter three

Later, Teacher Sun left and a new teacher came. This man looked at my paintings carefully and asked me to paint landscapes. Scenery? Is it easy?

The teacher didn't know me and asked me to practice by myself, and I gradually became interested in it, so DD

My recess is gone. I'm practicing hard by myself. I pursue a higher level, from a small piece of paper to four feet three inches. The more I draw, the more interesting I find it. Chinese painting has become my compulsory course.

Hey, painting, I can't stand it.

4. Introduce the composition of Chinese painting. Today, I participated in the training of painting Chinese painting with my school teacher. The teacher who teaches Chinese painting is Mr. Huang, who has been teaching me Chinese painting. Mr. Huang first introduced us to the art history of China. He used ppt to show us the famous paintings of famous teachers from primitive pottery era to modern times. Among them, a painter in the Tang Dynasty (once a prime minister, but also a good painter) painted Kings of Past Dynasties. In the Qing Dynasty, there were four great painters named Wang (who became a monk because of the national subjugation), Shen Zhou's landscape paintings, Zheng Xie's () and so on. Then, Mr. Huang introduced us to the basic materials and painting process of Chinese painting. Taking lotus painting as an example, he showed us how to hold a pen, how to write, the different effects of writing speed, different strokes (including side pen and straight pen) and how to color. ...

Then, we began to draw. Miss Huang asked us to hang up this time. I hooked peony flowers. The thinner the thread, the better. But because I didn't master the strength, the lines were thick and thin, deep and shallow, and my hands were shaking all the time. But I am always serious, and some teachers ask me for help, which makes me secretly proud. Finally, we began to color. I first colored the right half of the leaves with cyanine, and then made pink with titanium dioxide and eosin to color the flowers. I carefully followed the teacher's request step by step. Although I didn't finish this painting today, I am very happy!

Chapter 2: I love painting.

I like painting, because I can vividly show my fantasy. I am proficient in many kinds of paintings: gouache, pencil drawing, crayon drawing and so on. There is a kind of painting, China's thick ink is light; Have elegant and noble sentiments; It has a difficult and subtle technical concentration ... this is Chinese painting with rich ink fragrance and a long history!

I like painting, and I prefer Chinese painting. I love it because it has the fragrance of brush, the foil of rice paper and the rippling pigment watercolor! I love it just as I love my motherland, that kind of elegant sentiment!

I began to learn Chinese painting when I was 6 years old. At that time, I didn't know the antique contained in Chinese painting. I only know that Chinese painting is the treasure of my motherland. My handwriting is ugly and I have no French characters, so I spent all my energy on learning Chinese painting. From beginner painting to primary painting, until now, ink painting has made more and more progress; The lines outlined are no longer curved like snakes before, but straight like pencils; The edge contour of a portrait is no longer intermittent like that of a beginner, but becomes very powerful, like a black steel bar; It won't be missed when dyeing, because there is too much water, the picture becomes very delicate, and the painted effect is much better than before! Therefore, I am always proud of my work. Pens, pens, grapes, carp, mangoes, lychees, lanterns ... this kind of beauty can not be described by the word "beautiful"

Chinese painting is painted in the way of China. The beauty of this ink painting is exciting and lovely. Because it is a brush, it is informal and generous. We in China are very generous and hospitable. Our hearts are the same color and appearance as traditional Chinese painting, elegant but not vulgar. Isn't this the embodiment of China people? Not the kui is a "rare treasure" of China's century-old history, but also exudes the flavor of China people!

Now, I have an indissoluble bond with Chinese painting. I love painting, and I know how to feel the beauty of life in Chinese painting, and I realize that a person's character should be as elegant as Chinese painting. I will always remember the symbol of Chinese painting-the indomitable spirit of the Chinese nation!

Have you ever learned a skill or musical instrument invented by China? Have you ever been in love? I am a pure China native, and I love my motherland and Chinese paintings of our motherland! Of course, I don't just like Chinese painting.

5. A composition describing the scenery in about 600 words. The charming West Lake Four Seasons Hangzhou is inlaid with a bright pearl, that is, the West Lake.

The four seasons in the West Lake are beautiful. Spring returns to the earth, walking on the Bai Causeway and Su Causeway of the West Lake, overlooking the lake, I saw the lake sparkling, the canoe rippling, and the reflected moon in Santan Lake embedded in the lake like a gem. Wicker sometimes brushes your cheek, sometimes brushes your head and shoulders, accompanied by a slight paddle sound and a beautiful piano sound in the distance. How intoxicating!

In summer, the water surface of the West Lake is crowded with lotus leaves and lotus flowers. The most striking thing is the lotus flower as white as jade, which is quiet and pure, and really "emerges from the mud without being stained". Lotus leaf holds crystal clear agate-like dew, guarding graceful lotus flowers and plump flower bones, which is simply a beautiful landscape painting that a great painter's picture scroll can't compare with.

The West Lake in autumn is a mature landscape. The sweet-scented osmanthus on the shore smells so good that people really want to walk back and forth; On the lake, lotus leaves are like shy little girls. Everyone bowed their heads and hid. They are reminding, waiting for people to pick the lotus root under it. At this time, people rowed canoes, hummed leisurely songs and gently picked lotus roots. Those lotus roots are all fat in vain, just like little fat dolls, which makes people fondle them. If you just pick one from the basket, wash it and take a bite, it will be crisp and raw, and the taste will always be sweet to your heart.

Winter in West Lake is no exception. Although all the flowers have withered, the lake is still crystal clear, and the blooming plum blossoms are even more beautiful; On a snowy day, the children on the river bank played happily, laughed and snowed, and together they formed a wonderful symphony.

Ah! West Lake! You are really a bright pearl!

West Lake

I was lucky enough to go to Hangzhou, just in time for the rainy season in the southeast. "The water is bright and the eyes are good, and the mountains are rainy." These two poems aroused my interest, and the group decided to visit the West Lake in the rain.

Boating on a rainy day, I enjoyed the amazing mountain scenery. The beauty of the mountain in the rain is completely without it. If it exists, it has obviously become a transpiration fog with the fluttering veil. If not, show your face between clouds and clouds, which is more cordial. In traditional Chinese painting, there is a technique called "Mi Dian Shan Shui", which uses full pen and ink to spread ideas, large and small, sparse or dense, thick or light, to show the ethereal scenery of Shan Ye. To vividly describe this scene in front of us, we must use the rice point technique.

It is raining at this time, and the water and sky are the same. When the ship arrived in Santan, Yin Yue, we abandoned the ship and went ashore. It's the season when bloom is warm in spring, but the flowers in the West Lake keep blooming at four o'clock. We walked through the tortuous stone bridge, and the lotus under the bridge was sleeping. Rhododendrons are in full bloom, white as cotton as snow, red as fire as tea, and clusters of trees and bamboos adorn them. Flowers in Du Ruo grow near the water, much like orchids, but not as delicate, lush and robust as orchids. The intoxicating fragrance comes to my face, and it is difficult to tell which kind of flower fragrance it is, even the green grass and the blue stone tablet; It seems fragrant, too. The three beaches are in the center of the lake. Looking up from here, the north and south peaks have been wrapped in clouds and can't be seen clearly. Liulang and Huagang are hidden in the thick green, occasionally revealing the cornices like shadows. There is a little golden light at the foot of Nanping Mountain, which is the glazed tile of Jinghuo Temple. All these are covered by a rain net in Mao Mao. When the rain is sparse and dense, the scenery changes rapidly, but when you see words, you can't naturally capture the ethereal artistic conception.

If you think about it carefully, if you talk about water, the West Lake is not as good as Taihu Lake and Erhai Lake. If you talk about mountains, the twin peaks are not as good as Yandang, and even less than Huangshan. Why is the West Lake so famous that it attracts many tourists? Is it because the lakes and mountains complement each other? Is it because the inscrutability was unlucky in the Ming Dynasty and the mountains and rivers changed endlessly? Later, I went to Yue Temple, and I figured it out. From the perspective of architectural art, Yue Temple has no characteristics; From the perspective of plastic arts, the statue of Yue Fei is neither fish nor fowl. However, there are a lot of tourists here. Who can go to the West Lake without going to the Yue Temple to have a look? If there is only the beauty of the West Lake, but there are no great poets, writers and national heroes like Bai Juyi, Su Wu, Yue Fei, Yu Qian and Zhang Cang Shui, and there are no legendary stories like White Snake and Su Xiaomei, it is conceivable that tourists' interest will not be so strong.

Here, nature and human creation are integrated and complement each other, and the beauty of nature and ethics is the ultimate beauty. The beauty of the West Lake is here!

References:

There is a landscape painting in my room.

My uncle gave it to me. I heard that this is an award-winning painting. The author gave it to my uncle, and my uncle gave it to me.

This picture is relatively large, about two tables long and one table wide! Four words are written on the top of the painting: clear autumn and summer flowers. There are several mountains in the picture, and the continuous city walls are looming on the mountains, winding and disappearing in the distance.

A waterfall flew down from the mountain over the boulder, splashing countless glittering and translucent water, stirring up a confused white fog. The fog disappeared at the foot of the mountain, making the whole painting look blurred.

The waterfall flows down and becomes a trickle, flowing through the cracks in the stone. The water seems to be shaking up and down, and I seem to hear the sound of running water.

On the shore are some flaming plum blossoms. The colors of plum blossoms are deep and shallow, which makes them feel layered.

This color seems to have a faint plum blossom fragrance. There are some ginkgo trees among the plum blossoms.

The trunk of light ink is mottled and yellowed, and the tone is dark. Sasha vujacic I seem to hear the leaves singing.

In the painting, the ink is dark, the rough cymbals are powerful and the light is faint. The whole painting makes people feel profound.

The overall color is dark, the tone is very light, and only the nearby plum blossoms are thick red. I look at this painting as if I were in the green mountains and green waters.

I seem to smell the fragrance of plum blossoms. In the white fog, the scenery looks chaotic.

White fog makes this landscape feel like a paradise in the sky. I am lost in this mountain forest, lost in this sea of flowers.

I turned in circles, and white fog surrounded me like white satin. Suddenly, the sky began to rain. Bright red petals fall, so beautiful! Ah! This picturesque artistic conception is really beautiful! I took a paintbrush and tried to compare it with him, but I couldn't even draw a complete landscape outline.

I looked at the picture again and found that it was really out of my reach.

7. The 600-word composition about landscapes was fortunate enough to go to Hangzhou, just in time for the rainy season in the southeast. "The water is bright and the eyes are good, and the mountains are rainy." These two poems aroused my interest, and the group decided to visit the West Lake in the rain.

Boating on a rainy day, I enjoyed the amazing mountain scenery. The beauty of the mountain in the rain is completely without it. If it exists, it has obviously become a transpiration fog with the fluttering veil. If not, show your face between clouds and clouds, which is more cordial. In traditional Chinese painting, there is a technique called "Mi Dian Shan Shui", which uses full pen and ink to spread ideas, large and small, sparse or dense, thick or light, to show the ethereal scenery of Shan Ye. To vividly describe this scene in front of us, we must use the rice point technique.

It is raining at this time, and the water and sky are the same. When the ship arrived in Santan, Yin Yue, we abandoned the ship and went ashore. It's the season when bloom is warm in spring, but the flowers in the West Lake keep blooming at four o'clock. We walked through the tortuous stone bridge, and the lotus under the bridge was sleeping. Rhododendrons are in full bloom, white as cotton as snow, red as fire as tea, and clusters of trees and bamboos adorn them. Flowers in Du Ruo grow near the water, much like orchids, but not as delicate, lush and robust as orchids. The intoxicating fragrance comes to my face, and it is difficult to tell which kind of flower fragrance it is, even the green grass and the blue stone tablet; It seems fragrant, too. The three beaches are in the center of the lake. Looking up from here, the north and south peaks have been wrapped in clouds and can't be seen clearly. Liulang and Huagang are hidden in the thick green, occasionally revealing the cornices like shadows. There is a little golden light at the foot of Nanping Mountain, which is the glazed tile of Jinghuo Temple. All these are covered by a rain net in Mao Mao. When the rain is sparse and dense, the scenery changes rapidly, but when you see words, you can't naturally capture the ethereal artistic conception.

If you think about it carefully, if you talk about water, the West Lake is not as good as Taihu Lake and Erhai Lake. If you talk about mountains, the twin peaks are not as good as Yandang, and even less than Huangshan. Why is the West Lake so famous that it attracts many tourists? Is it because the lakes and mountains complement each other? Is it because the inscrutability was unlucky in the Ming Dynasty and the mountains and rivers changed endlessly? Later, I went to Yue Temple, and I figured it out. From the perspective of architectural art, Yue Temple has no characteristics; From the perspective of plastic arts, the statue of Yue Fei is neither fish nor fowl. However, there are a lot of tourists here. Who can go to the West Lake without going to the Yue Temple to have a look? If there is only the beauty of the West Lake, but there are no great poets, writers and national heroes like Bai Juyi, Su Wu, Yue Fei, Yu Qian and Zhang Cang Shui, and there are no legendary stories like White Snake and Su Xiaomei, it is conceivable that tourists' interest will not be so strong.

Here, nature and human creation are integrated and complement each other, and the beauty of nature and ethics is the ultimate beauty. The beauty of the West Lake is here!

8. The composition mountain that describes the landscape, although vast, hangs alone in the wilderness, with a hot body and a splitting thirst. Is it solar radiation? Or the burning of magma?

Water, like flowing hair, is clear and transparent. Innocent and romantic, unbridled running. Inadvertently, 62616964757A 68696416FE78988E69833133264626539 fell on the ketone body of the mountain, and the soft, smooth, graceful, smooth and cool feeling intoxicated the mountain.

Sucking the sweet mountain spring, the refreshing coolness seeped into the lungs, moistened the heart, penetrated into every cell ... and spread all over the mountain in an instant. The grass is green, the flowers are open, and Chun Qing is open.

The mountain held the water tightly in her arms with trembling arms, stroking the cold curve gently, muttering to herself, and thousands of words could not describe her madness. He was intoxicated and addicted, eager to release that long-standing and uneasy mania.

Mountains are full of infinite love for water. His spirit is transparent in love the water, love the water is gentle and charming, and love the water never leaves. He sometimes holds water in his hand, turning it into a beautiful Tianchi, which sparkles with colorful colors against the background of minerals; Sometimes, water is thrown into the sky, which makes it fly thousands of feet. Where the waves splashed, a gorgeous rainbow was set up in the sky.

The nature of water is soft. In the doting of Dashan, she cleverly put away her playfulness and disdain. The innocent girl snuggled up on the fiery chest of Dashan, listening to his rapid breathing and drumming pulse vibration. She raised her delicate smiling face and sang "Ding Dong in Spring".

Cold and heat merge into a sweet and happy temperature. Mountain love the water, water by mountain. People sigh: a mountain without water is a barren mountain; Water without mountains is stagnant water. The combination of mountains and rivers is a beautiful scenery on earth.

9. Wang Wei was a famous poet in the Tang Dynasty.

He is also a famous painter. His paintings have not been handed down from generation to generation, but according to historical records, he had created a large number of paintings at that time and was called the founder of Nanzong Painting School.

"Old Tang Book" contains: Wang Wei "thinks with a pen, participates in nature, and lacks in creating classics." As far as the mountain is concerned, the stone color of Yunfeng is extinct, which is beyond the painter's reach. "

Wang Wei himself has a poem saying, "A poet used to be a poet, but his predecessor should be a painter." (Six Accidental Poems) It can be seen that Wang Wei has made great achievements in painting.

Therefore, as an artist who is both a poet and a painter, when Wang Wei expresses his observation of life in his artistic creation, there must be similarities between poetry and painting. In other words, in Wang Wei's poems, we can always appreciate the beauty of painting.

That is, people often say that "there is a picture in poetry." This paper attempts to explore how the beauty of painting in Wang Wei's landscape poems is embodied in painting techniques.

People often have such a life experience: a scene that is not taken seriously or has become accustomed to it, once reproduced by a painter or poet, will often be amazing and fascinating. For example, Ni Zan's landscape paintings have only a few sparse forests and two or three flat slopes; Mi Fei misty rain map, in general, is nothing more than the vault of several hills in the forest

However, it is through their observation, excavation and cutting that painters discover and feel the beauty of the horizon, or the beauty of misty rain. So is poetry.

Once an unremarkable wild shop, through the reappearance of the poem "A rooster crows in a thatched shop, an abandoned small bridge is as cold as ice" (text: "Go early"), let readers enter a lonely and fresh beauty realm. "Beauty" is an inexhaustible topic for artists and philosophers at home and abroad.

However, judging from the expression of China landscape painting or Western landscape painting, it can be roughly summarized from the following four aspects: beauty of composition, beauty of image, beauty of color and beauty of artistic conception. Of course, these four aspects are unified, not isolated.

The picture with chaotic composition can't imagine the beauty of artistic conception; I can't imagine the beauty of a picture with incongruous colors. But poetry is not a painting after all, and we can't equate them.

For the convenience of discussion, this paper intends to discuss Wang Wei's landscape poems from these four aspects. First, the beauty of composition composition can generally be understood as the layout and choice of scenery. Wang Wei's "Zhongnanshan" said: "Its huge height is close to Tiancheng, and the mountain reaches the corner of the sea.

The white clouds merged behind, and the blue mist melted into the mountains and disappeared. The central mountain peaks separate the southwest, and the valleys are also different.

I wanted to stay, so I called a woodcutter across the river. "Concise eight sentences, wrote the majestic momentum of Zhongnanshan.

The poet did not use the usual description technique of highlighting the ancient trees in the jungle in landscape poems at all, but focused on the overall situation and fell into the pen and ink from the big place. Write its whole picture, highlighting its continuous trend and infinite breadth.

This shows us the whole mountain of Zhong Nanshan through the overall layout, making people feel that they are watching a huge oil painting. From the Mountain to the Corner of the Sea draws people's attention far away, with no end in sight. Harmony with Weather broadens people's horizons so much that it is difficult to change them.

The words "Clouds, when I look back, are right behind me, and mist, when I enter them, are all gone" leave a wide enough horizon for the composition of the picture. First, it does not make people feel congested, and second, the change of dry-dyed clouds will set off the expansion of the mountain. It can be said that "show a big or small picture and write a thousand miles of scenery."

East, west, north and south, now; Spring, summer, autumn and winter, born in pen. At the end of the poem, "I want to stay at home. I shouted to the woodcutter on the river."

It is similar to one or two small characters randomly embellished in landscape painting. Although it is written about people, it makes us feel that it is really difficult to see people in this vast mountainous area. This dotted composition effect more prominently shows that this poem fully uses the painter's vision and brushwork, and fully embodies the composition beauty of painting.

Another example is "New Sunny Wild Hope": "The new sunny Yuan Ye is vast and there is no atmosphere. The national gate is near the ferry, and the village tree even connects to Xikou. The silvery white river is shining in the fields, especially bright, and the green mountains stand behind the ridge.

It is the busy farming season, there are no idle people, and farmers are busy going to the fields. The theme of this poem is a word "Wang".

Therefore, the author begins with "the new clear and boundless fields". First, he sees "the country is near the ferry", then "the village trees are connected with the stream mouth", then "the white waves are outside the fields" in the distance, and then "the blue peaks are behind the mountains" in the distance. Reading this poem can't help but make people feel that the poet spreads the scenery layer by layer, and at the same time displays the beauty of nature layer by layer in front of people.

The whole composition technique is completed through distinct levels. This composition technique is to show the theme of "Yuan Ye is vast" put forward at the beginning.

Hierarchy is an important part of the beauty of painting composition. From many of Wang Wei's poems, we can see the poet's intention to observe nature and deal with natural scenery from a hierarchical perspective.

In addition to the level of the plain, there is also a detailed description of the level of competition, such as "Harmony, after a night of rain, hundreds of silk waterfalls came from each peak." ("To Zizhou to make Li") "Travel all over Nanshan and eventually destroy the green forest."

("Yi Bei") "The boat is surrounded by water, and the trees are on the mountain bridge." ("Little Star Fighter") and so on. , are drawn from the perspective of painting, focusing on the level of description.

Second, the meaning of image beauty is very extensive. The image we are talking about here refers to the typical generalization, accurate description and refined treatment of objective phenomena by painting, a plastic art.

Wang Wei's "Ambassador to the Frontier": "Khan wants to ask questions and return to his country for a long time. Peng Zheng, Yan Hu Tian.

The vast desert is lonely, and the Yellow River sets the yen. When Xiao Guan met the waiting officials, he was protected by Ran Yan. "

The theme of this poem is not to write about scenery, but the sentence "The desert is lonely and straight, and the long river sets the yen" can be said to have written off the vast scenery. The author projects two concise images in the reader's field of vision: lonely smoke in the desert; A sunset at the end of the river beach in the distance.

Only these two pictures sum up everything in the desert. How lonely, vast and desolate ... all the descriptions become redundant.