How to evaluate the movie "Holy Car Shop"?

What does this film reflect? Some people say that it reflects today's film industry. Under the glamorous appearance, actors are like chess pieces, unable to choose their own roles. Then someone sublimated the theme and linked it with drama such as life. Isn't that what everyone does? So I deeply feel that life is like a play. Of course, there is no doubt that this explanation has some truth, but I don't think this is the focus of film reflection. When the theme of any film rises to a certain height, it will come to the conclusion of "pan-humanization". I think the focus of this film should start with "metafilm". Usually, a "metafilm" will show the production process of the film, such as the films of several big directors such as Eight and a Half mentioned above. The most "meta-animation" feature of Holy Car Shop is that in the second task, two actors showed us the most commonly used motion capture technology in today's movies. Many data lines are placed on them to scan the movement, and then the computer records the data and gives it a virtual image-two monsters with heads and snakes in the film. Finally, this "monster" can move freely like human beings. Real people are hidden under the mask of this "monster". When virtual technology was just emerging, James? Cameron predicted: "Future movies may not need actors." Perhaps this is the reflection focus of "The Sacred Car Shop", and it is also a Leo? Calaque, the director of "Post-New Wave", is the source of anxiety. Between the fifth task and the sixth task, the actor Oscar has a conversation with his boss, which I think is the theme of this film. Among them, Oscar said: "I just miss the camera. When I was young, they were taller than all of us. Later, they became smaller than our heads. Now we can't see them anymore, so sometimes it's really hard to have faith. " In the past, actors always faced the camera when performing. The camera is like an audience, watching them. However, "motion capture technology" cancels the camera, which makes the actors' performance at a loss. In addition, motion capture technology also cancels the actors' faces, only pays attention to their movements, obliterates the gap between male and female actors, and wants to put the same mask on the actors, just like the mask worn by the female driver at the end of the film. In a word, a new movie based on virtual technology will become the terminator of traditional movies. In a sense, the film is dead. Therefore, unlike other metafilms, the metafilm "Holy Car Shop" discusses the existence of the film after death.