Perspective methods that are not part of traditional Western painting

There are very different ways of representing perspective in traditional Chinese and Western painting? It is generally recognized that the Western one is "Focal Point Perspective" ? The Chinese one is "Scattered Point Perspective" . From the formation and development of these two perspectives and the definition of their concepts? Focus on analyzing the similarities and differences between these

two kinds of perspective? and explore the influencing factors that cause the differences between Chinese and Western perspectives from three aspects: philosophical thought, carrier form, and painter's identity.

Keywords? Chinese and Western? Focal point perspective? Scattered perspective? Cultural Background

I. Focal Perspective and Scattered Perspective in Perspective

Objects with different distances and orientations? In the visual cause different responses? This phenomenon is the phenomenon of perspective. Perspective is the basic theory of painting technique? Is a method of organizing shapes in a certain medium? It can help the painter to express the three-dimensional space in the real world in a flat two-dimensional picture. As early as the Spring and Autumn and Warring States periods? Mozi and others have discovered the principle of pinhole imaging? By the time of the Song Dynasty, there was a more mature theory of perspective in painting? The Northern Song painter Guo Xi in the painting theory "Linquan Gaozhi" put forward the "three far" ① method theory is a sign of its maturity? In the West, there was a study of perspective in the ancient Greek period. By the Renaissance, the theory and practice of perspective had become mature? Become a scientific painting techniques. Because of the differences in geography and culture? The Chinese and Western forms

have formed two very different ways of representing perspective? That is, "scattered perspective" and "focus perspective".