Traditional Culture Encyclopedia - Traditional culture - In what year was Yunmeng Shadow Play selected into the national intangible cultural heritage list?
In what year was Yunmeng Shadow Play selected into the national intangible cultural heritage list?
Yunmeng shadow play originated in the mid-Qing Dynasty, and formed a unique performance form and production style during its spread. Generally speaking, Yunmeng shadow play is light and simple, and only two people are needed for the performance. The front stage artists are responsible for manipulating shadow play and singing, while the backstage artists are responsible for percussion accompaniment.
Commonly known as Gongqiang or Errentai, it is commonly known as the Qing Opera. The singing of Yunmeng Shadow Play is clear and bold. Through the artistic practice of artists from generation to generation, the singing style of life, beauty, purity and ugliness has gradually formed, commonly known as skeleton tune. Later, influenced by sisterhood, they merged the vocals of Chu Opera and Han Opera, and added string accompaniment to enrich the dishes.
Form of expression:
The singing of Yunmeng Shadow Play is influenced by Geyang accent brought by Jiangxi immigrants. The lead singer belongs to Xixiang high-pitched tune, which is mostly connected with falsetto. This singing method is characterized by high pitch, chorus, no stringed instruments, only accompanied by the percussion of gongs and drums, so it is also called "Gong cavity".
Influenced by other art forms, the singing of Yunmeng Shadow Play is integrated into the singing of Chu-Han Opera, such as "Yunmeng beating the wheat chant" as a niche, "Mo 'er Song" as a Hua Dan tune, and "Filial Piety Song" as a sad tune, gradually forming a cavity of life, Dan, purity and ugliness, which is divided into guiding disc, supporting wall and Erliu.
Baidu Encyclopedia-Shadow Play (Yunmeng Shadow Play)
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