Excuse me, who knows the aesthetic characteristics of names in Qing Dynasty?

The prevalence of "literary inquisition" in Qing dynasty led to the silence of Qing people on political current affairs. Intellectuals are afraid that their words will lead to disaster, so they stay away from practical research and devote themselves to the study of literary exegesis and classical textual research that have nothing to do with the national economy and people's livelihood. Their words can't directly express their thoughts and pursue implicit style, which also affects the rhetoric of Qing people's names. Although the Qing people often used double names, the double names of the Qing people did not have clear and obvious meanings like those of previous dynasties. Different from the names of Anbang, Dingguo, Guangxu and Yannian, the names before and after the double names of Qing people can not be directly combined into words, or directly extracted from scripture idioms, such as Sansi, Panlong and Shen Xing. There is often no direct grammatical connection between the two words, but only an indirect echo in meaning, thus forming the name of Qing people. Such as: Huang Zongxi, Geng Jimao, Hong Chengchou, Pan, Fu, Cha Jizuo, Wei Xiangshu, Xu, Yan Hongkui, Hu Zhongzao, Liang, Dai Quheng, Lin Chunpu, etc., the two names cannot be combined into words, and their meanings can only be expressed.

We only analyzed the characteristics of naming in Qing Dynasty from two aspects. In fact, as an era of traditional culture in China, the Qing Dynasty also collected the achievements of naming art in the past dynasties, and its naming words were rich and colorful, which could not be covered by one or two characteristics.