Traditional Culture Encyclopedia - Traditional culture - Three-stage architecture, what is the function of three-stage architecture?
Three-stage architecture, what is the function of three-stage architecture?
The appearance characteristics of China classical architecture are very obvious, all of which are composed of roofs, roofs and abutments, which are called "three-stage" in history.
In these three stages, the big roof is the most typical. The prominent feature of ancient architecture in China is the big roof. The roofs of ancient buildings in China are called the crown of China. The most striking feature is the smooth curve and cornice of the roof. Its initial function was to quickly drain the accumulated water on the roof, and later it gradually developed into a symbol of rank.
From the embryonic form in the early Han Dynasty to the standardization in the Ming and Qing Dynasties, the roof form has undergone a long evolution and formed a complete system. The ancient buildings in China have beautiful shapes, especially the roof shapes, which mainly include temple top, resting mountain, hanging mountain, hard mountain, accumulation point, roof and rolling top. The roof makes the building look stable and harmonious, and also adds the beauty of the building flying briskly.
The three-level function of ancient architecture is the unity of aesthetic value and ethical value. At the same time, it plays a role in maintaining and strengthening the social ethics system and ideology. It is rooted in profound traditional culture and shows a distinct humanistic spirit. All the elements of architectural art, such as scale, rhythm, composition, form, characters and style, are based on the aesthetic psychology of contemporary people and can be appreciated and understood by people, without ups and downs and strange and inexplicable images. Holiness and comprehensiveness. Almost all the outstanding architectural works in ancient times mobilized all the factors and techniques that might constitute architectural art at that time, forming a whole image. From the overall environment to the single house, from the external sequence to the internal space, from the color decoration to the affiliated art, every part is not dispensable. If one of them is removed, the overall effect will be damaged.
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