Traditional Culture Encyclopedia - Traditional culture - Guzheng Song Sheet

Guzheng Song Sheet

The zheng, also known as guzheng, qinzheng, yaozheng, Chinese stringed instrument, with a wide range of sound, clear tone and very rich expressive power. The following is the guzheng music sheet songbook I organized for you all the compendium of simple sheet music, please refer to!

Guzheng music sheet songbook book of simple music 1

Basic Introduction to the Guzheng2

Guzheng/Hanzheng: i.e., Hanzheng/Guzheng is the name of the Han zheng musical instrument It is an ethnic traditional instrument of the Han people and belongs to the plucked instruments.

There is also the Mongolian 'mongol zheng/yatoga The Korean korean koto/gayageum The Korean koto/gayageum has a deep origin with the Han zheng (guzheng).

The Korean koto, or Gayageum, is said to have been made by King Gaya of the Gaya Kingdom after the Chinese koto.

The shape is similar to that of the zither, with one string and one column. The Gaya zither now has 21 strings, and there are two kinds of scales: seven and five, and the technique of playing on the right and pressing on the left is basically the same as that of the Chinese zither.

The Gayageum can be played as a solo instrument, a repertoire, an ensemble, and can also be sung.

Chuangbang Baiyun Guzheng Lan Nubing teaches you to play the Chuangbang Baiyun Guzheng Lan Nubing teaches you to play the Chuangbang Baiyun Guzheng

According to the Records of the Three Kingdoms: "King Jia Shi of Gaya made the twelve-stringed zither.

The twelve-stringed zither was made by King Jia Shi of Gaya.

He ordered Yu Le to make his music." "The Gayageum was also modeled after the Chinese musical zither.

...... Gayageum, although the system is slightly different from the zheng, but roughly similar."

Note: The Sanguangu Shiji (淀ダ) is an official history of the Korean Peninsula, and is the oldest surviving history book of Korea.

The Three Kingdoms Historical Records is based primarily on the lost Old Three Kingdoms Historical Records and the Hwalang Shiji, and also draws on Chinese historical texts, including the Wei Shu, the Three Kingdoms Records, the Jin Shu, the Old Tang Shu, the New Tang Shu, and the Zizhi Tongjian.

This book is an invaluable document for the study of the Three Kingdoms period of Korea and late Silla history.