Traditional Culture Encyclopedia - Traditional culture - Why did Jin Shangyi draw a Tajik bride? What is the creative background of Tajik Bride?

Why did Jin Shangyi draw a Tajik bride? What is the creative background of Tajik Bride?

Why did Jin Shangyi draw a Tajik bride? What is the creative background of? Interested readers can pay attention to school easy search.

Speaking of Tajik brides, this painting is actually ok. It's famous, expensive and popular. Recently, many people also think this painting is very personal. Who painted it? In fact, the school easy search has found the place he wants to go. Look at this. It's interesting to say, the creative background of Tajik Bride. Let's continue the analysis.

Author of Tajik Bride

The author of The Tajik Bride is Jin Shangyi, a native of Jin Shangyi, and 1934 was born in Jiaozuo, Henan. 1953 graduated from the painting department of the Central Academy of Fine Arts. 1957 graduated from Maksimov oil painting training class and stayed in the printmaking department to teach sketch. 1962 joined the first studio of oil painting department as a teacher. Former president of Central Academy of Fine Arts. He is currently a doctoral supervisor, professor, chairman of China Artists Federation, vice chairman of China Artists Federation, member of the Standing Committee of Chinese People's Political Consultative Conference, honorary member of the 10th China Federation of Literary and Art Circles, honorary doctor of Macau University of Science and Technology, and honorary chairman of the 9th China Artists Federation.

Tajik bride creates background

At this stage of the creation of Tajik Bride, China is in the transition period of reform and opening up. The human spirit has been released between 0 and 0. China's oil paintings are faced with the choice of old and new concepts, eastern and western cultures, painting techniques and ideological connotations. There are different opinions in the whole painting circle. In the chaos. At this time, the appearance of Tajik brides changed this pattern. In the photo, the bride looks dignified and shy before the joy is about to take shape, but she doesn't have to smile. Full of oriental aesthetic taste. At the same time, the author made an in-depth study on the modeling of western oil paintings, paying attention to the sense of volume in the works, using side light to enhance the contrast between light and shade, enhancing the contrast between color blocks, highlighting red, and going straight to the festival host. In order to create a strong artistic effect. The combination of "meaning" of China's aesthetic taste and "form" of western oil painting language shows the spiritual beauty and human beauty of China people in real life, and clearly reflects the author's artistic pursuit. Please. This painting was also regarded as the beginning of "neoclassicism" by China oil painting circles at that time.