Designers who use traditional patterns.

Zuhair Murad's autumn and winter haute couture series was inspired by his trip to Morocco, and various elements in Morocco inspired his imagination and creativity-such as traditional carpet patterns, commodity patterns in the market, headscarves wrapped by pedestrians, women's tunics and other design elements. Finally, the designer presented us with a luxurious fashion feast. Luxurious fabrics such as silk, satin and taffeta are used, and the gorgeous decoration is dotted with traditional tribal tattoo patterns, mainly in warm colors such as gold, brick, orange, amber, purple and green. Traditional Jewish belts and hair bands run through the whole fashion collection. Mopping skirts, shawls and sleeves make the overall outline of the model more elegant and beautiful. In addition, one of the creativity of this series is that the designer used ostrich feathers and hair bands, which injected the feeling of Saint Laurent in the 1970s into the whole series. At the same time, Indian elements such as paisley patterns add a sense of bohemian fashion. On the other hand, these clothes decorated with feathers exude the charm of ancient Hollywood.

The fashion show started with flared sleeves and a Persian-style deep V-neck mini skirt with rock boots. Then there is a two-piece suit with tribal embroidery, and a one-shoulder black dress with orange and deep purple swirl prints.

Magenta and burgundy short skirts with feathered sleeves and traditional tribal geometric beading are very substitutive and immersive.

The models look like tattooed mermaids, wearing well-tailored mopping dresses embroidered with geometric patterns or Persian-style patterns.

Zuhair Murad is good at designing different kinds of cloaks. But the whole cloak is made of orange chiffon fabric, which is elegant and soulful. In addition, the black cloak dress is covered with decorations, and the green dress uses a lot of decorative feathers and embroidery.

Here are two models, one is chiffon and the other is velvet. Both models have shawls, one is a swirl bead and the other is an off-the-shoulder shawl.

One of my favorite shapes is this striking beige chiffon skirt. The upper part of this work is embroidered with geometric patterns, and there are many beads and mop sleeves, which are very imposing.

After the glittering gold dress show, many people rushed to order. It is estimated that people wearing these two clothes must be as dazzling as stars at dinners and awards ceremonies.

Champagne jumpsuits, Lavalliere bows and feather-decorated sleeves are a tribute to Yves Saint Laurent) 1965 series, which was a breakthrough of feminism at that time, and feminine bows echoed men's ties.

This orange dress with Arabic geometric patterns shows retro charm, and ostrich feathers set off the decorations on the corset and sleeves.

A dress that continues the retro style, highlighting the outline with different feathers every time.

The next design seems to come from the end of Arabian Nights: a variant of the bow of Rabari, a fully embroidered dress, which is very luxurious and precious.

This set of emerald and burgundy tight skirts, the popular mop sleeves in the middle ages, the embroidered shape and the slender figure like a goddess are dazzling.

I like this gold embroidered skirt, which has a swirl pattern to deepen the V-neck design. The waist structure design draws lessons from the medieval structural tailoring.

The designer improved the outline of the prom dress, added skirts of the same color, such as purple or black, or spliced various exquisite patterns.

Asymmetric fluffy long skirts mix traditional carpet patterns and sexy short skirts or tights, which has a particularly charming modern feeling.

The bride looks like an angel in an ivory dress dotted with sparkling crystals. The veil of silk tulle sets off her graceful figure and covers her shoulders in a pleated way, creating a mysterious and sacred atmosphere.

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