Clothing in the Three Kingdoms and Wei, Jin and North-South Dynasties

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The costumes of the Three Kingdoms were the same as those of the Han Dynasty: the main ones were robes, front clothes for leisure [straight singlet], 襦[短衣] and skirts. In the Han Dynasty, because the weaving and embroidery industry was well developed, rich people could wear beautiful clothes made of damask and silk. The average person wore a short coat and long pants, and poor people wore a short brown [short coat made of coarse cloth]. Women in the Han Dynasty wore two-piece dresses and robes, and there were more styles of skirts, the most famous of which was the "Liuxian dress. Men's clothing: Gowns: the Han Dynasty ritual dress, inherited from the Qin Dynasty abolished the "six coronets", to a coronet for the sacrifice of heaven and earth Mingtang of the dress approach. Coronet: the most honored sacrificial dress, worn by the Son of Heaven, the three principal officials and the ministers when offering sacrifices to Heaven and Earth. Long crown dress: for the husband and deacons, used in the sacrifice of the temple and all kinds of small sacrifices, such as the five mountains, four blasphemies, mountains and rivers, the gods and goddesses of cereals and so on wearers. Commission appearance crown clothing: the equivalent of the Zhou dynasty's crown clothing. For the ministers of the great officials in the great shooting ceremony in the Paiyong time to wear. Pi Ben Crown: this kind of crown for the big shooting ceremony, the deacon wears, clothing for the black hemp clothes, soap leader, plain clothes. Dynasty dress: Since the Qin Dynasty, robes were used as court dresses, and in the Han Dynasty, robes were also used as court dresses from the emperor to the lowly officials, and they were also the main regular dresses. It was also the main common dress, i.e., the robe of deep clothes system, but it had different names due to the different crowns worn by people of different status. In the Han Dynasty, the color of the court dress was the color of the five seasons, i.e., green in spring, Zhu in summer, yellow in summer, white in autumn, and black in winter. The court dresses were lined with the center garment of the leader of the tell-tale edge. Women's clothing clothing: Temple clothing: the equivalent of the Zhou Dynasty 禕 clothing, is a woman's dress, the status of the most honored one. Empress Dowager, the Empress Dowager of the temple service, the Empress of the temple service, the color of the service is under the soap. Silkworm clothing: equivalent to the Zhou dynasty about bow clothing. Every year in March, the Empress Shuai led by the Secretary of the Lords and Lords of the Lady pro silk worm ceremony wear. Court dress: from the two thousand stone Mrs. above to the queen, all to silkworm clothing for the court dress.

Wei-Jin costume one of the Wei Jin North and South Dynasties costume Song Dynasty poet Su Shi's "Nian Nujiao" in the "feather fan spandex scarf" of the spandex scarf, is a kind of scarf, is generally believed to be made of silk ribbon weaving. Because of the legend for Zhuge Liang take, so the name "Zhuge scarf". Scarf bundle keep, that is, not wearing a crown and hat, only a piece of silk scarf bundle head, began in the late Eastern Han Dynasty. Has continued to the Wei and Jin, still very popular. The men's first dress in the Tang and Song dynasties also have a certain impact. Wei and Jin period crown hat is also very distinctive. Han Dynasty scarf conical cap is still popular, but slightly different from the Han Dynasty is the conical cap after the high, the volume gradually reduced to the top, then called "flat on the conical cap" or called "small crown". Small crown both up and down, north and south pass. If the conical cap on the cage, that is, "Cage Crown". Cage crown is the main crown in the Wei, Jin, and North and South Dynasties period, used by both men and women. Because made of black lacquer yarn, also known as "lacquer yarn cage crown". In addition, there are several styles of hats: a "white high hat", "the system is not sure, or a rolled lotus, or under the skirt, or yarn high house, or a long ear of black yarn"; a "sudden riding hat", "now Hu hat, hanging down the skirt, or a long ear of black yarn. "now Hu cap, hanging skirt over the belt, cover the image of the remains of the hair also", etc.. The left picture is wearing a small crown of the attendants (small red door outside the central gate of nanjing, jiangsu excavated terracotta figurines). The center picture shows the noble man wearing a cage crown (stone sculpture of Grotto Temple in Gongxian, Henan Province). The right picture shows a drummer wearing a rolled lotus hat (colorful painted brick excavated in Deng County, Henan Province). [edit paragraph] Wei and Jin costumes of the second Wei, Jin and North and South Dynasties costumes Wei, Jin and North and South Dynasties period of dress, there are two forms: one for the Han Chinese clothing, inherited from the Qin and Han legacy; one for the ethnic minorities dress, attacked the northern custom. Han men's clothing, mainly shirts. Shirt and robe in the style there is a clear difference, according to the custom of the Han Dynasty, where known as robe, the sleeve end should be converged, and equipped with expectoration. While the shirt does not need to cast dispel, spacious cuffs. Shirt is not subject to the Ministry of clothing and other constraints, the Wei and Jin costumes are increasingly wide, become a custom, and has been affecting the North and South Dynasties dress, from the princes and eminent persons, down to the populace and the people, are to wide shirt with big sleeves, praise clothing for the Shang Bo Belt. From the heirloom paintings and unearthed images of people, can be seen in this situation. In addition to shirts, men's clothing also had robes and jackets, and most of their lower garments were worn with pants and skirts. The left picture shows a literati with bare chest and stomach (painted by Liu Ling). The center picture shows a scholar with a yabu bun, a wide shirt, and a bare chest. The right picture shows a scholar wearing a scarf and a wide shirt. (Brick-printed mural painting of the Southern Dynasties unearthed in Xishanqiao, Nanjing, Jiangsu Province) False buns for women in the Wei and Jin Dynasties Women's hair styles in the Wei, Jin and Northern and Southern Dynasties differed from those of the previous generations. Wei and Jin popular "shielded bun", is a kind of fake bun, Jin Cheng Gong "shielded bun inscription" has made a special account of the bun inlaid with gold ornaments, each with a strict system, non-fatal women shall not be used. Ordinary women in addition to their hair pulled into a variety of styles, there are also wearing a fake bun. However, this kind of fake bun is more casual, and the decoration on the bun is not as complicated as that of the hidden bun, which is called "slow sideburns pouring bun". This picture shows a woman wearing a fake bun (a terracotta figurine excavated from Mufushan, outside the Central Gate of Nanjing, Jiangsu Province). [edit paragraph] Wei and Jin costumes of the third Wei, Jin and North and South Dynasties costumes Wei and Jin period women's clothing inherited the legacy of the Qin and Han dynasties, and absorbed the characteristics of ethnic minority costumes, improved on the basis of the tradition, generally wearing a shirt, jacket, jacket, and a skirt underneath, the style more than the upper frugal under the abundance of the body part of the body of the clothes tightly fitted, the cuffs of the fat, the skirt for the multi-folded tucked skirts, the skirt length of the ground, the hemline of a loose, so as to play to the effect of handsome and dashing. Together with the abundant jewelry, it reflects the wind of luxury and luxury. Men's clothing is mainly crotch pleats and two crotches. The left picture shows a woman wearing a bearded dress with a mixed train (Northern Wei lacquer painting screen excavated from Sima Jinlong's tomb in Datong, Shanxi Province). The right picture shows a man wearing a small crown and a waistcoat (terracotta figurine from Jingxian, Hebei). Wei and Jin warrior armor Wei, Jin and North and South Dynasties costumes Due to the frequent wars, the warrior armor of the Wei and Jin Dynasties, on the basis of the original great development. Typical of the barrel sleeve armor, two crotch armor and bright armor. Sleeve armor generally use fishscale pattern armor or turtle back pattern armor, before and after even belonging to, shoulder mounted sleeve. Head wearing helmet, the top is decorated with long tassel, both sides have ear protection. Two crotch armor clothing system and two crotch shirt is closer, the material is mainly metal, there are also made of animal skin. According to records at that time the military guards clothing system, there are "flat conical cap, purple shirt, big mouth pants, gold two crotch armor", "flat conical cap, reddish-red shirt", "big mouth pants pleats, silver two crotch armor". Wear two crotch armor, in addition to the head wearing helmet, the body must wear pants pleats, with few exceptions. Mingguang armor is a kind of armor in the chest and back with metal round protection. The waist bound leather belt, under wear big mouth bound pants. This kind of armor to the end of the northern dynasty, the use of more widely, and gradually replaced the two crotch armor form. The picture on the left shows a warrior wearing a helmet and armor with sleeves (a terracotta figurine of the Western Jin Dynasty unearthed in Henan Province). The right picture shows a warrior wearing bright armor (pottery figurine unearthed in Luoyang, Henan Province). [edit paragraph] Wei and Jin costumes of the fourth Wei, Jin, and North and South Dynasties costumes Clerical officials wearing beam crowns and shirts (Gu Kaizhi's "Luoshen Fu Figure" partial). Luoshen Fugu is a long scroll painting based on Cao Zhi's Luoshen Fugu. Luoshen is the god of Luo water. It is said to be the daughter of the ancient emperor Mi Xi. Cao Zhi used it to express his feelings of sadness, bitterness and uncertainty after losing his love. The image of the god of Luo painted in the picture, whether from the point of view of hair or clothing, are popular attire in the Eastern Jin Dynasty. The men's costumes are more characteristic of the era, generally wearing shirts with large fluttering sleeves. Until the Southern Dynasties period, this kind of shirt is still loved by men of all classes and became a momentary fashion. In addition, the figure of the attendants wear more cage crown, cage crown image and the image unearthed in the Northern Dynasties tomb is slightly the same, however, the time is earlier than other sources, it can be seen that the cage crown is not from the Hu customs, but first in the Central Plains region after the popularity of the North before gradually spread to the North, becoming one of the main crowns of the Northern Dynasties period. Wei Jin cage crown big sleeve shirt Wei Jin North and South Dynasties cage crown big sleeve shirt Wei Jin period men generally wear big sleeve fluttering shirt, until the Southern Dynasties period, this kind of shirt is still for all classes of men's hobby, become a moment of fashion. The image of the cage crown is slightly the same as that of the image unearthed in the tombs of the Northern Dynasties, however, the time is earlier than other sources, so it can be seen that the cage crown is not from the Hu custom, but first popular in the Central Plains area later, then gradually spread to the north and became one of the main crown styles in the Northern Dynasties period. This picture shows the big-sleeved wide shirt and the lacquer yarn cage crown. Wei Jin noblewoman dress Wei Jin North and South Dynasties women's clothing Wei Jin period women's clothing inherited the legacy of the Qin and Han, and absorbed minority dress characteristics, improved on the basis of tradition, generally wearing a shirt, jacket, 襦, wearing a skirt, the style is mostly on the frugal under the abundance of the body part of the body tightly fitted, fat cuffs, the skirt for the tucked skirt, the skirt is long trailing the ground, the hemline loose, so as to play to the effect of handsome and dashing. Together with the rich jewelry, reflecting the style of luxury and luxury. This picture shows a noblewoman wearing a Chineseized dress. Wei and Jin Noble Men's Clothing Wei and Jin North and South Dynasties Clothing Men in the Wei and Jin Dynasties generally wore shirts with large fluttering sleeves until the Southern Dynasties period, and this kind of shirts were still preferred by men of all classes, and became a momentary fashion. Wei and Jin Emperor's Casual Clothing Emperor's Casual Clothing during the Wei, Jin and North and South Dynasties Period The image of Luoshen depicted in the picture, whether from the point of view of the hair style or clothing, is a popular attire during the Eastern Jin Dynasty. Men in the Wei and Jin Dynasties generally wore large-sleeved fluttering shirts, until the Southern Dynasties period, this kind of shirt is still loved by men of all classes, becoming a momentary fashion. Wei and Jin Officials Dress Wei, Jin and North and South Dynasties Period Officials Dress Wei and Jin period men generally wear large-sleeved fluttering shirt, until the Southern Dynasties period, this shirt is still for all classes of men's hobby, became a fashion. The crown and cap of the Wei and Jin Dynasties were also very distinctive. Han Dynasty scarf conical cap is still popular, but slightly different from the Han Dynasty is the conical cap after the high, the volume is gradually reduced to the top, then called "flat on the conical cap" or called "small crown". Small crown both up and down, north and south pass. If the conical cap on the cage, that is, "Cage Crown". Cage crown is the main crown in the Wei, Jin, and North and South Dynasties period, used by both men and women. Because made of black lacquer yarn, also known as "lacquer yarn cage crown". Wei Jin and Jin scholar dress Wei Jin and North and South Dynasties period scholar dress Scholar wearing a scarf, wearing a wide shirt (Sun Bit "Gao Yi Tu" partial). Gao Yi Tu" is China's ancient figure painting in the outstanding works, it is from the hands of the Tang Dynasty painter Sun bit, but has a strong Wei and Jin style. The picture shows four scholars sitting cross-legged on a flower carpet, either wearing small crowns, or wrapped in scarves, and wearing broad shirts. Each of them is accompanied by an attendant, also wearing a wide-sleeved shirt. From the composition of the picture and the arrangement of the characters, and Nanjing Xishanqiao Southern Tomb unearthed the "Seven Sages of the Bamboo Grove" brick mural is the same, the character's clothing and form as well as the life of the utensils and so on are typical of the Wei, Jin and Northern and Southern Dynasties form. Wei Jin scholar dress Wei Jin and North and South Dynasties period of scholar dress Wei Jin and North and South Dynasties period of dress, there are two forms: one for the Han Chinese clothing, inherited from the Qin and Han legacy; one for the minority dress, attacked the northern custom. Han men's clothing, mainly shirts. Shirt and gown in the style there is a clear difference, according to the Han Dynasty custom, where known as the robe, the end of the sleeve should be converged, and equipped with the mouth of the expectoration. While the shirt does not need to cast dispel, spacious cuffs. Shirt is not subject to the Ministry of clothing and other constraints, the Wei and Jin costumes are increasingly wide, become a custom, and has been affecting the North and South Dynasties dress, from the princes and eminent persons, down to the populace and the people, are to wide shirt with big sleeves, praise clothing for the Shang Bo Belt. From the heirloom paintings and unearthed images of people, can be seen in this situation. In addition to shirts, men's clothing and robes 襦, the lower garment more pants and skirts. Wei Jin Shi Da Fu dress three Wei Jin and North and South Dynasties period of Shi Da Fu dress Wei Jin and North and South Dynasties period of dress, there are two forms: one for the Han Chinese clothing style, inherited from the Qin and Han legacy; one for the ethnic minority dress, inherited from the northern custom. Han men's clothing, mainly shirts. Shirt and gown in the style there is a clear difference, according to the Han Dynasty custom, where known as the robe, the end of the sleeve should be converged, and equipped with the mouth of the expectoration. While the shirt does not need to cast dispel, spacious cuffs. Shirt is not subject to the Ministry of clothing and other constraints, the Wei and Jin costumes are increasingly wide, become a custom, and has been affecting the North and South Dynasties dress, from the princes and eminent persons, down to the populace and the people, are to wide shirt with big sleeves, praise clothing for the Shang Bo Belt. From the heirloom paintings and unearthed images of people, can be seen in this situation. In addition to shirts, men's clothing and robes 襦, the lower garment more pants and skirts. Officials of the Northern Dynasties in plain clothes Officials of the Northern Dynasties in plain clothes The left picture shows an official (Northern Dynasties terracotta figurine) wearing a cornet and a small-sleeved shirt. In the middle picture is a man wearing a cape and pants with his right arm uncovered. The right picture shows an official wearing a sudden riding hat and a large-sleeved shirt (a painted terracotta figurine unearthed in Beibaidao, Magixian County, Hebei Province). There are several styles of hats in the Wei and Jin dynasties: a "white high hat", "the system is not certain, or a rolled lotus, or under the skirt, or yarn high house, or a long ear of silk"; a "sudden riding hat", "now the Hu hat, hanging down the skirt, or a long ear of silk"; and a "sudden riding hat", "now the Hu hat, hanging down the skirt, or a long ear of silk. "now Hu cap, hanging skirt over the belt, cover the remains of the image of the hair also". Wei Jin period general men's clothing mainly for large-sleeved shirt, crotch folds and two crotch. Men generally wear large-sleeved fluttering shirts, until the Southern Dynasties period, this kind of shirt is still loved by men of all classes, becoming a momentary fashion. In the picture, the clothes worn by the officials outside, shaped like a cloak, although equipped with sleeves on both sides, but no practical use. From the image data, the Sui and Tang dynasties are still popular such attire, both men and women can wear. One of the Wei and Jin women's hair Wei, Jin, North and South Dynasties period of women's makeup Wei, Jin, North and South Dynasties period of women's hair, and the previous generation is different. Wei and Jin popular "shielded bun", is a kind of fake bun, Jin Cheng Gong "shielded bun inscription" has made a special account of the bun inlaid with gold ornaments, each with a strict system, non-fatal women shall not be used. Ordinary women in addition to their hair pulled into a variety of styles, there are also wearing a fake bun. However, this kind of fake bun is more casual, the decoration on the bun is not as complicated as the hidden bun, sometimes called "slow sideburns pouring bun". Many other women imitated the customs of the ethnic minorities in the western region, and pulled their hair into a single or double-ringed bun, towering over the top of their hair. There are also those who wear a bun or spiral bun. In the Southern Dynasties, due to the influence of Buddhism, women more in the top of the hair in the middle of the split bun, made of upward vertical ring style, called "flying bun", first popular in the palace, and then popularized in the private sector. Wei and Jin women's hair style of the second Wei, Jin, North and South Dynasties period of women's makeup Wei, Jin, North and South Dynasties period of women's hair style, different from the previous generation. Wei and Jin popular "shielded bun", is a kind of fake bun, Jin Cheng Gong "shielded bun inscription" has made a special account of the bun with gold ornaments, each with a strict system, non-domestic women shall not be used. Ordinary women in addition to their hair pulled into a variety of styles, there are also wearing a fake bun. However, this kind of fake bun is more casual, the decoration on the bun is not as complicated as the hidden bun, sometimes called "slow sideburns pouring bun". Many other women imitated the customs of the ethnic minorities in the western region, and pulled their hair into a single or double-ringed bun, towering over the top of their hair. There are also those who wear a bun or spiral bun. In the Southern Dynasties, due to the influence of Buddhism, women more in the top of the hair in the middle of the split bun, made of upward vertical ring style, called "flying bun", first popular in the palace, and then popularized in the folk. In the bun and then add decorative hairpin, flower tin, hairpin tweezers, or inserted with flowers. Wei and Jin women's hair style of three Wei, Jin, North and South Dynasties period of women's makeup Wei, Jin, North and South Dynasties period of women's hair style, different from the previous generation. Wei and Jin popular "shielded bun", is a kind of fake bun, Jin Cheng Gong "shielded bun inscription" has made a special account of the bun with gold ornaments, each with a strict system, non-fatal women shall not be used. Ordinary women in addition to their hair pulled into a variety of styles, there are also wearing a fake bun. However, this kind of fake bun is more casual, the decoration on the bun is not as complicated as the hidden bun, sometimes called "slow sideburns pouring bun". Many other women imitated the customs of the ethnic minorities in the western region, and pulled their hair into a single or double-ringed bun, towering over the top of their hair. There are also those who wear a bun or spiral bun. In the Southern Dynasties, due to the influence of Buddhism, women more in the top of the hair in the middle of the split bun, made of upward vertical ring style, called "flying bun", first popular in the palace, and then popularized in the folk. In the bun and then add decorative hairpin, flower tin, hairpin tweezers, or inserted with flowers. Wei Jin women's hair style of the fourth Wei Jin and North and South Dynasties period of women's makeup Gu Kaizhi "Women's History", colorful silk, according to the Western Jin Dynasty writer Zhang Hua "Women's History" article and painting. The scroll*** has nine sections, of which this is one, showing a noblewoman seated on the ground, with an attendant girl cutting her hair and combing her make-up. The maid (standing) wears her hair in a high bun, with jewelry on top and a tail hanging down from the back of the bun. This type of hair style already appeared as early as the Han Dynasty, and after the Wei and Jin Dynasties, it became popular again and became the main hairstyle for the majority of women. It is also depicted in another scroll by Gu Kaizhi, "The Picture of the Ladies" (Gu Kaizhi's "Women's History"). (Part of Gu Kaizhi's "Women's History"). Wei Jin Mixed Train Long Hair Clothes I Mixed Train Long Hair Clothes in Wei Jin and North and South Dynasties Period During the Wei Jin and North and South Dynasties Periods, the traditional deep clothing system was no longer used by men, but it was still worn by some people among women. This kind of clothing has been quite different compared with the Han Dynasty. In the hem part of the clothes, add some ornaments, usually made of silk fabric. It is characterized by a wide top and a pointed bottom shaped like a triangle, and layers upon layers. In addition, because of the long belt from the dress outstretched, walking, such as swallows flying. To the North and South Dynasties, this dress has changed, removed the trailing belt, and the sharp corner of the "swallow tail" lengthening, so that the two into one. Wei and Jin Mixed Train Draped Long Hair Costume II Wei, Jin and North and South Dynasties Period Mixed Train Draped Long Hair Costume During the Wei, Jin and North and South Dynasties Periods, the traditional deep dress system was no longer used by men, but it was still worn by some people among the women. Compared with the Han Dynasty, this kind of clothing has been a big difference. Typically, the clothing is decorated with "long hair". The so-called "fiber" is a kind of ornament fixed in the hem of the clothes. Usually made of silk fabric, it is characterized by a wide top and a pointed bottom like a triangle, and the layers are stacked on top of each other. The so-called "long hair", refers to the belt that extends from the dress. Because the belt dragged longer, walking, like a swallow flying. To the North and South Dynasties, this dress has changed again, removed the trailing belt, but the sharp corner of the "swallow tail" lengthening, so that the two into one. One of the Wei and Jin women's dresses Wei, Jin and North and South Dynasties period of women's dresses Wei and Jin period of women's clothing, are mainly broad, characterized by: lapel, girdle, wide sleeves, and in the cuffs, lapels, hem embellished with different colors of the edge of the decorations, under the striped color skirt, waist with a piece of silk belt tie. At that time, the women's lower garment, in addition to the inter-colored skirt, there are other skirt type. Wei Jin Xinjiang weaving pattern brocade shoes Wei Jin North and South Dynasties women's dress Wei Jin North and South Dynasties period, women wear shoes, boots, etc., there are leather shoes, silk shoes, hemp shoes, brocade shoes, etc. Where the marriage of a woman's family first under the silk shoes, the first time the family of a woman to get married. Where the family of a married woman first under the silk shoes as a rite of passage. Shoes in the form of wind head Crawler, poly cloud Crawler, five Duo Crawler; Song has a heavy platform Crawler; Liang has a sub-tip Crawler, Li Feng Crawler, Wat head Crawler, five-color Yunxia Crawler; Chen has a Yuhua Fei head Crawler; Western Jin Dynasty and the Hat head Crawler. Some of them are named after the form, some are named after the color. Various kinds of crawler are not necessarily women wear, such as the wind head, standing wind, five-color clouds, Yu Hua Fei head of women wear; heavy platform crawler is a thick-soled shoes, both men and women, because the North and South Dynasties when the foot of men and women are no different. There were also shoes with rust patterns, such as Lu Ji's "The Weaver's Grievance", which had "embroidered shoes"; and Shen Yao's "brocade shoes with floral patterns" in the Liang Dynasty. In addition, wooden clogs were also worn by women at that time. Wei and Jin Women's Dresses and Skirts No. 2 Women's Dresses and Skirts of the Wei, Jin, and North and South Dynasties Periods The picture shows noblewomen and attendants wearing large-sleeved shirts and inter-colored striped skirts (murals of the Mogao Caves in Dunhuang) and large-sleeved shirts and inter-colored skirts (restored from the mural paintings of the feeders of the Mogao Caves in Dunhuang). On both sides of the canopies of the Dunhuang Mogao Caves and underneath the Buddhist stories, there are often rows and rows of neatly arranged men and women, the smallest of which are only a few inches, while the tallest are as tall as several feet. Among them were powerful officials and ordinary civilians. These figures, all for the construction of the cave has contributed funds, they painted their own image on the wall, indicating that the grotto of the bodhisattva statue of the Buddha are provided by them, so it is known as the grotto master, also known as the feeder. Many of them were accompanied by inscriptions stating their age, title, rank, and family name, among other things. The costumes depicted in this picture were universal at that time, and the ceramic sculptures of women unearthed in Luoyang, Henan Province, also wore this type of clothing. Characterized by: lapel, girdle, wide sleeves, cuffs decorated with a piece of different colors of the sleeve. Under the striped inter-colored skirt. At that time, the women's lower garment, in addition to wearing inter-colored skirt, there are other skirts. Jin people "old things in the East Palace" recorded the Prince's consort clothing, there are reddish-red yarn skirt, Dan Bi yarn pattern double skirt, Dan yarn cup Wen Luo skirt and other famous colors. Visible women's skirt production has been very sophisticated, texture color also varies. Wei Jin messenger dress Wei Jin period of the people's clothing In recent years in Gansu Jiayuguan northeast of the Gobi Beach, found a Wei Jin period of the tomb complex, which has six burial chambers of the tomb bricks painted with color paintings, *** have more than six hundred. The brick paintings are almost all about various scenes of real life, including mulberry picking, plowing, hunting, animal husbandry, cantonment, kitchen, banquets and so on, among which there are more than two hundred paintings depicting the image of laborers,. Such as the farmer's robe, hunter's felt hat, messenger's scarf and conical cap, herdsman's binding, women's periwig and so on are portrayed exquisitely.