Traditional Culture Encyclopedia - Traditional culture - What are the writing characteristics of Camel Xiangzi? There must be an example.
What are the writing characteristics of Camel Xiangzi? There must be an example.
Camel Xiangzi describes the tragic experience of Xiangzi, an upright and strong young driver, from hope, frustration, struggle to despair and finally reduced to urban garbage, revealing the oppression and exploitation of the working people in the dark old society, expressing deep sympathy for the workers and criticizing selfish and narrow individualism.
"Camel Xiangzi" takes Xiangzi's three ups and downs of buying and selling cars as a clue to start the story. The structure is simple and meticulous, and the plot arrangement is patchy.
The author combines China's traditional narrative method with the scenery arrangement and psychological description of foreign literature, and creates a series of vivid characters. Among them, the appearance of the hero and the tigress won the favor of readers with their unique artistic charm, which profoundly reflected the darkness of the old society.
Xiangzi was originally an upright, kind and hardworking man. He makes money by working wholeheartedly. His greatest wish in life is to buy a car. In the distance, he wants to open a factory, marry an innocent girl and live a good life. This wish is not high, but in such a dark society, a humble driver's hope of "buying a car" has become an extravagant hope. He struggled for hope again and again, fell into disappointment again and again, and finally even the hope of life was shattered.
Tragic color is a major feature of Camel Xiangzi. In the novel, not only the appearance, but also the overbearing Si Liu, the arrogant and provocative tigress, the kind and strong joy, and the grandparents and grandchildren of the lonely pony are gradually heading for despair. The tragedies of these characters constitute social tragedies.
The language of Camel Xiangzi is unique. The author vividly depicts the manners and manners of the lower class people in Beiping with the processed and refined Beijing dialect. The author also describes the natural features of Beiping and the ancient capital customs of Beijing dialect with simple and natural brushstrokes, which makes the works rich in regional culture and market atmosphere.
Another feature of the work is the delicate and in-depth portrayal of the characters' psychology. Xiangzi was taciturn, and the author used a great psychological description to show his personality characteristics and the process of ideological change. Based on the understanding of the lower class people in Beiping and the familiarity with the little people, the author vividly depicts the psychology of the lower class people in simple language.
China's modern literary world has advocated civilian literature since the May 4th Movement, but it was not until the birth of Camel Xiangzi that the working people really became the protagonists, and were represented and described by the novel art. Lao She established the status of the first urban civilian literature because of Camel Xiangzi.
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