Mediocrity thinking in architectural design?

The traditional Chinese culture is profound and profound, about how to build social order and how to make people live in harmony, this is the issue that the sages thought and explored exhaustively, and many theories have emerged. Among the hundreds of schools of academic thought that blossomed and competed with each other, Confucianism, represented by Confucius, occupies a very important position, and it has ruled Chinese civilization for more than 2,000 years. The Mean is the core idea of Confucianism and even the entire Chinese traditional culture, and it is the crystallization of the great wisdom of the Chinese nation over the past thousands of years. It is based on the three fundamental principles of nature, Taoism, and education, which are called nature of destiny, cultivation of nature, and cultivation of Taoism, and expounds the highest state of life - neutralization, which means that joy, anger, sadness, and happiness are not yet sent out, so it is called neutral; and sent out and all are in the middle, so it is called neutralization. The center is also the world's great foundation; and is also the world's way. To the center and the harmony, the status of heaven. What do the above words mean and how is the Mean in the end understood? Tracing back to the origin of the word "zhongyong", there have been different ways of saying it over the centuries, but I agree with Xiao Bing's statement that the beginning of zhong is a variety of forms of sacred poles, which were gradually integrated into the meaning of neutrality; zhong originally meant a kind of bell, and then it was used in the meanings of "constant" and "long-lasting". With modern people's more unified statement, mediocrity is to do things without bias, and I understand that mediocrity contains two meanings, namely, to achieve harmony, that is, to do things without bias, to achieve the harmony of all things in the universe. That is, to achieve harmony in the universe by doing things impartially. That is, to achieve harmony in the universe by doing things impartially. I think that Mr. Fang Dongmei's understanding of the principle of neutralization has revealed the essence of mediocrity: mediocrity - neutralization attempts to maintain a kind of harmony in the universe, a kind of balance between human beings and nature, and all things, and then establish the maximum degree of love, which is also known as sincerity - treating all things with love, and coordinating the universe with sincerity, so as to achieve The world is the same, heaven and mankind are one, that is to say, selfless, unobstructed, infinite benevolence.

2Medieval Thought in Architectural Design

What is the relationship between medieval thought and architectural design?

It was said above that the middle way of thinking is about harmony, and the pursuit of things balanced and harmonious. In terms of architectural design, mediocrity is not only a goal, but also a method of design thinking, and I think that the mediocrity of the building with the beauty of balance and harmony is the highest state of architectural design. How does the middle way of thinking specifically guide the architectural design? I have the following experience:

2.1 architectural design should pay attention to the whole, should pay attention to the harmony of the building and the surrounding environment, and should not pursue the so-called individuality, maverick, affecting the overall environment, only in this way can we achieve the purpose of the sky status.

2.2 architectural design should also pay attention to their own characteristics, and should not only pursue the whole and lose themselves, this is the medieval thought emphasizes the fate of the so-called sex, rate of so-called repair, cultivation of so-called teaching, should do and different.

2.3 architectural design should also pay attention to the building of the times, otherwise it will be like what the Meiji said that the birth of this world against the ancient way, so that, the disaster and its body also.

2.4 factors affecting the architectural design is a lot of, form and function, local and overall, individual and environmental, cost and beauty, innovation and tradition, architecture and structure, etc., the architect should be based on the specific circumstances like a pianist to distinguish between the light, heavy, slow and sharp to play a beautiful piece of music. This process is the most difficult to grasp is the degree, so the evaluation of the level of an architect is an important criterion for the degree of pinpointing whether accurate, only to master the degree, in order to achieve, and then reach and.

3 application in design practice

CCTV building is Mr. Koolhaas' masterpiece, how to evaluate such a work, there are many factors involved, but as we all know, as a high-rise building, especially like the CCTV building, such as a 200m-high building, structural reasonableness is an important factor that must be taken into account in the design of the building, and the designer is exactly the opposite, trying to increase the difficulty of structural design. Difficulty, such a practice in the world is also extremely rare, of course, modern technology can solve this problem, but the solution behind the meaning of what we know very well. Architecture should fully utilize and express advanced technology, which is the requirement of the era of architecture, there is no excuse, but Mr. Koolhaas' design is extremely exaggerated in the expression of technology, reversing the relationship between architecture and technology, resulting in the construction of the building has become a slave of technology. Therefore, from the point of view of mediocrity, Mr. Koolhaas's design is by no means the best choice, let alone a perfect work. The fundamental reason is that Mr. Koolhaas exaggerates one element of architectural design without balancing it with another, resulting in the loss of a balanced and neutral beauty of his work.

The Sydney Opera House is the most important work of Mr. Wu Chong's life, and today it has become a symbol of Sydney and Australia as a whole. Professor Guan Zhaoye said at the Hubei Architecture and Culture Forum that it is a very outstanding building, but I think it sets a very bad precedent, that is, there is no relationship between its form and its interior, which is contrary to the form and interior space' which has been the principle followed by architects since ancient times. This is contrary to the principle that architects have been following since ancient times, that 'form should express the internal space', which involves the relationship between function and form of the building, and modern architectural theory believes that form should follow function, and regards it as one of the important principles of modern architecture. The development of architecture today, many people have questioned this, one of my friends in the construction industry has flirted with: the functional classification of the building on so many categories, the form of the building is not just so many kinds! Although the words are more partial, but not unreasonable, I think the factors affecting the form of the building is a lot of factors, avoiding the specifics of the building to talk about the relationship between the building and the form of the building, and to evaluate the success of a building, itself is biased. The Sydney Opera House is located on a peninsula near the sea, the prominent position of the city contour, taking the mission of the city symbol. Facts have proved that it is successful, the main factor in determining the form of its building is no longer a building function, so that the world said it, the first thought is Sydney rather than the Opera House, if its objective to guide the later building did not correctly deal with the relationship between the function and the form of the fault is not in the Sydney Opera House, but in its own.

Changsha Jianzhu Museum is a cultural project designed by me, the main function is to protect, study and display the Three Kingdoms Wu Jian unearthed in Changsha, the project construction address is located in Changsha, east of the famous historical building Tianxin Pavilion, in the Jianxiang Road and Baisha Road between the narrow strip, the project building area of 13600 m2. How should such a project be designed? What are the main factors? After analyzing the site and the project itself, we believe that the following three aspects are the key to the success of the design of this project: firstly, we should deal with the relationship between this project and the surrounding environment, especially with Tianxin Pavilion; secondly, how to deal with the modern inheritance of the traditional Chinese architectural culture; thirdly, how to make Changsha Museum of Jianshen in the future operation in a benign business status. The third is how to make Changsha Jianzhu Museum in the future operation in a benign business state. This is the special nature of this project, according to our survey, the vast majority of museums in the country belong to the state of loss of government subsidies, and the project is a thematic museum, the Jane's letter is not strong ornamental, Changsha municipal government's financial resources are limited, so this is an architect must consider the problem, otherwise a museum that no one patronized, a museum that is difficult to maintain the museum is not a good museum.

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