What is the order of five tones in ancient China music? Which tone does each represent in western music?

The five-tone sequence of China ancient music is "Gong, Shang, Jiao, Zheng and Yu", which corresponds to the sounds of western music: do, re, mi, sol and la, and there is no "fa" and "ti" with a semitone rising.

Of course, the five-tone roll call of ancient China music can't be the same as that of western music, which used "harmony, justice, delay and fairness" in the Tang Dynasty. In older times, it used "Gong, Shang, Jiao (pronounced jué), Zheng (pronounced zhǐ) and Yu".

For example, Jasmine in Jiangnan minor, which is still heard from time to time, is one of the ancient songs. If it is a roll call singing method, there are only "many, come, rice, rope and pull", and there is no "law" or "sparse" sound at all; Famous ancient songs, such as "Man Jiang Hong" written by Yue Fei.

Extended data:

The "pentatonic" in music is the "pentatonic". Among the five tones of Gong, Shang, Jiao, Zheng and Yu, the ancients usually used Gong as the first tone of the scale, and Shang, Jiao, Zheng and Yu also served as the first tone.

If gong is the first sound, the five tones are gong (1), quotient (2), angle (3), sign (5) and feather (6); If the sign is the first tone, the pentatonic scale is: sign (bass 5), feather (bass 6), palace (1), quotient (2) and angle (3).

The first sound of the scale is different, so the mode is different. Palace is the starting point of scale, that is to say, palace is the most important tonic in music melody; Taking quotient as the starting point of the scale is the quotient key, the quotient is the main key, and so on. In this way, pentatonic scale can have five different tonic modes. Similarly, a heptatonic scale can have seven different tonic modes.

Baidu Encyclopedia-Ancient Five Tones