Traditional Culture Encyclopedia - Traditional culture - New national tide style illustration - national tide illustration of that thing

New national tide style illustration - national tide illustration of that thing

Chinese tide illustration style characteristics

Chinese tide illustration style characteristics are as follows:

1. Common Chinese tide style illustration picture lines rich and delicate, the picture color is more uniform, less saturated, the overall Chinese style is heavier, but also very delicate and durable, the use of the scope of a little wider.

2. More lines in the picture, and the lines will be a little finer, basically the lines for the skeleton, to shape each object, the color is more uniform.

3. Line is a very important part of the number of lines, determines the degree of refinement of your picture.

4. There are 1-3 general color schemes in a picture to make up an illustration.

5. The color is not fixed, it can be light or bright, but more focus on the ink and ink sense of expression and the paper texture of the picture, so as to reflect the characteristics of the Chinese style.

6. The texture of rice paper or kraft paper base for the creation of the Chinese style will give people a little stronger flavor, the background with the ink sense of treatment.

7. Picture color some partial ancient style, the overall color is less, low saturation, some colorful, high saturation, but the overall color are not too much, there is an approximate range of color, to control the number of their own color.

Guochao style illustration is the use of Chinese style elements and trend elements of the combination of illustration, the use of Chinese style elements, to draw the current people and things, the picture of the color scheme, composition and elements should have a clear flavor of Chinese style.

The thing about national trend illustrationWhat is national trend? Simply from the word can be understood as China's national characteristics of the trend of culture. The characteristics of "national trend" are mainly manifested in two points, firstly, the core is the traditional culture, and secondly, it has a sense of fashion which is integrated with the current trend. "Tide brand" is the distillation, deconstruction and reorganization of a certain cultural element, which is carried by the brand's coat. It is used to satisfy contemporary young people's pursuit of culture and fashion. With the Chinese people's confidence in traditional Chinese culture, in recent years the "national tide" has become the favorite of young people. Where are the "national trends"? Tide brand, the earliest from the United States of America's street culture. Stussy and Supreme are the most representative brands, and Stussy's signature epitomizes the graffiti culture of the 1970s. In the 1990s, the American wave traveled across the ocean to Japan. The collision of Asian introspection and this trend produced a chemical reaction, which is represented by the emergence of the "Japanese wave" of workwear. The widespread popularity of the American and Japanese trends stems from the pioneering and personalized design style on the one hand, and the brand's deep understanding of the connotation of local culture and manifestation on the other. It can be seen that a mature national tide brand, its external must be avant-garde, unique, can seize the appetite of the young generation, but the core at the same time is deep, heavy, inseparable from the precipitation of the millennium's cultural genes. Culture not only inspires ****songs between individual nationals, but also gives value to the brand and makes the cold design symbols come alive. The application of national trend in illustration The style of national trend illustration is characterized by the use of Chinese elements combined with current popular techniques to express modern people and objects. The color scheme, composition and elements of the picture have a strong Chinese style. Types of National Wave Illustration: Fine Line and Bold Graffiti A--Fine Line 1. Composition: flowing clouds and water, this type of illustration mostly uses auspicious clouds and tides to divide the picture. There will be white space in the picture to highlight the mood of the national painting. 2. Color: Morandi color, color span is small, saturation is relatively low. The overall color tone of the picture usually adopts neighboring colors, such as red-orange, blue-green tones, etc. 3. Technique: The white drawing technique in Chinese painting is used, with gold, to increase the modern sense of the picture. Fine lines will increase the fineness of the picture.4. Elements: Auspicious clouds, tides, green hills, traditional patterns, lanterns, etc. Representative illustrator: Ni Chuanjing For some newbies, I recommend copying the works of Ni Chuanjing and Chinadaily, which is worthy of our patience to learn and think about, no matter in terms of composition or color. Another national trend style, relatively speaking, will be much more exaggerated, is a combination of street graffiti and Chinese elements. b - graffiti type 1. Composition: the theme is prominent, there is no very clear requirements. Generally similar to the graffiti style, the picture will be much fuller.2. Color: high saturation, strong contrast, the same color control in 1-3 kinds of 3. Technique: thick lines + bright colors + exaggerated shape 4. Elements: auspicious clouds, tidal wave, green hills, traditional patterns, lanterns, etc. Guochao illustration ideas and dry skills a. Draft rehearsal b. Elemental content analysis (such as to the packaging design of cultural products, with characteristics of buildings The nine methods of composition 1. Horizontal composition (smooth, comfortable, landscape) 2. Vertical composition (sense of rhythm, distance, depth) 3. Horizontal and vertical (L-shaped composition method, open, with close-up and distant view) 4. Diagonal division (oblique composition, famous paintings, to break the monotony, the theme of eye-catching and stable) 5. s-shape composition ( Zigzag, sense of flow, mountains, rivers,) 6. triangular composition, (a sense of stability, lively, inverted triangle) 7. circular composition (impact, sense of hierarchy, the visual center of prominence, a sense of compactness) 8. tic-tac-toe (tic-tac-toe grid, two horizontal lines, two vertical lines, four frames, the use of photography, the object is placed in the four points) 9. rectangular composition (windows) painting ideas for the creation of a painting, to confirm the central theme of the second to confirm the element of (association creation method, extracting elements) three, composition (nine composition to find) four, sketch character analysis (find a picture on the Internet, know what to draw according to the theme) a. Matchmaker (analysis of the characters, movement) ----- ---------- ---ization II, volumetric (geometry on the basis of the matchmaker, drawing the human face towards perspective and other forms) ---- --- Geometrization III, drawing large within the range (sketching) ----- ---------- ---- sketching IV, refinement of sketches (the original layer transparency is reduced, drawing new sketches flat style, eyes dots) --- -Fine sketch building (the Forbidden City Center symmetry, 8070, the Hall of Supreme Harmony, the Hall of Central Harmony, the Hall of Bohol) 1. Hall of Supreme Harmony (heavy eaves hipped roof, the highest level of a top, ten styles complete the Golden Palace, high status) 2. Hall of Central Harmony (sitting ridge beast 7, the emperor ceremony before the rest, the air down to the square) 3. Hall of Bohol (heavy eaves hiatus, next to the 9 Ancient top first: heavy eaves hipped roof (important Buddhist temple, the main hall of the palace, a symbol of honor) second: heavy eaves hiatus roof (palaces, gardens, altar and temple style) third: single-eaved hipped roof fourth: single-eaved hiatus roof Fifth: Hanging Hill roof (folk, God's Kitchen, God's library. Passed to East Asia, Japan, etc.) Sixth: hard hill roof (Guangdong residential) Seventh: rolled shed Eighth: horizontal pointed corner (pavilion) Perspective 1. Parallel perspective (a point) 2. Angle perspective line drawing method 1. Drawing lines, (pen tool to draw buildings, more detailed, select the tool - Edit, Stroke, Stiff Brush) 2. Half of the building is drawn. Mirror image color fundamentals (scope of use, online rgb, offline cmyk) a. chromatic three primary colors (red, green and blue) b. pigment three primary colors (cyan (lake blue), red (magenta), yellow (lemon yellow)) saturation brightness hue complementary colors (included in the contrasting colors): yellow-violet, blue-orange, red-green, impact of 180 ° contrasting colors: between 120 ° - 180 ° similar colors: close colors, 30 ° , e.g.: lemon yellow and medium yellow cold / warm colors cold and warm is also relative, there is no absolute cold and warm colors cold colors: cool, cold, peaceful, immersed, stable, negative warm colors: warm, hot, enthusiastic, bright, lively (catering industry, bread) the relationship between color and human psychology (a) 1. bright than dark appear close 2. brightness (light, soft), brightness is low (thick, advanced) 3. the higher the purity of the Warm colors (exciting), the higher the purity of cool colors (calm) 4. Purity, brightness high (gorgeous), purity, brightness low (rustic) (emperor and commoner) The relationship between color and human psychology (II) 1. Similar and contrasting color sensations Similar color combinations: softness, order, harmony, warmth Contrasting color combinations: visual impact, excitement, stimulation 2. Warm and cold color sensations Warm colors: warmth, brightness, vivacity, warmth Cold colors : peaceful, quiet, steady, negative 3. brightness feeling brightness: relaxed, bright, low brightness: calm, steady 4. purity feeling purity: gorgeous purity low purity: soft, elegant 5. color lightness and weight feeling brightness (under the same volume): lighter, swelling sense of brightness is low (under the same volume): heavier, contraction sense of the final summary: a draft two, the elements of the contents of the analysis of the three, the associative creation method, four, the composition of the composition of the five, the perspective of the six, Color