What is the specific difference between Hanbok and Japanese clothes?

Hanbok was formed at the beginning of Wang's Koryo dynasty, and finally in the early Korean dynasty (A.D. 1392-19 10).

Before the Tokugawa shogunate, kimono was called "persistence" and "martial arts". The word "fixed use of kimono" is a concept produced in contact with western culture after Tokugawa shogunate.

2. Different colors.

Hanbok is characterized by bright colors and no pockets.

Before the Tang Dynasty, Japanese kimono was single in color, mostly in primitive national style, and the same dress was almost the same color.

Under the influence of Tang culture, the color of kimono, especially the color of Yamato aristocratic clothing, entered a peak period. At this time, nobles were classified by color, such as deep purple, light purple, scarlet, green and black. The color decoration of women's clothing breaks the original single tone, with green, blue and red as the main tone, and other tones or patterns are added at the same time. Bright colors and obvious contrast in tones give people a refreshing feeling.

3. Different origins

Hanbok is a kind of clothing developed through the continuous "national localization" through the integration of Hanbok in Tang Dynasty in China and Korean local clothing in Silla Kingdom in ancient Korean Peninsula.

The origin of kimono can be traced back to the 3rd century. In the Nara era, Japanese envoys came to China and received a large number of dazzling robes. The following year, Japan imitated the costumes of Sui and Tang Dynasties. In Muromachi era, kimono was improved on the basis of inheriting the costumes of Tang Dynasty, while kimono pockets were created under the influence of Christian missionaries wearing robes and belts.

4. Different clothing characteristics

Hanbok has three beauties: the curve of sleeves, the white overskirt and the shape of skirt. The lines of Hanbok are both curvy and straight, especially the tops and long skirts of women's Hanbok are thin on the top and thick on the bottom, plus light and breathable white stockings, which are dignified and elegant. Hanbok with ancient philosophy is not only beautiful, but also practical.

Breathability is a great advantage and feature of kimono, so the cuffs, skirts and hem of kimono can be opened and closed freely. But this kind of opening and closing, especially the opening and closing of the skirt, has a lot to pay attention to. The way of wearing kimono not only gives people a feeling that kimono can't be taken off, but also shows an implicit beauty, which can better show the identity of women engaged in this profession.

The illustration of kimono is as follows:

Hanbok is illustrated as follows:

Extended data:

The Influence of Tang Dynasty Culture on Japan and Korea

Japan and South Korea sent envoys to the Tang Dynasty dozens of times, with hundreds of people. In addition to envoys and sailors, there are also overseas students, scholars, doctors, musicians, forging students, casting students and skilled workers.

Overseas students Kibi No Asomi Makibi and Abe Zhongma Road, monks Konghai and Ren Yuan are the representatives of Japanese coming to Tang Dynasty. Konghai is the author of Wen Jing and Mi Fei and the first Japanese Chinese dictionary, Transfer to Vientiane. In order to seek Buddhism, Ren Yuan traveled to many Daoxian counties in the Tang Dynasty and brought back a large number of Buddhist scriptures.

Wei, the Zen master of Baekje, spread the Jingchu Nuo dance he learned in the Tang Dynasty to Japan and called it Wu Dance. Japanese characters Hiragana and Katakana also evolved from China's cursive script and regular script radicals respectively. At the invitation of Japanese monks, monk Jian Zhen went to Japan for six times and finally succeeded.

The emergence and development of Japanese and Korean national costumes are inseparable from the influence of Tang Wenhua.

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